ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ

ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ
অবনীন্দ্রনাথ ঠাকুর
ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ; অবনীন্দ্রনাথ ঠাকুর
	ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ ᱟᱨ ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ	᱗ ᱚᱜᱚᱥᱴ ᱑᱘᱗᱑; ᱡᱳᱨᱟᱱᱥᱟᱠᱳ, ᱠᱚᱞᱠᱟᱛᱟ, ᱵᱮᱝᱜᱚᱞ, ᱵᱨᱤᱴᱤᱥ ᱤᱱᱰᱤᱭᱟ
ᱜᱩᱨ	᱐᱕ ᱰᱤᱥᱮᱢᱵᱚᱨ ᱑᱙᱕᱑ (᱘᱐ ᱵᱚᱭᱚᱥ); ᱠᱚᱞᱠᱟᱛᱟ
ᱫᱤᱥᱚᱢᱤᱭᱟᱹ	ᱥᱤᱧᱚᱛᱤᱭᱟ.
ᱧᱩᱢᱱᱟᱢ	ᱯᱮᱱᱴᱤᱝ, ᱚᱱᱚᱞᱤᱭᱟ.
ᱧᱩᱢᱦᱟᱞᱟᱝ ᱠᱟᱹᱢᱤ	ᱵᱷᱟᱨᱚᱛ ᱢᱟᱛᱟ; ᱥᱟᱦᱟ ᱡᱟᱦᱟᱱ ᱥᱮᱱᱟᱜ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟ.ᱨ
ᱨᱟᱡᱽᱟᱹᱨᱤ ᱞᱟᱲᱟᱣᱱᱟ	ᱵᱮᱝᱜᱚᱞ ᱥᱠᱩᱞ ᱚᱯᱷ ᱟᱨᱴᱥ, ᱠᱚᱱᱴᱮᱠᱥᱪᱩᱣᱟᱯ ᱢᱚᱰᱮᱱᱤᱡᱚᱢ(Contextual Modernism)

ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ CIE (অবনীন্দ্রনাথ ঠাকুর) (᱗ ᱚᱜᱚᱥᱴ ᱑᱘᱗᱑ - ᱕ ᱰᱤᱥᱮᱢᱵᱚᱨ ᱑᱙᱕᱑) ᱫᱚ ᱢᱤᱫ ᱟᱨᱴᱤᱥᱴ ᱟᱨ "ᱥᱤᱧᱚᱛᱤᱭᱟ. ᱥᱟᱶᱛᱟ ᱳᱨᱤᱭᱮᱱᱴᱟᱞ ᱟᱨᱴ"(Indian Society of Oriental Art) ᱨᱤᱱᱤᱡ ᱛᱷᱟᱯᱚᱱᱤᱭᱟ. ᱠᱟᱱᱟᱭ ᱾ ᱥᱤᱧᱚᱛᱳᱭᱟ. ᱟᱨᱴ ᱨᱮᱭᱟᱜ ᱥᱣᱚᱫᱮᱥᱤ ᱫᱟᱢ ᱵᱟᱰᱟᱭᱤᱡ ᱠᱟᱱᱟᱭ ᱾ ᱚᱱᱟ ᱛᱮ ᱡᱟᱣ ᱠᱷᱚᱱ ᱜᱮ ᱵᱮᱝᱜᱚᱞ ᱨᱮ ᱵᱮᱝᱜᱚᱞ ᱟᱨᱴ ᱟᱥᱲᱟ ᱠᱚ ᱧᱟᱢᱚᱜ ᱜᱮᱭᱟ ᱾ ᱟᱨ ᱱᱩᱠᱩ ᱫᱚ ᱯᱩᱭᱞᱩ ᱱᱟᱦᱟᱜ ᱥᱤᱧᱚᱛᱤᱭᱟ. ᱯᱮᱱᱴᱤᱝ ᱠᱚ ᱰᱮᱵᱷᱞᱚᱯ ᱞᱟ.ᱜᱤᱱ ᱠᱚ ᱠᱩᱨᱩᱢᱩᱴᱤ ᱞᱮᱫ-ᱟ ᱾^[᱑]^[᱒] ᱱᱩᱭ ᱫᱚ ᱟᱨ ᱦᱚᱸ ᱢᱤᱫ ᱚᱱᱚᱞᱤᱭᱟ. ᱞᱮᱠᱟᱛᱮ ᱧᱩᱛᱩᱢ ᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟ, ᱛᱚᱵᱮ ᱱᱩᱭ ᱫᱚ ᱜᱤᱫᱽᱨᱟ. ᱠᱚ ᱞᱟ.ᱜᱤᱱ ᱜᱮ ᱚᱞ ᱵᱟᱲᱟᱭᱟ ᱾ ᱵᱮᱝᱜᱚᱞ ᱜᱤᱫᱽᱨᱟ. ᱠᱚᱣᱟᱫ ᱥᱟᱶᱦᱮᱫ ᱛᱟᱞᱟ ᱨᱮ, 'ᱚᱵᱚᱱ ᱴᱷᱟ.ᱠᱩᱨ' ᱞᱮᱠᱟᱛᱮ ᱨᱟᱡᱽ ᱠᱟᱦᱟᱬᱤ, ᱵᱩᱫᱳ ᱟᱝᱞᱟ, ᱱᱟᱞᱟᱠ, ᱟᱨ ᱠᱷᱤᱨᱮᱨ ᱯᱩᱛᱩᱞ ᱯᱚᱛᱚᱵ ᱠᱚ ᱫᱚ ᱧᱩᱛᱩᱢ ᱦᱟᱞᱟᱝ ᱜᱮ ᱛᱟᱭᱟ ᱠᱚ ᱾

