"ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ" ᱨᱮᱱᱟᱜ ᱫᱚᱦᱲᱟᱭᱮᱱ ᱛᱟᱞᱟᱨᱮ ᱯᱷᱟᱨᱟᱠ

ᱥᱟᱯᱲᱟᱣ ᱜᱩᱴ ᱫᱚ ᱵᱟᱹᱱᱩᱜ-ᱟ
᱑᱙ ᱥᱚᱫᱤ ᱚᱝᱥᱟᱨ ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱫᱚ ᱢᱩᱱᱫᱤᱨ ᱨᱮᱭᱟᱜ ᱠᱟᱱᱟ ᱾ ᱑᱙᱑᱐ ᱥᱟᱞ ᱨᱮ ᱵᱽᱨᱤᱴᱤᱥ ᱥᱚᱨᱠᱟᱨ ᱱᱚᱶᱟ ᱮᱱᱮᱡ ᱪᱮᱛᱟᱱ ᱨᱮ ᱞᱚᱜᱟᱢ ᱮ ᱞᱟᱜᱟᱣ ᱞᱮᱜ-ᱟ ᱾ ᱵᱷᱟᱨᱚᱛᱤᱭᱟᱹ ᱠᱚ ᱱᱚᱣᱟ ᱟᱹᱰᱤ ᱡᱩᱨ ᱠᱚ ᱵᱤᱨᱩᱫᱷ ᱠᱮᱜ-ᱟ ᱾ ᱚᱱᱟ ᱛᱟᱭᱚ ᱒᱐ ᱥᱚᱫᱤ ᱨᱮ ᱱᱚᱣᱟ ᱮᱱᱮᱡ ᱫᱚ ᱢᱩᱱᱫᱤᱨ ᱵᱟᱦᱨᱮ ᱨᱮᱦᱚᱸ ᱠᱚ ᱯᱟᱥᱱᱟᱣ ᱠᱮᱜ-ᱟ ᱾ <ref>{{cite book|author=Janet O'Shea|title=At Home in the World: Bharata Natyam on the Global Stage|url=https://books.google.com/books?id=4CfA4uDwCKwC |year=2007|publisher=Wesleyan University Press|isbn=978-0-8195-6837-3 |pages=26–38, 55–57, 83–87 }}</ref> ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚ ᱫᱚ ᱱᱟᱦᱟᱜ ᱮᱱᱮᱡ ᱨᱮ ᱴᱮᱠᱱᱤᱠ ᱥᱚᱫᱚᱨ, ᱵᱟᱦᱨᱮ ᱫᱷᱚᱨᱢᱚ ᱵᱤᱪᱟᱹᱨ ᱪᱮᱛᱟᱱ ᱨᱮ ᱫᱚᱲᱚᱢ ᱟᱠᱟᱱ ᱢᱤᱫ ᱥᱩᱫᱷᱚ ᱮᱱᱮᱡ ᱠᱟᱱᱟ ᱾ <ref name=":0"/>
 
==ᱱᱟᱜᱟᱢ==
 
[[File:Thanjavur, Brihadishwara Temple, dance (6851706080).jpg|thumb|upright=1.2<!--fmt for low img-->|Dancers at Thanjavur, [[Brihadeeswarar Temple|Brihadeshwara temple]] dedicated to [[Shiva]]. The temple has been a major center for Bharatanatyam since about 1000 CE.<ref>{{cite book|author=James G. Lochtefeld |title=The Illustrated Encyclopedia of Hinduism: A-M|url=https://archive.org/details/illustratedencyc0000loch |url-access=registration |year=2002|publisher=The Rosen Publishing Group|isbn=978-0-8239-3179-8 |pages=[https://archive.org/details/illustratedencyc0000loch/page/n379 126]–127}}</ref>]]
ᱵᱷᱟᱨᱚᱛ ᱱᱟᱴᱭᱚᱢ ᱵᱟᱵᱚᱫᱽ ᱚᱞ ᱠᱚᱫᱚ ᱟᱹᱰᱤ ᱢᱟᱨᱮ ᱯᱩᱛᱷᱤ ᱱᱟᱴᱭᱚ ᱟᱥᱛᱨᱚ ᱨᱮ ᱧᱟᱢᱚᱜ-ᱟ ᱾ <ref name=":0"/><ref>{{cite book |author1=Eugenio Barba |author2=Nicola Savarese |title=A Dictionary of Theatre Anthropology: The Secret Art of the Performer |url=https://books.google.com/books?id=Ky6MAgAAQBAJ&pg=PA208-IA69|year=2011|publisher=Routledge |isbn=978-1-135-17634-1|page=208}}</ref><ref>{{cite book|author1=Peter Fletcher|author2=Laurence Picken |title=World Musics in Context: A Comprehensive Survey of the World's Major Musical Cultures|url=https://books.google.com/books?id=i2vDlcIyVjUC&pg=PA262 |year=2004|publisher=Oxford University Press |isbn=978-0-19-517507-3 |pages=262 }}</ref>
 
==ᱯᱷᱚᱴᱚ ᱜᱮᱞᱮᱨᱤ==
᱑,᱕᱐᱐

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