ᱟᱭᱰᱮᱱ ᱥᱟᱣ
ᱮᱭᱰᱮᱱ ᱥᱟᱣ (ᱡᱟᱱᱟᱢ ᱒᱒ ᱯᱷᱮᱵᱽᱨᱩᱣᱟᱨᱤ ᱑᱙᱖᱖) ᱫᱚ ᱢᱤᱫ ᱤᱝᱞᱤᱥ ᱚᱱᱚᱞᱤᱭᱟᱹ, ᱢᱚᱰᱮᱞ ᱟᱨ ᱯᱚᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤᱠ ᱯᱷᱤᱞᱢ ᱯᱟᱯᱟᱴᱤᱭᱟᱹ ᱠᱟᱱᱟᱭ ᱾
ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ ᱟᱨ ᱢᱚᱰᱮᱞ ᱥᱟᱯᱲᱟᱣ
ᱮᱰᱮᱱ ᱵᱽᱨᱮᱰᱤ ᱫᱚ ᱒᱒ ᱯᱷᱮᱵᱽᱨᱩᱣᱟᱨᱤ ᱑᱙᱖᱖ ᱥᱟᱞᱮ ᱨᱮ ᱤᱝᱞᱮᱱᱰ ᱨᱮᱱᱟᱜ ᱦᱟᱨᱣ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱵᱽᱨᱟᱭᱴᱚᱱ ᱨᱮᱭᱟᱜ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟ. ᱨᱮ ᱜᱽᱨᱮᱡᱩᱣᱮᱴ ᱠᱮᱫᱟᱭ᱾
ᱥᱟᱣ ᱫᱚ ᱯᱮᱨᱤᱥ ᱨᱮ ᱥᱤᱠᱮᱥ ᱢᱳᱫᱮᱞᱥ ᱟᱨ ᱵᱟᱨᱥᱟᱞᱳᱱᱟ ᱨᱮ ᱥᱟᱭᱤᱴ ᱢᱮᱱᱮᱡᱢᱮᱱᱴ ᱥᱴᱩᱰᱤᱭᱳ ᱨᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟᱭ᱾[᱑] ᱦᱟᱨᱠᱩᱞᱤᱥ ᱤᱱᱴᱟᱨᱱᱮᱥᱱᱮᱞ ᱢᱮᱜᱟᱡᱤᱱ ᱞᱟᱹᱜᱤᱫ ᱜᱤᱭᱟᱢᱯᱳᱞᱳ ᱥᱜᱩᱨᱟ ᱥᱟᱣ ᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟᱭ ᱾[᱒] ᱒᱐᱑᱓ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱯᱳᱞᱤᱥ ᱯᱷᱮᱥᱚᱱ ᱠᱳᱢᱯᱟᱱᱤ ᱨᱮᱱ ᱢᱩᱬᱩᱫ ᱮ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾[᱓] ᱒᱐᱑᱔ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱥᱟᱣ ᱵᱟᱨᱞᱩᱛᱤ ᱥᱮᱫ ᱮ ᱪᱟᱞᱟᱣ ᱞᱮᱱᱟ ᱾[᱔] ᱩᱱᱤ ᱫᱚ ᱱᱤᱭᱩᱡᱤᱞᱮᱱᱰ ᱨᱮᱱ ᱠᱚᱲᱟ ᱠᱚᱣᱟᱜ ᱵᱷᱮᱨᱟᱱ ᱵᱨᱮᱱᱰ ᱳᱣᱟᱨᱠᱤᱝ ᱥᱴᱟᱭᱤᱞ ᱫᱟᱨᱟᱭ ᱛᱮ ᱒᱐᱑᱔ ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱥᱚᱛᱚᱠᱛᱚ ᱠᱷᱤᱨᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱥᱟᱸᱜᱷᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟᱭ ᱾[᱕] ᱒᱐᱑᱖ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ' ᱥᱟᱣ ' ᱟᱡᱟᱜ ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱨᱮᱭ ᱨᱩᱣᱟᱹᱲ ᱦᱮᱡ ᱞᱮᱱᱟ ᱡᱟᱸᱦᱟᱛᱮ ᱩᱱᱤ ᱫᱚ ' ᱢᱮᱥᱤᱢᱳ ᱫᱟᱛᱤ ' ᱞᱮᱠᱟᱱ ᱡᱮᱜᱮᱫ ᱡᱟᱠᱟᱛ ᱵᱨᱮᱱᱰ ᱞᱟᱹᱜᱤᱫ ᱢᱚᱰᱮᱞ ᱮ ᱪᱟᱞᱟᱣ ᱫᱚᱦᱚ ᱞᱮᱫᱟ ᱾[᱖]
