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ᱫᱤᱵᱤᱭᱟ ᱢᱮᱦᱨᱟ

ᱫᱤᱵᱤᱭᱟ ᱢᱮᱦᱨᱟ (ᱡᱟᱱᱟᱢ 1981) ᱠᱟᱱᱟᱰᱟ ᱨᱮᱱ ᱢᱤᱫ ᱢᱮᱱᱴᱤᱵᱳᱵᱟ ᱨᱮᱭᱟᱜ ᱩᱭᱱᱤᱯᱮᱜ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱠᱟᱱᱟᱭ ᱾[᱑] ᱢᱮᱦᱨᱟ ᱟᱜ ᱠᱟᱹᱢᱤ ᱩᱱᱤᱭᱟᱜ ᱩᱯᱚᱥᱚᱨᱚ ᱟᱱ ᱵᱩᱡᱩᱱ ᱟᱨ ᱱᱟᱜᱟᱢᱤᱭᱟᱹ ᱵᱚᱨᱱᱚᱱ ᱥᱟᱞᱟᱜ ᱥᱮᱞᱮᱫ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱵᱚᱱᱚᱫᱚᱞ, ᱦᱟᱹᱱ ᱟᱨ ᱚᱵᱷᱟᱵᱽ ᱨᱮᱭᱟᱜ ᱥᱟᱡᱚᱥ ᱞᱮᱠᱟᱛᱮ, ᱩᱱᱤ ᱧᱟᱢ ᱟᱠᱟᱱ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱟᱨ ᱵᱮᱱᱟᱣ ᱡᱤᱱᱤᱥ ᱠᱚ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱫᱟ ᱾[᱒] ᱩᱱᱤ 2022 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱠᱟᱱᱟᱰᱟ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱜᱮᱞᱟᱨᱤ ᱫᱟᱨᱟᱭ ᱛᱮ ᱥᱮᱨᱢᱟ ᱜᱮ ᱥᱳᱵᱮ ᱟᱨᱴ ᱥᱤᱨᱯᱟᱹᱭ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾[᱓]

ᱫᱤᱵᱤᱭᱟ ᱢᱮᱦᱨᱟ
ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ 1981 (ᱥᱮᱨᱢᱟ 42-43)
ᱳᱭᱤᱱᱤᱯᱮᱜ, ᱢᱮᱱᱴᱤᱵᱳᱵᱟ, ᱠᱟᱱᱟᱰᱟ
ᱥᱮᱪᱮᱫ ᱠᱳᱢᱵᱤᱭᱟ ᱡᱮᱜᱮᱫ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ, ᱢᱟᱱᱴᱤᱵᱳ ᱡᱮᱜᱮᱫ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ
ᱞᱟᱹᱜᱤᱫ ᱩᱯᱨᱩᱢ  ᱢᱚᱞᱴᱤᱢᱤᱰᱤᱭᱟ ᱠᱟᱹᱨᱤᱜᱚᱞ
ᱳᱭᱮᱵᱥᱟᱭᱤᱴ divyamehra.com

ᱮᱛᱚᱦᱚᱵ ᱡᱤᱭᱚᱱ ᱟᱨ ᱥᱮᱪᱮᱫ ᱥᱟᱯᱲᱟᱣ

ᱢᱮᱦᱨᱟ ᱫᱚ ᱠᱟᱱᱟᱰᱟ ᱨᱮᱭᱟᱜ ᱩᱭᱱᱤᱯᱮᱜ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱯᱳᱱ ᱜᱤᱫᱽᱨᱟᱹ ᱢᱩᱫᱨᱮ ᱫᱚᱥᱟᱨ ᱦᱩᱰᱤᱧ ᱮ ᱛᱟᱦᱮᱸᱠᱟᱱᱟ ᱾ [᱔] 2005 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱭᱱᱤᱯᱮᱜ ᱨᱮ ᱤᱭᱩᱱᱤᱵᱷᱤᱥᱴᱤ ᱚᱯᱷ ᱢᱮᱱᱴᱤᱵᱳᱵᱟ ᱥᱩᱠᱚᱞ ᱚᱯᱷ ᱟᱨᱴ ᱠᱷᱚᱱ ᱵᱷᱤᱡᱩᱞ ᱟᱨᱴᱥ ᱨᱮ ᱮᱢ ᱮᱯᱷ ᱮ (ᱟᱱᱳᱨᱥ) ᱟᱨ 2008 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱱᱤᱭᱩᱨᱠ ᱥᱟᱦᱟᱨ ᱨᱮ ᱠᱳᱢᱵᱚᱞᱵᱤᱭᱟ ᱤᱭᱩᱱᱤᱥᱴᱤᱨᱤᱴᱤ ᱥᱩᱠᱚᱞ ᱚᱯᱷ ᱟᱨᱴᱥ ᱠᱷᱚᱱ ᱵᱷᱤᱡᱩᱭᱟᱞ ᱟᱨᱴᱥ ᱨᱮ ᱮᱢ ᱮᱯᱷ ᱮ ᱦᱟᱢᱮᱴ ᱞᱮᱫᱟ ᱾[᱕]

