ᱵᱷᱟᱱᱩᱯᱨᱤᱭᱟ (ᱡᱟᱱᱟᱢ ᱺ ᱢᱚᱝᱜᱚᱞᱚᱢ) ᱫᱚ ᱢᱤᱫ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱤᱢ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ, ᱠᱩᱪᱤᱯᱩᱰᱤ ᱱᱟᱪᱚᱱᱤᱭᱟᱹ ᱟᱨ ᱥᱮᱨᱮᱧ ᱨᱩᱥᱤᱠᱟ ᱠᱟᱱᱟᱭ ᱾ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱢᱩᱬᱩᱛ ᱨᱩᱯ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱞᱩᱜᱩ ᱥᱤᱱᱮᱢᱟ ᱟᱨ ᱛᱟᱢᱤᱞ ᱥᱤᱱᱢᱟ ᱨᱮ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱮ ᱵᱟᱰᱟᱭᱚᱜᱼᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱛᱤᱱᱟᱹᱜ ᱜᱟᱱ ᱢᱚᱞᱭᱟᱞᱟᱢ ᱟᱨ ᱠᱟᱱᱱᱟᱰᱟ ᱯᱷᱤᱞᱤᱢ ᱠᱚ, ᱵᱚᱞᱤᱣᱩᱰ ᱟᱨ ᱧᱮᱱᱮᱞᱚᱢ ᱨᱮᱦᱚᱸ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱮ ᱵᱟᱰᱟᱭᱚᱜᱼᱟ ᱾ ᱟᱡᱟᱜ ᱠᱷᱮᱞᱚᱸᱰ ᱨᱮᱱᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱫᱚ ᱛᱟᱢᱤᱞ ᱯᱷᱤᱞᱤᱢ ᱢᱤᱞᱥ ᱯᱮᱥᱚᱝᱜᱚᱞ (᱑᱙᱘᱓) ᱠᱷᱚᱱ ᱦᱩᱭ ᱞᱮᱱ ᱛᱟᱦᱮᱸᱱ ᱾ [᱑][᱑] ᱱᱤᱭᱟᱹ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱫᱚ ᱛᱮᱞᱩᱜᱩ ᱦᱤᱴ ᱤᱯᱤᱞᱟᱝ ᱨᱮᱭ ᱧᱮᱞ ᱧᱟᱢ ᱮᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱛᱮᱞᱩᱜᱩ ᱨᱮ ᱩᱱᱟᱹᱜ ᱥᱮᱨᱢᱟ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱢᱟᱨᱟᱱᱜ ᱯᱦᱤᱰᱚᱨ ᱯᱷᱤᱞᱤᱢ ᱨᱮᱱᱟᱜ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱯᱷᱤᱞᱤᱢ ᱥᱤᱨᱯᱷᱟᱹᱭ ᱡᱤᱛᱠᱟᱹᱨ ᱞᱮᱱᱟ ᱾ ᱱᱤᱭᱟᱹ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱫᱚ ᱑᱙᱘᱕ ᱨᱮ ᱢᱤᱥᱴᱨᱤ ᱯᱷᱤᱞᱤᱢ ᱨᱮ ᱢᱤᱫ ᱪᱮᱬᱮ ᱥᱟᱬᱮᱥᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱯᱟᱴ ᱮ ᱛᱚᱨᱟᱝ ᱞᱮᱫᱼᱟ ᱾ ᱑᱙᱘᱖ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱫᱚᱥᱛᱤ ᱫᱩᱥᱢᱚᱱᱤ ᱯᱷᱤᱞᱤᱢ ᱥᱟᱶᱛᱮ ᱦᱤᱱᱫᱤ ᱯᱷᱤᱞᱤᱢ ᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱫᱼᱟ ᱾ [᱒]

ᱵᱷᱟᱱᱩᱯᱨᱤᱭᱟ
Portrait of Bhanupriya during the 90s in South Indian Films
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ  ᱟᱨ  ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶᱢᱚᱝᱜᱚᱞᱟᱵᱟᱢᱟ
ᱨᱟᱡᱟᱢᱚᱦᱮᱱᱫᱽᱚᱵᱚᱨᱚᱢ, ᱟᱱᱫᱷᱨᱚ ᱯᱨᱚᱫᱮᱥ
ᱠᱟᱹᱢᱤ
  • ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ
  • ᱱᱟᱪᱚᱱᱤᱭᱟᱹ
ᱡᱤᱭᱚᱱ ᱥᱚᱦᱮᱫ
ᱟᱫᱚᱨᱥ ᱠᱚᱣᱥᱚᱞ (m. 1998⁠–⁠2005)
ᱯᱮᱲᱟ ᱥᱟᱹᱜᱟᱹᱭᱟᱱᱠᱚᱥᱟᱱᱛᱤᱯᱨᱤᱭᱥᱟ (ᱵᱩᱦᱤᱱ)
ᱚᱵᱷᱤᱱᱚᱭᱟ ᱠᱚᱣᱥᱚᱞ (ᱦᱚᱯᱚᱱ ᱮᱨᱟ)
ᱜᱚᱯᱟᱞᱟᱠᱨᱤᱥᱱᱟᱱGopa (ᱵᱚᱭᱦᱟ)