ᱵᱽᱨᱤᱴᱤᱥ ᱨᱟᱡᱽ ᱚᱢᱚᱲ ᱨᱮ ᱣᱮᱥᱴᱮᱨᱱ ᱟᱥᱲᱟ ᱠᱚᱨᱮ ᱵᱟᱨᱦᱮ ᱫᱤᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱚ ᱥᱮᱢᱟ ᱟᱠᱚ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ, ᱚᱱᱟᱛᱮ ᱴᱟᱜᱳᱨ ᱫᱚ ᱟᱡᱟᱜ ᱠᱩᱨᱩᱢᱩᱴᱩ ᱛᱮ ᱢᱩᱜᱚᱞ ᱟᱨ ᱨᱟᱡᱽᱯᱩᱛ ᱠᱚᱣᱟᱜ ᱚᱢᱚᱲ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱰᱷᱚᱝ ᱜᱮ ᱱᱟᱦᱟᱜ ᱨᱩᱯ ᱮᱢᱟᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ |ᱵᱮᱝᱜᱚᱞ ᱟᱨᱴ ᱟᱥᱲᱟ ᱟᱨ ᱮᱴᱟᱜ ᱠᱚᱲᱟᱠᱟᱨ ᱠᱚ ᱥᱟᱶ ᱢᱮᱥᱟ ᱠᱟᱛᱮ ᱴᱟᱜᱳᱨ ᱫᱚ ᱱᱚᱶᱟ ᱟᱨᱴ ᱵᱤᱫᱽᱭᱟᱹ ᱯᱟᱥᱱᱟᱣ ᱞᱮᱫᱼᱟ | ᱱᱚᱶᱟ ᱞᱟᱹᱜᱤᱱ ᱯᱨᱮᱨᱚᱬᱟ ᱫᱚ ᱚᱡᱚᱱᱛᱟ ᱜᱩᱢᱯᱷᱟ ᱠᱷᱚᱱ ᱧᱟᱢ ᱞᱮᱫᱼᱟᱭ | ᱴᱟᱜᱳᱨᱼᱟᱜ ᱠᱟᱹᱢᱤ ᱩᱱᱟᱹᱜ ᱜᱮ ᱧᱩᱛᱩᱢᱮᱱᱟ ᱡᱮ ᱵᱽᱨᱤᱴᱤᱥ ᱠᱚᱣᱟᱜ ᱟᱥᱲᱟ ᱠᱚᱨᱮ ᱱᱚᱶᱟ ᱠᱚ ᱦᱟᱛᱟᱣ ᱠᱮᱫᱼᱟ |