ᱠᱟᱹᱢᱤ ᱥᱟᱯᱲᱟᱣ

ᱢᱮᱦᱨᱟ ᱫᱷᱤᱨᱤᱪᱟᱨ, ᱯᱨᱤᱱᱴ, ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ, ᱠᱟᱹᱨᱤᱜᱚᱞ ᱠᱚᱣᱟᱜ ᱯᱚᱛᱚᱵ, ᱛᱷᱟᱯᱚᱱ, ᱩᱪᱷᱟᱹᱱ, ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ, ᱵᱷᱤᱰᱤᱣ ᱟᱨ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱥᱟᱶᱛᱮ ᱟᱭᱢᱟ ᱨᱩᱯ ᱨᱮᱭ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱫᱟ ᱾[᱖] ᱩᱱᱤ ᱫᱚ ᱡᱟᱣᱜᱮ ᱟᱡᱟᱜ ᱠᱟᱹᱢᱤ ᱨᱮ ᱥᱮᱞᱮᱫ ᱞᱮᱠᱟᱛᱮ ᱠᱷᱟᱹᱢᱚᱥ ᱮ ᱵᱮᱣᱦᱟᱨ ᱞᱮᱫᱟ, ᱵᱤᱪᱷᱱᱟᱹᱣ ᱠᱟᱛᱮ, "ᱠᱷᱟᱹᱢᱚᱥ ᱡᱚᱛᱚ ᱦᱚᱲ ᱜᱮ ᱵᱟᱰᱟᱭ ᱫᱟᱲᱮᱭᱟᱜ ᱟ... ᱴᱷᱟᱶ ᱵᱮᱱᱟᱣᱼᱟ ᱪᱮᱫᱟᱜ ᱥᱮ ᱱᱚᱶᱟ ᱫᱚ ᱜᱚᱴᱟᱜᱮ ᱡᱚᱛᱚ ᱠᱷᱚᱱ ᱡᱟᱹᱥᱛᱤ ᱧᱟᱢ ᱫᱟᱲᱮ ᱟᱨ ᱚᱱᱟᱛᱮ ᱱᱚᱶᱟ ᱫᱚ ᱤᱧᱟᱹᱜ ᱠᱟᱹᱢᱤ ᱨᱮᱭᱟᱜ ᱰᱟᱦᱟᱨ ᱦᱳᱭᱳᱜᱼᱟ ᱾" ᱢᱮᱦᱨᱟ ᱧᱮᱞᱟᱱ ᱠᱚ ᱵᱤᱨᱤᱫ (ᱵᱤᱥᱚᱢ) ᱟᱨ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱤᱫᱤ ᱠᱟᱛᱮ ᱟᱹᱰᱤ ᱟᱱᱟᱴ ᱨᱮᱱᱟᱜ ᱠᱟᱛᱷᱟᱠᱚ ᱵᱤᱵᱮᱠᱟᱛᱮ ᱩᱭᱦᱟᱹᱨ ᱞᱟᱹᱜᱤᱫ ᱮ ᱮᱢ ᱞᱮᱫᱟ ᱾[᱗] ᱩᱱᱤ ᱫᱚ ᱢᱮᱱ ᱟᱠᱟᱫᱟᱭ, "ᱤᱧ ᱪᱮᱫ ᱞᱮᱠᱟᱛᱮ ᱡᱚᱱᱛᱚᱨᱚ ᱟᱨ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱠᱟ ᱟᱹᱰᱤ ᱟᱱᱟᱴ ᱟᱱᱟᱜ ᱠᱤᱪᱷᱩ ᱠᱟᱛᱷᱟ ᱠᱟᱛᱷᱟ ᱠᱟᱛᱷᱟ ᱞᱟᱹᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ? ᱟᱢ ᱡᱩᱫᱤ ᱱᱚᱶᱟ ᱤᱫᱤ ᱠᱟᱛᱮ ᱠᱷᱩᱛᱟ, ᱤᱧ ᱢᱚᱱᱮ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱱᱚᱶᱟ ᱟᱭᱢᱟ ᱦᱚᱲ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫᱴᱟᱝ ᱴᱷᱟᱶ ᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟ ᱟᱨ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱩᱱᱠᱩ ᱪᱮᱫ ᱠᱚ ᱦᱟᱹᱱ ᱟᱠᱟᱫᱟ ᱚᱱᱟ ᱤᱫᱤ ᱠᱟᱛᱮ ᱩᱭᱦᱟᱹᱨ ᱢᱮ ᱾" ᱵᱷᱟᱨᱚᱛ ᱨᱮᱱ ᱩᱯᱟᱹᱭᱟᱱ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱩᱯᱟᱹᱭ ᱥᱟᱞᱟᱜ ᱠᱟᱢᱤᱠᱥ ᱟᱨ ᱥᱳᱭᱮᱞ ᱢᱤᱰᱤᱭᱟ ᱥᱟᱶᱛᱮ ᱛᱚᱞᱟᱥ ᱟᱨ ᱦᱚᱲᱠᱩᱥᱤᱪ ᱡᱳᱰ ᱠᱟᱛᱮ, ᱩᱱᱤ ᱫᱚ ᱚᱱᱩᱢᱟᱹᱱᱟᱱ ᱢᱮᱱᱠᱷᱟᱱ ᱠᱷᱩᱛᱟᱱ ᱠᱟᱹᱢᱤ ᱠᱚ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱫᱟ ᱾ ᱩᱱᱠᱩ ᱨᱮᱭᱟᱜ ᱡᱚᱥ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱧᱮᱞᱟᱱ ᱠᱚ ᱵᱮᱼᱥᱟᱠᱷᱤᱛ ᱠᱚᱨᱟᱣ ᱟᱨ ᱨᱩᱛᱤᱵᱟᱪᱚᱠ ᱨᱮᱭᱟᱜ ᱮᱥᱮᱨ ᱤᱫᱤ ᱠᱟᱛᱮ ᱠᱟᱛᱷᱟᱼᱵᱩᱴᱟᱹ ᱨᱮ ᱮᱱᱮᱢ ᱮᱢ ᱾[᱘] ᱠᱟᱹᱨᱤ ᱟᱱᱟᱜ ᱩᱪᱷᱟᱹᱱ ᱫᱚ ᱢᱤᱫ ᱞᱮᱠᱟᱱ ᱴᱮᱠᱟᱣᱼᱥᱟᱠᱷᱟᱼᱥᱟᱠᱷᱟᱜ ᱠᱟᱱᱟᱼ ᱧᱮᱞᱟᱱ ᱠᱚᱣᱟᱜ ᱞᱟᱹᱠᱛᱤ ᱟᱨ ᱠᱷᱚᱡ ᱠᱚ ᱢᱟᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱵᱟᱱᱟᱨ ᱜᱮ ᱾[᱙][᱑᱐]

ᱢᱮᱦᱨᱟ ᱟᱡᱟᱜ ᱚᱞᱼᱵᱩᱴᱟᱹ ᱪᱮᱛᱟᱱ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱩᱯᱨᱩᱢᱮ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱾ ᱩᱱᱤᱭᱟᱜ ᱱᱚᱣᱟ ᱞᱮᱠᱟᱱ ᱠᱟᱹᱢᱤ ᱠᱚ ᱢᱩᱫᱽᱨᱮ ᱯᱳᱭᱞᱳ, ᱱᱟᱦᱟᱜ ᱯᱷᱮᱥᱚᱱᱮᱵᱚᱞ, 2009 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱵᱮᱱᱟᱣ ᱞᱮᱱᱟ ᱟᱨ ᱩᱱᱤᱭᱟᱜ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ, ᱟᱢ ᱩᱱᱠᱩ ᱞᱟᱹᱭ ᱢᱮ, ᱤᱧ ᱫᱚ ᱯᱳᱭᱞᱳ ᱨᱮ 2012 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱞᱟ ᱢᱮᱭᱥᱚᱱ ᱰᱮᱥ ᱟᱨᱴᱤᱥᱴᱤᱥ ᱵᱷᱤᱥᱩᱮᱞᱥ ᱯᱷᱚᱨᱮᱱᱠᱳᱯᱷᱳᱱᱥ, ᱥᱮᱱᱴ ᱵᱳᱱᱤᱯᱮᱥ, ᱢᱮᱱᱴᱤᱵᱳᱵᱟ ᱟᱨ ᱟᱨᱦᱚᱸ 2017 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱴᱚᱨᱳᱱᱴᱳ ᱨᱮᱭᱟᱜ ᱡᱚᱮᱡᱤᱭᱟ ᱥᱮᱨᱢᱮᱱ ᱯᱨᱚᱡᱮᱴᱠᱥ ᱨᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱟᱠᱟᱱ ᱢᱤᱫ ᱦᱚᱲ ᱵᱟᱝ ᱠᱟᱱᱟ ᱾ ᱚᱞ ᱠᱟᱹᱢᱤ ᱠᱚᱫᱚ ᱤᱝᱨᱮᱡᱤ,ᱦᱤᱱᱫᱤ ᱟᱨ ᱯᱷᱟᱨᱮᱱᱥᱤ ᱯᱟᱹᱨᱥᱤᱛᱮ ᱧᱟᱢᱚᱜᱼᱟ ᱾   2017 ᱥᱟᱹᱦᱤᱛ ᱩᱱᱤᱭᱟᱜ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱚᱱᱚᱞ "ᱚᱵᱳᱞᱤᱥ, ᱥᱤ ᱥᱮᱰ" ᱨᱮ, ᱠᱮᱱᱫᱨᱟ ᱯᱮᱥᱤᱹᱥ ᱢᱮᱦᱨᱟ ᱟᱜ ᱛᱷᱟᱯᱚᱱᱟᱱ ᱵᱤᱪᱷᱱᱟᱶ ᱨᱮᱭᱟᱜ ᱥᱟᱵᱟᱫ ᱮ ᱮᱢ ᱟᱠᱟᱫᱟ ᱾ "ᱠᱟᱹᱢᱤᱭᱟᱹ ᱵᱚᱱᱚᱫᱚᱞ ᱞᱟᱹᱠᱛᱤ ᱟᱨ ᱡᱳᱨ ᱟᱱ ᱾ ᱡᱟᱦᱟ ᱴᱷᱟᱶ ᱨᱮ ᱥᱮᱞᱮᱫ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱚ ᱥᱚᱜᱤᱵ ᱠᱟᱱᱟ, ᱮᱱᱠᱷᱟᱱ, ᱫᱤᱵᱤᱭᱟ ᱡᱟᱦᱟᱸ ᱠᱤᱪᱷᱩ ᱚᱠᱛᱚ ᱨᱮ ᱟᱭᱢᱟ ᱥᱮ ᱧᱮᱞᱟᱱ ᱟᱭᱢᱟ ᱞᱟᱠᱪᱟᱨ ᱨᱮᱭᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱚᱱᱟ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱡᱟᱹᱥᱛᱤ ᱠᱤᱪᱷᱩ ᱞᱟᱹᱜᱤᱫ ᱮ ᱫᱟᱵᱤ ᱟᱠᱟᱫᱟ, ᱡᱟᱦᱟᱸ ᱞᱮᱠᱟ ᱜᱚᱭᱮᱴ ᱦᱚᱲ ᱠᱚ ᱟᱨ ᱦᱮᱜᱤᱢᱚᱱᱤᱠ ᱠᱤᱭᱳᱨᱮᱴᱟᱨᱤ, ᱮᱰᱤᱣᱳᱞᱮᱴᱚᱨᱮᱞ ᱟᱨ ᱥᱟᱯᱲᱟᱣ ᱮᱥᱮᱨ ᱵᱟᱝ ᱠᱟᱱᱟ, ᱟᱨ ᱨᱚᱝ ᱨᱮᱱ ᱦᱚᱲ ᱠᱚ ᱢᱤᱫᱴᱟᱝ ᱠᱚᱢ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱨᱮᱱᱴᱨᱮ ᱠᱚᱢ ᱵᱟᱝ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱾"[᱑᱑]