᱑᱙᱘᱘ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱥᱣᱚᱨᱱᱚᱠᱚᱢᱚᱞᱚᱢ ᱨᱮᱭ ᱧᱮᱞ ᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱑᱙᱘᱘ ᱥᱟᱞᱮ ᱨᱮ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱡᱮᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱯᱷᱤᱞᱤᱢ ᱯᱟᱨᱟᱵᱽ,[᱓] ᱟᱨ ᱮᱱ ᱚᱨᱵᱚᱨ ᱯᱷᱤᱞᱤᱢ ᱯᱟᱨᱟᱵᱽ ᱨᱮ ᱥᱤᱧᱚᱛᱤᱭᱟ ᱪᱤᱛᱨᱚᱢᱟᱞᱟ ᱨᱮᱦᱚᱸ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱮᱱᱟ ᱾ [᱔] ᱵᱷᱟᱱᱩᱯᱨᱤᱭᱟᱹ ᱫᱚ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ ᱞᱟᱹᱜᱤᱫ ᱱᱚᱱᱫᱤ ᱥᱤᱨᱯᱷᱟᱹ, ᱟᱨ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ ᱞᱟᱹᱜᱤᱫ ᱯᱷᱤᱞᱢᱯᱷᱮᱭᱟᱨ ᱥᱤᱨᱯᱷᱟᱹ - ᱛᱮᱞᱩᱜᱩ ᱯᱷᱤᱞᱤᱢ ᱨᱮ ᱟᱡᱟᱜ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱟᱹᱜᱤᱫ ᱮ ᱢᱟᱹᱱ ᱦᱟᱞᱟᱝ ᱟᱠᱟᱱᱟ ᱾ [᱕][᱖] ᱑᱙᱘᱙ ᱟᱨ ᱑᱙᱙᱑ ᱨᱮ ᱛᱟᱢᱤᱞ ᱦᱤᱴᱥ ᱚᱨᱟᱨᱳ ᱟᱨ ᱚᱡᱽᱦᱟᱜᱚᱱ ᱨᱮ ᱟᱡᱟᱜ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱟᱹᱜᱤᱫ ᱟᱡ ᱫᱚ ᱛᱟᱢᱤᱞᱱᱟᱰᱤ ᱯᱚᱱᱚᱛ ᱯᱷᱤᱞᱤᱢ ᱥᱤᱨᱯᱷᱟᱹ ᱠᱚ ᱮᱢ ᱟᱠᱟᱣ ᱫᱮᱭᱟ ᱾

ᱯᱮᱜᱮᱯᱮ ᱥᱮᱨᱢᱟ ᱨᱮᱱᱟᱜ ᱡᱤᱞᱤᱧ ᱠᱟᱹᱢᱤᱦᱚᱨᱟ ᱨᱮ, ᱵᱷᱟᱱᱩᱯᱨᱤᱭᱟ ᱫᱚ ᱟᱹᱰᱤ ᱞᱮᱠᱟᱱ ᱴᱚᱴᱷᱟ ᱨᱮᱢᱤᱫ ᱥᱟᱭ ᱢᱚᱜᱮ ᱠᱷᱚᱱ ᱦᱚᱸ ᱵᱟᱹᱲᱛᱤ ᱯᱷᱤᱪᱚᱨ ᱯᱷᱤᱞᱤᱢ ᱨᱮᱭ ᱯᱟᱴ ᱟᱠᱟᱫᱼᱟ ᱾ ᱟᱨ ᱯᱮᱭᱟ ᱯᱚᱱᱚᱛ ᱱᱚᱱᱫᱤ ᱥᱤᱨᱯᱷᱟᱹ, ᱯᱮᱭᱟ ᱫᱚ ᱛᱟᱢᱤᱞᱱᱟᱰᱩ ᱯᱚᱱᱚᱛ ᱯᱷᱤᱞᱤᱢ ᱥᱤᱨᱯᱷᱟᱹ, ᱵᱟᱨᱭᱟ ᱫᱚ ᱥᱤᱱᱮᱢᱟ ᱮᱠᱥᱯᱨᱮᱥ ᱥᱤᱨᱯᱷᱟᱹ, ᱵᱟᱨ ᱫᱷᱟᱣ ᱯᱷᱤᱞᱤᱢ ᱯᱷᱮᱭᱟᱨ ᱥᱤᱨᱯᱷᱟᱹ ᱫᱩᱠᱷᱤᱱ ᱠᱷᱚᱱ ᱮ ᱟᱢᱮᱴ ᱟᱠᱟᱫᱼᱟ ᱾ ᱟᱨ ᱫᱩᱠᱷᱤᱱ ᱥᱤᱧᱚᱛ ᱥᱤᱨᱯᱷᱟᱹ ᱨᱮᱱᱟᱜ JFW ᱢᱟᱦᱟᱸ - ᱫᱩᱠᱷᱤᱱ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱥᱤᱱᱢᱟ ᱨᱮ ᱟᱡᱟᱜ ᱮᱱᱮᱢ ᱞᱟᱹᱜᱤᱫ, ᱧᱮᱱᱮᱞᱚᱢ ᱟᱨ ᱮᱴᱟᱜ ᱞᱮᱠᱟᱱ ᱞᱮᱠᱟᱱ ᱥᱚᱱᱢᱟᱱ ᱨᱮ ᱡᱤᱵᱚᱱ ᱵᱷᱳᱨ ᱨᱮᱱᱟᱜ ᱠᱩᱨᱩᱢᱩᱴᱩ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱛᱷᱩᱱ ᱴᱤᱵᱤ ᱥᱤᱨᱯᱷᱟᱹ ᱾ [᱗][᱘]

