ᱢᱟᱭᱤ ᱫᱷᱟᱭᱤ ᱫᱚ ᱯᱟᱠᱤᱥᱛᱟᱱ ᱫᱤᱥᱚᱢ ᱥᱤᱸᱫᱷᱽ ᱯᱨᱚᱫᱮᱥ ᱛᱷᱟᱨᱯᱟᱨᱠᱟᱨ ᱡᱤᱞᱟ ᱨᱤᱱᱤᱡ ᱢᱤᱫ ᱧᱩᱛᱩᱢᱟᱱ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱢᱟᱭᱤ ᱫᱷᱟᱭᱤ ᱧᱩᱛᱩᱢ ᱢᱤᱫ ᱟᱹᱛᱩ ᱫᱤᱥᱚᱢ ᱨᱩᱻᱚᱨᱚᱝ ᱟᱨ ᱥᱮᱨᱮᱧ ᱜᱟᱶᱛᱟᱭ ᱵᱮᱱᱟᱣ ᱞᱮᱜᱼᱟ ᱾ ᱚᱱᱟᱨᱮ ᱡᱟᱢᱟᱞ ᱥᱟᱵᱽ ᱦᱟᱨᱢᱳᱱᱤᱭᱚᱢ ᱨᱩ ᱟᱨ ᱢᱩᱦᱚᱢᱢᱚᱫᱽ ᱯᱷᱚᱠᱤᱨ ᱫᱚ ᱰᱷᱳᱞ ᱮ ᱨᱩᱭ ᱛᱟᱦᱮᱱ ᱾ ᱢᱟᱭᱤ ᱫᱷᱟᱭᱤ ᱟᱨ ᱟᱡ ᱨᱤᱱ ᱥᱟᱶᱛᱮ ᱠᱚ ᱒᱐᱑᱕ ᱥᱟᱞ ᱨᱮ ᱟᱢᱮᱨᱤᱠᱟ ᱨᱮᱱᱟᱜ ᱮᱥ.ᱮᱠᱥ.ᱮᱥ.ᱰᱚᱵᱞᱩ.[᱒] ᱨᱮ ᱥᱮᱨᱮᱧ ᱨᱩᱻᱚᱨᱚᱝ ᱠᱚ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱜᱼᱟ ᱾ ᱚᱱᱰᱮ ᱨᱩᱻᱚᱨᱚᱝ ᱟᱨ ᱥᱮᱨᱮᱧ ᱠᱚ ᱟᱹᱰᱤ ᱠᱚ ᱥᱟᱨᱦᱟᱣ ᱞᱮᱜᱼᱟ ᱾ [᱓] ᱾ ᱯᱟᱠᱤᱥᱛᱟᱱ ᱫᱤᱥᱚᱢ ᱨᱮᱱᱟᱜ ᱠᱳᱠ ᱥᱴᱩᱰᱤᱭᱳ ᱨᱮ ᱫᱤᱥᱚᱢ ᱥᱟᱺᱜᱤᱧ ᱧᱮᱞᱮᱞᱚᱢ ᱞᱟᱹᱜᱤᱫ ᱪᱟᱹᱞᱩ ᱞᱮᱱ ᱤᱨᱟᱹᱞ ᱠᱷᱚᱫᱽ ᱥᱮᱨᱮᱧ ᱦᱮᱯᱮᱨᱟᱣ[᱔][᱕] ᱨᱮ ᱥᱮᱞᱮᱫ ᱠᱟᱛᱮ ᱟᱹᱰᱤᱜᱟᱱ ᱥᱟᱨᱦᱟᱣ ᱟᱨ ᱪᱮᱦᱨᱟ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱧᱩᱛᱩᱢ ᱮ ᱧᱟᱢ ᱞᱮᱜᱼᱟ ᱾

ᱢᱟᱭᱤ ᱫᱷᱟᱭᱤ
ᱡᱟᱱᱟᱢ1943/1944 (age ᱞᱟᱹᱭᱟᱜ ᱦᱩᱲᱟᱹᱜ : ᱵᱟᱝᱩᱭᱦᱟᱹᱨ < ᱠᱟᱹᱢᱤᱭᱟᱹ ᱾ᱞᱟᱹᱭᱟᱜ ᱦᱩᱲᱟᱹᱜ : ᱵᱟᱝᱩᱭᱦᱟᱹᱨ < ᱠᱟᱹᱢᱤᱭᱟᱹ ᱾)[᱑]
ᱵᱟᱨᱢᱚᱨ ᱦᱚᱱᱚᱛ, ᱨᱟᱡᱽᱯᱩᱛᱟᱱᱟ, ᱵᱽᱨᱤᱴᱤᱥ ᱤᱱᱰᱤᱭᱟ[᱑]
ᱡᱮᱱᱨᱮᱥᱢᱟᱹᱨᱣᱟᱹᱲᱤ ᱟᱨ ᱥᱤᱱᱫᱷᱩ ᱦᱚᱲ ᱥᱮᱱᱮᱨᱮᱧ
ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ᱑᱙᱖᱐–ᱱᱤᱛᱚᱜ
ᱡᱩᱲᱟᱹᱣ ᱠᱟᱱ ᱠᱟᱹᱢᱤᱦᱚᱨᱟᱠᱚThe Sketches, Lahooti Live Sessions, ᱥᱮᱯᱷ ᱥᱟᱢᱮᱡᱳ, ᱠᱳᱠ ᱥᱴᱩᱰᱤᱭᱳ, Strings, ᱟᱛᱤᱯᱷ ᱟᱥᱞᱟᱢ, ᱠᱚᱨᱚᱢ ᱟᱵᱟᱥ ᱠᱷᱟᱱ