ᱵᱟᱪᱷᱱᱟᱣ ᱥᱤᱨᱯᱟᱹ ᱥᱟᱯᱲᱟᱣ

  • ᱢᱟᱱᱴᱤᱵᱳ ᱟᱨᱴᱚᱥ ᱠᱟᱣᱥᱤᱞ, ᱢᱮᱡᱚᱨ ᱟᱨᱴᱚᱥ ᱜᱨᱟᱱᱴ, 2014
  • ᱜᱮᱞᱮᱱᱯᱷᱤᱰᱤᱪ ᱟᱨᱴ ᱮᱣᱟᱨᱰ, ᱥᱚᱨᱴᱞᱤᱥᱴ, 2015
  • ᱥᱳᱵᱮ ᱟᱨᱴ ᱮᱣᱟᱨᱰ, ᱥᱚᱨᱴᱞᱤᱥᱴ, ᱯᱮᱭᱨᱤᱡᱽ ᱟᱨ ᱩᱛᱛᱚᱨ ᱴᱚᱴᱷᱟ, 2017 [᱑᱒] [᱑᱓]
  • ᱳᱣᱟᱱᱰᱟ ᱠᱳᱯ ᱨᱤᱥᱟᱨᱪ ᱯᱷᱩᱱᱰ, 2020 [᱑᱔]
  • ᱥᱳᱵᱮ ᱟᱨᱴ ᱮᱣᱟᱨᱰ, ᱡᱤᱛᱠᱟᱹᱨᱤᱭᱟᱹ, 2022 [᱑᱕]