ᱟᱬᱜᱟᱛ ᱡᱤᱭᱚᱱ

ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱦ ᱴᱟᱜᱳᱨ ᱫᱚ ᱡᱳᱨᱟᱥᱟᱱᱠᱳ, ᱠᱚᱞᱠᱟᱛᱟ, ᱵᱽᱨᱤᱴᱤᱥ ᱤᱱᱰᱤᱭᱟ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ | ᱱᱩᱭ ᱟᱡ ᱵᱟᱵᱟ ᱫᱚ ᱜᱩᱬᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱟᱨ ᱟᱭᱚ ᱫᱚ ᱥᱚᱣᱫᱟᱢᱤᱱᱤ ᱴᱟᱜᱳᱨ ᱠᱟᱱᱟ ᱠᱤᱱ | ᱟᱡ ᱜᱚᱲᱚᱢ ᱦᱟᱲᱟᱢ ᱫᱚ ᱜᱤᱨᱤᱱᱫᱽᱨᱚᱱᱟᱛᱦ ᱴᱟᱜᱳᱨ, ᱱᱩᱭ ᱫᱚ ᱨᱟᱡᱽ ᱫᱣᱟᱨᱚᱠᱚᱱᱟᱛᱦ ᱴᱟᱜᱳᱨᱼᱤᱡ ᱫᱚᱥᱟᱨ ᱦᱚᱯᱚᱱ ᱠᱟᱱᱟᱭ | ᱱᱩᱠᱩ ᱫᱚ ᱴᱟᱜᱳᱨ ᱚᱲᱟᱜ ᱨᱮᱱ ᱦᱚᱲ ᱠᱟᱱᱟ ᱠᱚ | ᱟᱨ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱨᱚᱵᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨᱼᱤᱡ ᱵᱦᱟᱹᱜᱽᱱᱟᱹ ᱠᱚᱲᱟ ᱠᱟᱱᱟᱭ | ᱟᱡ ᱜᱚᱲᱚᱢ ᱦᱟᱲᱟᱢ ᱟᱨ ᱟᱡ ᱫᱟᱫᱟ ᱵᱟᱱᱟ ᱦᱚᱲ ᱜᱮ ᱟᱨᱴᱤᱥᱴ ᱠᱟᱱᱟ ᱠᱤᱱ | ᱑᱘᱘᱐ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱴᱟᱜᱳᱨ ᱡᱚᱠᱷᱚᱱ ᱥᱟᱸᱥᱠᱨᱤᱴ ᱠᱚᱞᱮᱡᱽ ᱨᱮ ᱯᱟᱲᱦᱟᱣ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱩᱱ ᱚᱠᱛᱚ ᱜᱮ ᱱᱩᱭ ᱫᱚ ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱥᱮᱬᱟ ᱦᱟᱱ ᱛᱟᱦᱮᱫ |

᱑᱘᱙᱐ ᱥᱟᱹᱦᱤᱛ ᱨᱮ, ᱟᱡᱟᱜ ᱒᱖ ᱥᱟᱞ ᱩᱢᱮᱨ ᱨᱮ ᱱᱩᱭ ᱠᱚᱞᱠᱟᱛᱟ ᱟᱨᱴ ᱠᱚᱞᱮᱡᱽ ᱨᱮ ᱯᱟᱲᱦᱟᱣ ᱮᱦᱚᱵᱽ ᱞᱮᱫᱟᱭ | ᱱᱚᱰᱮ ᱜᱮ ᱱᱩᱭ ᱥᱤᱹ ᱯᱟᱞᱢᱚᱨ ᱢᱤᱫ ᱭᱩᱨᱩᱯᱤᱭᱟᱱ ᱯᱮᱱᱴᱚᱨ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱠᱟᱹᱢᱤ ᱥᱮᱬᱟ ᱞᱮᱫᱟᱭ | ^[᱓]

᱑᱘᱘᱙ ᱨᱮ ᱱᱩᱭ ᱥᱩᱦᱟᱥᱤᱱᱤ ᱫᱮᱵᱤ ᱥᱟᱝ ᱵᱟᱯᱞᱟ ᱞᱮᱱᱟᱭ | ᱱᱩᱭ ᱫᱚ ᱵᱷᱩᱡᱚᱜᱮᱱᱫᱽᱨᱟ ᱵᱷᱩᱥᱚᱬ ᱪᱟᱴᱟᱨᱡᱤᱼᱤᱡ ᱦᱚᱯᱚᱱ ᱮᱨᱟᱛ ᱠᱟᱱᱟᱭ | ᱱᱚᱶᱟ ᱚᱠᱛᱚ ᱨᱮ ᱱᱩᱭ ᱥᱟᱸᱥᱠᱨᱤᱴ ᱠᱚᱞᱮᱡᱽ ᱠᱷᱚᱱ ᱚᱞᱚᱜ ᱮ ᱵᱟᱹᱜᱤ ᱠᱮᱫᱟ ᱟᱨ ᱥᱮᱸᱴ ᱡᱟᱵᱷᱤᱭᱚᱨ ᱠᱚᱞᱮᱡᱽ ᱨᱮ ᱤᱝᱞᱤᱥ ᱥᱮᱬᱟ ᱞᱮᱫᱟᱭ |