ᱯᱳᱨᱱᱳᱜᱽᱨᱟᱯᱷᱤ ᱥᱟᱯᱲᱟᱣ
ᱵᱽᱨᱟᱰᱤ ᱑᱙᱙᱐ ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱥᱮᱫ " ᱥᱟᱣ " ᱧᱩᱛᱩᱢ ᱮ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟ ᱡᱚᱠᱷᱚᱱ ᱩᱱᱤ ᱜᱚᱭᱮ ᱯᱳᱨᱱᱳᱯᱷᱨᱤ ᱨᱮ ᱠᱟᱹᱢᱤ ᱮᱦᱚᱵ ᱞᱮᱫᱟ ᱟᱨ ᱕᱐ ᱜᱚᱴᱟᱝ ᱠᱷᱚᱱ ᱦᱚᱸ ᱡᱟᱹᱥᱛᱤ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮᱭ ᱯᱟᱴᱷ ᱞᱮᱫᱟ ᱾[᱗] ᱑᱙᱙᱙ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱱᱤ ᱯᱳᱨᱱ ᱤᱱᱰᱟᱥᱴᱨᱤ ᱠᱷᱚᱱ ᱮ ᱡᱤᱨᱟᱹᱣ ᱞᱮᱱᱟ , ᱢᱮᱱᱠᱷᱟᱱ ᱒᱐᱐᱔ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱦᱚᱴ ᱦᱟᱣᱩᱥ ᱥᱟᱶᱛᱮ ᱟᱨ ᱢᱤᱫᱴᱟᱝ ᱜᱮᱭ ᱯᱳᱨᱱ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭ ᱯᱟᱴ ᱞᱮᱫᱟᱭ᱾[᱘][᱙]
ᱚᱞ ᱫᱚᱦᱚ ᱥᱟᱯᱲᱟᱣ
᱑᱙᱙᱑ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱥᱟᱣ ᱱᱤᱭᱩᱨᱠ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱢᱟᱨᱠ ᱵᱟᱭᱟᱨᱰ ᱥᱟᱶ ᱮᱰᱮᱱ ᱧᱩᱛᱩᱢ ᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱛᱟᱹᱞᱤᱠᱟ ᱩᱪᱷᱟᱹᱱ ᱞᱟᱹᱜᱤᱫ ᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱾ ᱯᱚᱛᱚᱵ ᱨᱮ ᱥᱟᱣᱼᱥᱟᱣᱟᱜ ᱵᱮᱥ ᱠᱤᱪᱷᱩ ᱪᱤᱛᱟᱹᱨ ᱥᱮᱞᱮᱫ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱡᱟᱦᱟ ᱢᱩᱫᱨᱮ ᱵᱟᱨᱰ ᱟᱨ ᱥᱟᱣ ᱵᱟᱱᱟᱨ ᱫᱟᱨᱟᱭ ᱛᱮ ᱚᱞ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾
ᱥᱟᱣ ᱑᱙᱙᱖ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱟᱭᱟᱜ ᱯᱳᱭᱞᱳ ᱜᱟᱢᱟᱢ ' ᱵᱨᱩᱛᱟᱞ ' ᱩᱪᱷᱟᱹᱱ ᱞᱮᱫᱟᱭ ᱾ 1996 ᱥᱟᱹᱦᱤᱛᱨᱮ ' ᱫᱟ ᱵᱮᱰ ᱯᱮᱥ ' ᱫᱚ ᱩᱱᱤᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱠᱟᱶᱰᱤ ᱥᱟᱼᱫᱩᱛᱚ ᱩᱪᱷᱟᱹᱱ ᱞᱮᱫᱟ ' ᱤᱯᱷ ᱞᱮᱝᱜᱳᱭᱮᱹᱡᱽ ᱮᱴ ᱫᱟ ᱥᱤᱢᱮ ᱴᱟᱭᱚᱢ ᱥᱮᱯᱚᱥᱥ ᱮᱱᱰ ᱰᱤᱥᱴᱳᱨᱥ ᱟᱣᱟᱨ ᱟᱭᱰᱤᱭᱟᱥ ᱮᱱᱰ ᱟᱭᱳᱥᱚᱱ ' ᱟᱢ ᱪᱮᱫ ᱞᱮᱠᱟᱛᱮ ᱤᱧᱟᱹᱜ ᱥᱟᱸᱶᱛᱮ ᱞᱟᱹᱭ ᱥᱚᱫᱚᱨ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾[᱑᱐] ᱩᱱᱤ ᱟᱨᱦᱚᱸ ᱵᱟᱨᱭᱟ ᱜᱟᱢᱟᱢ ᱮ ᱚᱞ ᱞᱮᱫᱟ , ᱵᱟᱣᱩᱱᱰᱟᱨᱤᱥ (᱑᱙᱙᱗) ᱟᱨ ᱳᱣᱟᱥᱴ (᱒᱐᱐᱑) ᱟᱨ ᱢᱤᱫᱴᱟᱝ ᱟᱡ ᱡᱤᱭᱚᱱ ' ᱢᱮᱭ ᱚᱱᱰᱩᱤᱝ ' (᱒᱐᱐᱖), ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱱᱤ ᱫᱚ ᱢᱤᱫ ᱯᱳᱨᱱ ᱥᱴᱟᱨ ᱟᱨ ᱡᱳᱜ ᱠᱟᱹᱢᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱡᱳᱜᱳᱜ ᱵᱤᱨᱤᱫ ᱨᱮ ᱟᱭᱟᱜ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱠᱟᱛᱷᱟ ᱩᱪᱷᱟᱹᱱ ᱞᱮᱫᱟᱭ , ᱩᱱᱤᱭᱟᱜ ᱱᱤᱥᱟᱹ ᱵᱮᱶᱦᱟᱨ ᱟᱨ ᱩᱱᱤᱭᱟᱜ ᱮᱭᱤᱪ ᱟᱭ ᱨᱮᱭᱟᱜ ᱴᱷᱟᱶ (᱑᱙᱙᱗) ᱨᱮ ᱮᱥ ᱟᱭ ᱵᱷᱤ ᱜᱮᱹᱵᱴᱤᱵᱷ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱰᱟᱭ ᱧᱟᱢ ᱞᱮᱱᱟ ᱾[᱑᱑][᱑᱒]
ᱩᱪᱷᱟᱹᱱ ᱠᱟᱹᱢᱤ ᱥᱟᱯᱲᱟᱣ
- ᱵᱨᱟᱴᱟᱞ (ᱢᱤᱞᱤᱵᱷᱟᱨᱮᱥ ᱯᱚᱛᱚᱵ 1996 ISBN 1 - 873741 - 24 - 3)
- ᱡᱩᱫᱤ ᱢᱤᱫ ᱚᱠᱛᱚ ᱯᱟᱹᱨᱥᱤ ᱟᱢᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱟᱨ ᱢᱚᱱ ᱨᱮᱭᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱟᱨ ᱢᱚᱱ ᱨᱮᱱᱟᱜ ᱩᱭᱦᱟᱹᱨ ᱟᱨ ᱢᱚᱱ ᱫᱚ ᱵᱮᱱᱟᱣ ᱟᱨ ᱵᱮᱼᱵᱟᱹᱛᱤᱞᱚᱜᱼᱟ , ᱮᱱᱠᱷᱟᱱ ᱟᱢ ᱪᱮᱫ ᱞᱮᱠᱟᱛᱮ ᱤᱧᱟᱹᱜ ᱥᱟᱸᱶᱛᱮ ᱞᱟᱹᱭ ᱥᱚᱫᱚᱨ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ (ᱫᱟ ᱵᱮᱰ ᱯᱮᱥ 1996 )
- ᱥᱤᱢᱟᱹ (Brighton: Millivres Prowler Group 1997) ISBN 1 - 873741 - 48 - 0
- ᱳᱣᱟᱥᱴ (Brighton: Millivres Prowler Group 2001 ISBN 1 - 902852 - 34 - 6) ᱾
- My Undoing: Love in the Thick of جنس ᱰᱨᱟᱜᱽᱥ ᱯᱨᱱᱳᱯᱷᱨᱤ ᱟᱨ ᱯᱨᱳᱥᱴᱤᱥᱚᱱ (ᱱᱤᱭᱩᱨᱠ , ᱠᱮᱨᱚᱞ ᱟᱨ ᱜᱨᱟᱯᱷ 2006) ISBN - 2
- ᱥᱳᱨᱰᱤᱰ ᱴᱩᱨᱛᱷᱥᱼᱥ ᱥᱮᱞᱤᱝ ᱤᱧᱟᱹᱜ ᱤᱱᱳᱥᱮᱱᱥ ᱯᱷᱚᱨ ᱮ ᱴᱮᱥᱴ ᱚᱯᱷ ᱥᱴᱟᱨᱰᱚᱢ (ᱮᱞᱤᱥᱚᱱ ᱯᱚᱛᱚᱵ 2009) ISBN 1 - 59350 - 137 - 4