ᱩᱯᱩᱨᱩᱢ ᱟᱨ ᱠᱟᱹᱢᱤ ᱥᱟᱯᱲᱟᱣ

ᱢᱟᱭᱤ ᱫᱷᱟᱭᱤ ᱫᱚ ᱢᱟᱱᱜᱟᱱᱤᱭᱟᱨ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱤᱱᱤᱡ ᱠᱟᱱᱟᱭ ᱾ ᱫᱟᱜ ᱮᱥᱠᱮᱪᱮᱥ ᱧᱩᱛᱩᱢ ᱢᱤᱫ ᱞᱟᱹᱭ ᱞᱟᱠᱪᱟᱨ ᱜᱟᱶᱛᱟ ᱦᱚᱛᱮᱛᱮ ᱯᱟᱠᱤᱥᱛᱟᱱ ᱫᱤᱥᱚᱢ ᱨᱩᱻ ᱚᱨᱚᱝ, ᱥᱩᱯᱷᱤ ᱥᱮᱨᱮᱧ ᱟᱨ ᱴᱚᱞᱟᱯᱟᱲᱟ ᱨᱩᱚᱨᱚᱝ ᱥᱟᱢᱟᱱᱚᱢ ᱠᱚ ᱵᱟᱧᱪᱟᱣ ᱫᱚᱦᱚᱭ ᱞᱟᱹᱜᱤᱫ ᱒᱐᱑᱕ ᱥᱟᱞ ᱨᱮ ᱪᱟᱹᱞᱩ ᱞᱮᱱ ᱞᱟᱦᱳᱴᱤ ᱞᱟᱭᱤᱵᱷ ᱨᱮ ᱥᱮᱞᱮᱫ ᱠᱟᱛᱮ ᱦᱚᱲ ᱠᱚ ᱛᱟᱞᱟᱨᱮ ᱱᱟᱯᱟᱭ ᱟᱨ ᱰᱟᱢᱟᱱ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱩᱯᱩᱨᱩᱢ ᱮ ᱧᱟᱢ ᱞᱮᱜᱼᱟ ᱾ ᱟᱢᱮᱨᱤᱠᱟ ᱫᱤᱥᱚᱢ ᱨᱮᱱᱟᱜ ᱱᱤᱭᱩ ᱣᱳᱨᱠ ᱜᱨᱟᱰᱩᱮᱴ ᱥᱮᱱᱴᱮᱨ ,ᱥᱤᱴᱤ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱮᱥ.ᱮᱠᱥ.ᱮᱥ.ᱰᱚᱵᱽᱞᱩ[᱖] ᱨᱮ ᱟᱢᱮᱨᱤᱠᱟ ᱨᱤᱱᱤᱡ ᱮᱢᱵᱟᱥᱤ ᱤᱥᱞᱟᱢᱵᱟᱫᱽ, ᱥᱮᱪᱮᱫ ᱟᱨ ᱞᱟᱹᱭ ᱞᱟᱠᱪᱟᱨ ᱵᱟᱰᱚᱦᱤ ᱟᱠᱷᱽᱲᱟ ᱟᱨ ᱰᱤᱭᱩᱵᱤᱮᱢᱥᱤ ᱡᱚᱯᱲᱟᱣ[᱗] ᱛᱮ ᱒᱐᱑᱕ ᱥᱟᱞ ᱨᱮ ᱦᱩᱭ ᱞᱮᱱ ᱥᱮᱨᱮᱧ ᱢᱮᱞᱟᱝᱠᱤ ᱨᱮ ᱥᱮᱨᱮᱧ ᱞᱮᱜᱼᱟ [᱘][᱙] ᱾ ᱢᱟᱭᱤ ᱫᱷᱟᱭᱤ ᱫᱚ ᱵᱨᱳᱰᱽᱣᱚᱭ ᱣᱳᱨᱞᱰᱽ ᱧᱩᱛᱩᱢ ᱥᱟᱺᱜᱤᱧ ᱧᱮᱞᱮᱞᱚᱢ ᱨᱮ ᱟᱡᱟᱜ ᱩᱯᱩᱨᱩᱢ ᱮᱢ ᱠᱟᱛᱮ ᱞᱟᱹᱭ ᱞᱮᱜᱼᱟ ᱡᱮ ᱟᱡ ᱫᱚ ᱟᱡᱟᱜ ᱟᱲᱟᱝ ᱪᱮᱛᱟᱱ ᱨᱮ ᱯᱟᱹᱛᱭᱟᱹᱣ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱟᱡ ᱫᱚ ᱱᱚᱝᱠᱟᱱ ᱞᱟᱠᱪᱟᱨ ᱟᱱ ᱴᱷᱟᱶ ᱠᱷᱚᱱ ᱮ ᱦᱮᱡ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱟᱭᱳ ᱦᱚᱲ ᱠᱚ ᱢᱮᱞᱟᱝᱠᱤ ᱠᱚ ᱨᱮ ᱥᱮᱨᱮᱧ ᱞᱟᱹᱜᱤᱫ ᱫᱚ ᱟᱹᱰᱤ ᱛᱮᱫ ᱜᱮ ᱵᱟᱨᱚᱱᱟ ᱜᱮᱭᱟ ᱾ ᱟᱡ ᱥᱩᱢᱩᱝ ᱜᱮ ᱢᱟᱱᱜᱟᱱᱤᱭᱟᱨ ᱟᱹᱫᱤᱵᱟᱹᱥᱤ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱤᱱ ᱠᱩᱲᱤ ᱦᱚᱲ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱲ ᱠᱚ ᱛᱟᱞᱟ ᱢᱮᱞᱟᱝᱠᱤ ᱨᱮ ᱥᱮᱨᱮᱧ ᱞᱮᱜᱼᱟ ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱦᱤᱡᱩᱜ ᱠᱟᱱ ᱫᱤᱱ ᱨᱮ ᱥᱟᱱᱟᱢ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱤᱱ ᱠᱩᱲᱤ ᱦᱚᱲ ᱠᱚ ᱥᱮᱨᱮᱧᱤᱭᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱠᱚ ᱚᱰᱚᱠᱚᱜ ᱢᱟ ᱢᱮᱱᱛᱮ ᱞᱟᱹᱭ ᱫᱚᱦᱚ ᱞᱮᱜᱼᱟ ᱾ ᱟᱡ ᱫᱚ ᱟᱡᱟᱜ ᱟᱲᱟᱝ ᱪᱮᱦᱮᱨᱟ ᱛᱟᱦᱮᱱ ᱵᱷᱩᱛ ᱮ ᱥᱮᱨᱮᱧ ᱜᱮᱭᱟᱭ ᱢᱮᱱᱛᱮ ᱞᱟᱹᱭ ᱞᱮᱜᱼᱟ[᱑᱐]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ ᱥᱟᱯᱲᱟᱣ

  1. ᱑.᱐ ᱑.᱑ Menghwar, Govind (21 February 2016), "Culture: Song of the desert", DAWN, archived from the original on 18 November 2017, retrieved 27 March 2018
  2. "SXSW Music 2015: Ancient Songs With a Rocking Beat". Jon Pareles. 19 March 2015. Retrieved 30 September 2015.
  3. "Mai Dhai embarks on a musical journey to the US". The News. 21 March 2015. Archived from the original on 1 October 2015. Retrieved 30 September 2015.
  4. "Coke Studio Season 8 Artists' List Released". The Daily Times. 20 June 2015. Archived from the original on 23 July 2015. Retrieved 14 August 2015.
  5. "Coke Studio Season 8 Songs & Artists Revealed!". Pakistan Advertisers Society. Archived from the original on 24 September 2015. Retrieved 14 August 2015.
  6. "At SXSW, Stepping Back to Allow Hopeful Artists to Step Up". Jon Pareles. 21 March 2015. Retrieved 30 September 2015.
  7. "From Sindh to Nunavut: SXSW Gone Global in 2015". DubMC. 2 April 2015. Archived from the original on 1 October 2015. Retrieved 30 September 2015.
  8. "Mai Dhai to bring songs of Thar to New York". The Express Tribune. 21 February 2015. Retrieved 30 September 2015.
  9. "Mai Dhai to sing desert songs in New York". Aag TV. 22 February 2015. Archived from the original on 1 October 2015. Retrieved 30 September 2015.
  10. "US Debut of Traditional Pakistani Singer, Mai Dhai, Set for Tonight". Broadway World.com. 12 March 2015. Retrieved 30 September 2015.

ᱵᱟᱦᱨᱮ ᱡᱚᱱᱚᱲ ᱥᱟᱯᱲᱟᱣ