ᱱᱩᱭᱤᱡ ᱢᱮᱥᱨᱟᱛ ᱛᱮᱫᱼᱟᱜ ᱧᱩᱛᱩᱢ ᱫᱚ ᱥᱩᱱᱚᱭᱚᱱᱤ ᱫᱮᱵᱤ ᱠᱟᱱᱟ |^[᱔]

ᱥᱟ.ᱠᱷᱭᱟ.ᱛ

↑ John Onians (2004). "Bengal School". Atlas of World Art. Laurence King Publishing. p. 304. ISBN 1856693775.
↑ Abanindranath Tagore, A Survey of the Master’s Life and Work by Mukul Dey, reprinted from "Abanindra Number," The Visva-Bharati Quarterly, May – Oct. 1942.
↑ Chaitanya, Krishna (1 ᱡᱟᱱᱩᱣᱟᱨᱤ 1994). A history of Indian painting: the modern period. Abhinav Publications. p. 145. ISBN 978-81-7017-310-6. Retrieved 12 ᱰᱤᱥᱮᱢᱵᱚᱨ 2011.
↑ "Archived copy". Archived from the original on 29 ᱱᱚᱵᱷᱮᱢᱵᱚᱨ 2011. Retrieved 20 ᱢᱮ 2009.{{cite web}}: CS1 maint: archived copy as title (link)

ᱵᱟ.ᱲᱛᱤ ᱡᱚᱱᱚᱲ

[1] John Onians (2004). "Bengal School". Atlas of World Art. Laurence King Publishing. p. 304. ISBN 1856693775.

[Abanidra-2] Abanindranath Tagore, A Survey of the Master’s Life and Work by Mukul Dey, reprinted from "Abanindra Number," The Visva-Bharati Quarterly, May – Oct. 1942.

[Chaitanya1994-3] Chaitanya, Krishna (1 ᱡᱟᱱᱩᱣᱟᱨᱤ 1994). A history of Indian painting: the modern period. Abhinav Publications. p. 145. ISBN 978-81-7017-310-6. Retrieved 12 ᱰᱤᱥᱮᱢᱵᱚᱨ 2011.

[4] "Archived copy". Archived from the original on 29 ᱱᱚᱵᱷᱮᱢᱵᱚᱨ 2011. Retrieved 20 ᱢᱮ 2009.{{cite web}}: CS1 maint: archived copy as title (link)

[᱑]

[᱒]

[᱓]

[᱔]

ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ অবনীন্দ্রনাথ ঠাকুর
ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ ᱟᱨ ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ	᱗ ᱚᱜᱚᱥᱴ ᱑᱘᱗᱑(1871-08-07) ᱡᱳᱨᱟᱱᱥᱟᱠᱳ, ᱠᱚᱞᱠᱟᱛᱟ, ᱵᱮᱝᱜᱚᱞ, ᱵᱨᱤᱴᱤᱥ ᱤᱱᱰᱤᱭᱟ
ᱜᱩᱨ	᱐᱕ ᱰᱤᱥᱮᱢᱵᱚᱨ ᱑᱙᱕᱑ (᱘᱐ ᱵᱚᱭᱚᱥ) ᱠᱚᱞᱠᱟᱛᱟ
ᱫᱤᱥᱚᱢᱤᱭᱟᱹ	ᱥᱤᱧᱚᱛᱤᱭᱟ.
ᱧᱩᱢᱱᱟᱢ	ᱯᱮᱱᱴᱤᱝ, ᱚᱱᱚᱞᱤᱭᱟ.
ᱧᱩᱢᱦᱟᱞᱟᱝ ᱠᱟᱹᱢᱤ	ᱵᱷᱟᱨᱚᱛ ᱢᱟᱛᱟ; ᱥᱟᱦᱟ ᱡᱟᱦᱟᱱ ᱥᱮᱱᱟᱜ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟ.ᱨ
ᱨᱟᱡᱽᱟᱹᱨᱤ ᱞᱟᱲᱟᱣᱱᱟ	ᱵᱮᱝᱜᱚᱞ ᱥᱠᱩᱞ ᱚᱯᱷ ᱟᱨᱴᱥ, ᱠᱚᱱᱴᱮᱠᱥᱪᱩᱣᱟᱯ ᱢᱚᱰᱮᱱᱤᱡᱚᱢ(Contextual Modernism)