ᱥᱟᱹᱠᱷᱭᱟᱹᱛ ᱥᱟᱯᱲᱟᱣ
- ↑ "Profile - Aiden Brady". Sight-Management.com. Retrieved 7 Oct 2017.
- ↑ "Aiden Shaw by Giampaolo Sgura For Herculese Universal Magazine". AccidentalBear.com. May 2012. Archived from the original on 6 January 2016. Retrieved 5 December 2015.
- ↑ "Aiden Shaw & Anatol Modzelewski for Bytom". The Fashionisto. 2013-09-11. Retrieved 7 December 2015.
- ↑ "Berluti Show SS14 – List of Models". Models.com. Retrieved 7 December 2014.
- ↑ "Aiden Shaw and our AW14 Campaign". Working Style. Archived from the original on 2 April 2015. Retrieved 27 March 2015.
- ↑ "Noah Mills, Hao Yun Xiang & Aiden Brady Don Massimo Dutti's Contemporary Tailoring". TheFashionisto.com. 21 Sep 2016. Retrieved 7 Oct 2017.
- ↑ Ford, Tyrone (Dec 11, 2009). "Aiden Shaw on surviving porn, prostitution". Washington Blade. Retrieved 6 June 2015.
- ↑ "Perfect Fit (2004)". IMDB. Retrieved 7 Oct 2017.
- ↑ "Perfect Fit". Hot House. Retrieved 7 Oct 2017.
- ↑ If language at the same time shapes and distorts our ideas and emotions, how do we communicate love?
- ↑ Josh Sparber (September 2006). "The Porn Identity (interview with Aiden Shaw)". Poz.com. Retrieved 12 July 2012.
- ↑ Sam Page (January 2010). "Coming To Terms (interview with Aiden Shaw)". HIVPLUSMAG.com. Archived from the original on 4 May 2010. Retrieved 12 July 2012.