ᱵᱟᱪᱷᱱᱟᱣ ᱟᱠᱟᱱ ᱯᱟᱱᱛᱷᱟᱠᱚ ᱥᱟᱯᱲᱟᱣ

2012 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱢᱮᱦᱨᱟ ᱮᱢ ᱴᱤ ᱵᱷᱤ, ᱢᱳᱢᱟ ᱯᱤ ᱮᱥᱼ1 ᱟᱨ ᱠᱨᱮᱴᱤᱵᱷ ᱴᱟᱭᱚᱢ ᱫᱟᱨᱟᱭ ᱛᱮ "ᱟᱨᱴ ᱵᱨᱤᱠ" ᱼ 1980 ᱜᱮᱞᱟᱝ ᱨᱮ ᱮᱢ ᱴᱤ ᱵᱷᱤ ᱢᱤᱫᱴᱟᱝ ᱵᱷᱤᱰᱤᱣ ᱥᱤᱨᱤᱡ ᱡᱟᱦᱟᱸ ᱫᱚ ᱯᱳᱭᱞᱳ ᱠᱤᱛ ᱦᱟᱨᱤᱝ, ᱡᱮᱱᱼᱢᱤᱪᱮᱞ ᱵᱟᱥᱠᱤᱭᱚᱴ ᱟᱨ ᱮᱱᱰᱤ ᱳᱣᱟᱨᱦᱳᱞ ᱟᱜ ᱵᱷᱤᱰᱤᱣ ᱠᱟᱹᱢᱤ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱟᱨᱴ ᱵ 2012 ᱨᱮ ᱥᱮᱢᱟ ᱵᱮᱠᱤᱨᱟᱵᱷᱤᱠ, ᱠᱳᱰᱤ ᱠᱨᱤᱪᱮᱞᱳ, ᱮᱱᱰᱨᱤᱣ ᱠᱩ, ᱢᱮᱰᱥ ᱞᱤᱱᱟᱨᱩᱯ, ᱛᱟᱞᱟ ᱢᱟᱫᱟᱱᱤ, ᱢᱮᱦᱨᱟ, ᱨᱟᱥᱚᱫ ᱱᱤᱭᱩᱥᱳᱢ, ᱡᱟᱱᱤ ᱨᱤᱥᱠᱤᱠᱟ, ᱢᱤᱠᱟᱞᱤᱱ ᱛᱟᱢᱟᱥ ᱟᱨ ᱜᱤᱭᱰᱳ ᱵᱷᱮᱱ ᱰᱟᱨ ᱳᱣᱟᱨᱵᱷ ᱟᱜ ᱵᱷᱤᱰᱤᱣᱳ ᱢᱮᱱᱟᱜᱼᱟ ᱾[᱑᱖] ᱚᱱ ᱴᱨᱮᱡᱰᱤᱼ ᱧᱩᱛᱩᱢᱛᱮ ᱥᱤᱨᱤᱡ ᱨᱮ ᱢᱮᱦᱨᱟ ᱟᱜ ᱮᱱᱮᱢ ᱨᱮ ᱟᱢ ᱠᱤ ᱵᱷᱟᱨᱚᱛ ᱨᱮᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱠᱟᱛᱷᱟ ᱮ ᱵᱟᱰᱟᱭ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱾ᱚᱱ ᱴᱨᱮᱡᱰᱤᱼ ᱟᱢ ᱪᱮᱫ ᱵᱷᱟᱨᱚᱛ ᱨᱮᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱠᱟᱛᱷᱟ ᱵᱟᱰᱟᱭ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱾, ᱩᱱᱤ ᱫᱚ '[ᱨᱤᱠᱟᱨᱰ] ᱯᱨᱤᱱᱥ' ᱟᱜ 1985 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱰᱤᱣ ᱨᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟᱭ, ᱡᱟᱦᱟ ᱨᱮ ᱩᱱᱤ 'ᱜᱩᱜᱮᱱᱦᱟᱭᱤᱢ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱨᱮᱱᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱟᱭᱤᱥᱠᱨᱤᱢ ᱴᱨᱟᱠ ᱠᱷᱚᱱ ᱢᱤᱫᱴᱟᱝ ᱵᱷᱮᱱᱤᱞᱟ ᱠᱳᱱ ᱠᱤᱨᱤᱧ ᱞᱮᱫᱟ ᱟᱨ ᱟᱡᱛᱮ' ᱠᱟᱹᱨᱤ ᱡᱮᱜᱮᱫ ᱨᱮ ᱥᱚᱨᱮᱥ ᱞᱮᱠᱟᱛᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱ ᱱᱤᱴ ᱠᱚ ᱢᱩᱫᱨᱮ ᱢᱤᱫᱴᱟᱝ 'ᱢᱮᱱᱛᱮ ᱠᱚ ᱞᱟᱹᱭ ᱞᱮᱫᱟ ᱾ ᱱᱚᱣᱟ ᱫᱚ ᱯᱨᱤᱱᱥ ᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱮᱠᱟ ᱢᱤᱫ ᱨᱩᱯ ᱨᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ, ᱧᱮᱞᱤᱭᱟᱹ ᱠᱚ ᱢᱮᱦᱨᱟ ᱟᱜ ᱠᱟᱹᱣᱰᱤ ᱮᱢ ᱧᱮᱞ ᱞᱮᱫᱟ ᱟᱨ ᱜᱩᱜᱮᱱᱦᱤᱢ ᱨᱮᱱᱟᱜ ᱛᱷᱟᱯᱚᱱ ᱟᱠᱟᱱ ᱢᱤᱫᱴᱟᱝ ᱟᱭᱤᱥᱠᱨᱤᱢ ᱟᱹᱠᱷᱨᱤᱧᱤᱭᱟᱹ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱩᱱᱤ ᱢᱤᱫᱴᱟᱝ ᱥᱚᱞᱯᱷᱴ ᱟᱭᱤᱥᱠᱨᱤᱚᱢ ᱠᱳᱱ ᱨᱮᱭᱟᱜ ᱚᱰᱟᱨ ᱮᱢ ᱞᱮᱫᱟᱭ ᱾[᱑᱗] "ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱩᱱᱤ ᱚᱱᱟ ᱧᱟᱢ ᱠᱟᱛᱮ, ᱚᱱᱟ ᱥᱩᱭᱟᱨᱞᱰ ᱟᱭᱤᱥᱠᱨᱤᱢ ᱫᱚ ᱡᱟᱦᱟᱸ ᱞᱮᱠᱟ ᱩᱥᱩᱞ ᱨᱮ ᱫᱚᱦᱚ ᱦᱳᱭ ᱞᱮᱱᱟ ᱡᱮ ᱩᱱᱤ ᱢᱤᱫᱴᱟᱝ ᱠᱟᱛᱷᱟ ᱞᱟᱹᱭ ᱠᱚᱨᱟᱣ ᱞᱟᱦᱟ ᱜᱮ, ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱚᱵᱷᱟᱵᱽ ᱟᱱᱟᱜ ᱥᱯᱞᱮᱴ ᱥᱟᱞᱟᱜ ᱰᱟᱦᱟᱨ ᱨᱮ ᱰᱩᱞᱟᱹᱜ ᱞᱮᱱᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱯᱨᱟᱭ ᱥᱞᱮᱯᱥᱴᱤᱠ ᱾"[᱑᱘]