ᱜᱤᱫᱽᱨᱟᱹ ᱡᱤᱭᱚᱱ ᱥᱟᱯᱲᱟᱣ

 
Bhanupriya's painting in the film Swarnakamalam

ᱵᱷᱟᱱᱩᱯᱨᱤᱭᱟ ᱫᱚ ᱟᱸᱫᱷᱨᱚᱯᱨᱚᱫᱮᱥ ᱨᱮᱱᱟᱜ ᱨᱟᱡᱟᱢᱚᱦᱮᱸᱫᱽᱨᱚᱵᱚᱨᱚᱢ ᱨᱮᱱᱟᱜ ᱨᱟᱝᱜᱟᱢᱯᱮᱴᱟ ᱟᱹᱛᱩ ᱨᱮ ᱢᱤᱫ ᱛᱮᱞᱩᱜᱩ ᱯᱟᱹᱨᱥᱤ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱮᱭ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ ᱾ ᱟᱡ ᱨᱤᱱ ᱡᱟᱱᱟᱢ ᱟᱭᱳ ᱵᱟᱵᱟᱦᱟᱜ ᱧᱩᱛᱩᱢ ᱫᱚ ᱯᱟᱱᱰᱩ ᱵᱟᱵᱩ ᱟᱨ ᱨᱟᱜᱟᱢᱟᱞᱤ ᱾ ᱟᱡ ᱨᱤᱱ ᱜᱷᱟᱨᱚᱸᱡᱤᱭᱟᱹ ᱠᱚᱫᱚ ᱛᱟᱢᱤᱞᱱᱟᱰᱩ ᱨᱮᱱᱟᱜ ᱪᱮᱱᱱᱟᱭ ᱵᱟᱡᱟᱨ ᱨᱮᱠᱚ ᱵᱟᱥᱟ ᱵᱚᱥᱠᱚᱫ ᱟᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱟᱡᱤᱡ ᱢᱤᱫ ᱦᱩᱰᱤᱧ ᱵᱚᱠᱚ ᱠᱩᱲᱤ ᱦᱚᱸ ᱢᱮᱱᱟᱭᱟ, ᱥᱟᱱᱛᱤᱯᱨᱤᱭᱟ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱑᱙᱙᱐ ᱥᱟᱞᱮ ᱠᱷᱚᱱ ᱟᱡ ᱦᱚᱸ ᱢᱤᱫ ᱯᱷᱤᱞᱤᱢ ᱠᱷᱮᱞᱚᱸᱰᱟᱹᱱᱤ ᱠᱟᱱᱟᱭ ᱾ [᱗][᱘]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ ᱥᱟᱯᱲᱟᱣ

  1. ᱑.᱐ ᱑.᱑ S.R. Ashok Kumar (1 October 2006). "For Bhanupriya family comes first now". The Hindu. Retrieved 15 September 2013.
  2. "32nd National Film Awards (PDF)" (PDF). Directorate of Film Festivals. Retrieved 6 January 2012.
  3. "Directorate of Film Festival". Archived from the original on 4 March 2016. Retrieved 8 July 2017.
  4. "Dance without frontiers: K Viswanath – Director who aims to revive classical arts". 2 May 2017.
  5. Vidura. C. Sarkar. 1989.
  6. - Ranjana Dave (30 June 2011). "The meaning in movement". The Asian Age. Retrieved 4 September 2012.
  7. ᱗.᱐ ᱗.᱑ "An Interview with Bhanu Priya". www.indolink.com. Archived from the original on 23 March 2017. Retrieved 8 July 2017.
  8. ᱘.᱐ ᱘.᱑ "For actor Banupriya family comes first now".