ᱵᱟᱪᱷᱱᱟᱣ ᱟᱠᱟᱱ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱥᱟᱯᱲᱟᱣ

ᱩᱪᱷᱟᱹᱱ ᱥᱟᱯᱲᱟᱣ

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ ᱥᱟᱯᱲᱟᱣ

 
ᱫᱤᱵᱤᱭᱟ ᱢᱮᱦᱨᱟ, ᱰᱮᱱᱡᱟᱨᱚᱥ ᱩᱭᱢᱮᱱ (ᱵᱞᱮᱡᱽ ᱚᱯᱷ ᱜᱞᱳᱨᱤ 2017, ᱰᱤᱡᱴᱮᱞ ᱪᱤᱛᱟᱹᱨ) ᱾ ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱫᱚ ᱮᱛᱚᱦᱚᱵ ᱟᱨᱴ + ᱯᱷᱮᱢᱤᱱᱤᱡᱚᱢ ᱠᱚᱞ ᱴᱩ ᱮᱠᱥᱚᱱ ᱟᱨᱴ ᱠᱚᱢᱤᱥᱚᱱ ᱾
  1. ↑ Mackenzie, Lindsay. ""Oh My Gosh! That Would Be Bananas; - 5 Questions for Winnipeg Artist Divya Mehra"".
  2. ↑ "DIVYA MEHRA". www.divyamehra.com (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-08-11.
  3. ↑ "Divya Mehra Wins Canada's Sobey Art Award". www.artforum.com (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2023-07-08.
  4. ↑ "Divya Mehra on "Quit, India" and Her Dark Comedy | Artinfo". Artinfo. Archived from the original on 2017-01-16. Retrieved 2016-03-05.
  5. ↑ Mayes, Alison (31 March 2012). "Artist Divya Mehra uses humour 'to cut a tense situation'". Winnipeg Free Press. Retrieved 2016-03-05.
  6. ↑ "DIVYA MEHRA". www.divyamehra.com (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-08-11.
  7. ↑ "'Oh my gosh! That would be bananas' — 5 questions for Winnipeg artist Divya Mehra | CBC News".
  8. ↑ "Why Divya Mehra didn't want In the Making to shoot footage of the Taj Mahal | CBC Arts". CBC (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2019-03-29.
  9. ↑ "Divya Mehra Awarded the 2019 Wanda Koop Research Fund". Canadian Art (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-08-11.
  10. ↑ "Together, For Better or Worse: Five Takes on Community from the Finalists in the 2017 Sobey Art Award". www.gallery.ca (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-08-11.
  11. ↑ "DIVYA MEHRA - The funny things You do - Viewing Room - Night Gallery". www.nightgallery.ca. 2022. Retrieved 9 July 2023.
  12. ↑ "Women Dominate Sobey Art Award Shortlist for First Time Ever". Canadian Art (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2017-09-23.
  13. ↑ "The Prairies & North - Divya Mehra". Cbc.ca. 16 January 2017. Retrieved 29 October 2018.
  14. ↑ "Divya Mehra Awarded the 2019 Wanda Koop Research Fund". Canadian Art (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-04-24.
  15. ↑ "Article: 2022 Sobey Art Award Exhibition". www.gallery.ca. National Gallery of Canada magazine. Retrieved 19 February 2023.
  16. ↑ "Art Breaks". Creative Time (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-08-11.
  17. ↑ Boucher, Brian (2012-11-15). "MTV Unveils New Art Breaks Videos". ARTnews.com (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-08-11.
  18. ↑ "The Success of Failure: Divya Mehra". bordercrossingsmag.com (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2020-08-11.
  19. ↑ Cottingham, Steven (April 29, 2015). "Divya Mehra and Talk Is Cheap: Our Broken Tongues". Canadian Art.
  20. ↑ "Win Last, Don't Care". Art Gallery of Ontario (in ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2019-02-28.
  21. ↑ "Beginning with the Seventies: GLUT". Morris and Helen Belkin Art Gallery (in ᱠᱟᱱᱟᱰᱤᱭᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2019-02-28.
  22. ↑ "Divya Mehra | Artspeak" (in ᱟᱢᱮᱨᱤᱠᱟᱱ ᱟᱝᱜᱽᱨᱮᱡᱤ). Retrieved 2019-02-28.
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