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ᱵᱤᱴᱰᱟᱣᱩᱱ ᱦᱰᱠᱳᱨᱠᱳ (ᱦᱤᱭᱩᱭ ᱦᱰᱠᱳᱨᱠᱩᱨ ᱵᱨᱟᱴᱤᱦᱳᱞ ᱦᱰᱠᱳᱨᱠᱩ ᱢᱳᱥᱠᱳᱨᱮᱣ ᱥᱮ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱵᱤᱴᱰᱟᱣᱩᱱ ᱧᱩᱛᱩᱢ ᱛᱮ ᱩᱯᱨᱩᱢᱚᱜᱼᱟ) ᱦᱤᱭᱩᱭ ᱢᱮᱛᱟᱞ ᱨᱮᱭᱟᱜ ᱢᱩᱲᱩᱫ ᱦᱤᱸᱥ ᱥᱟᱶ ᱦᱰᱠᱳᱨ ᱯᱮᱝᱠ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱩᱯᱚᱜᱮᱱᱟᱨ ᱾ ᱵᱤᱴᱰᱟᱣᱩᱱ ᱦᱚᱨᱰᱠᱳᱨ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱡᱟᱨᱯᱟᱣᱟᱱ ᱥᱮᱨᱮᱧ , ᱜᱟᱝ ᱵᱷᱳᱠᱚᱞ , ᱜᱤᱴᱟᱨ ᱨᱮ ᱟᱹᱰᱤ ᱜᱤᱴᱟᱨ ᱨᱮᱯᱷ ᱟᱨ ᱵᱨᱮᱠᱰᱟᱣᱩᱱ ᱟᱨ ᱥᱮᱨᱮᱧ ᱨᱮ ᱢᱤᱫ , ᱵᱚᱭᱦᱟ , ᱚᱵᱷᱟᱵ ᱟᱱᱟᱜ ᱡᱮᱜᱮᱫᱼᱵᱚᱭᱟᱨᱟᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱟᱨ ᱢᱮᱥᱤᱡᱚᱢᱳ ᱤᱫᱤ ᱠᱟᱛᱮ ᱠᱟᱛᱷᱟᱼᱵᱚᱭᱟᱨᱮ ᱠᱚᱨᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱮᱛᱚᱦᱚᱵ 1980 ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱥᱮᱫ ᱱᱤᱭᱳᱨᱠ ᱨᱮᱭᱟᱜ ᱜᱚᱫᱠᱳᱨ ᱵᱮᱱᱰ ᱡᱮᱞᱮᱠᱟ ᱵᱨᱮᱠᱰᱟᱣᱩᱱ ᱠᱤᱞᱤᱝ ᱴᱟᱭᱚᱢ ᱟᱨ ᱢᱮᱰᱵᱚᱞ ᱠᱷᱚᱱ ᱦᱩᱭ ᱞᱮᱱᱟ ᱟᱨ 1990 ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱛᱟᱞᱟ ᱨᱮ ᱵᱚᱞᱰᱳᱡᱮ ᱴᱮᱨᱟᱨ ᱡᱮᱱ ᱟᱨ ᱱᱟᱜᱞᱮᱠᱴ ᱞᱮᱠᱟᱱ ᱵᱮᱱᱰ ᱫᱟᱨᱟᱭ ᱛᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱱᱟ ᱾ ᱚᱠᱛᱚ ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱱᱚᱶᱟ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱵᱚᱨᱱᱚᱱ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱᱟ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱮᱛᱟᱞ ᱪᱮᱛᱟᱱ ᱨᱮ ᱡᱟᱹᱥᱛᱤ ᱠᱷᱚᱱ ᱡᱟᱹᱥᱛᱤ ᱨᱤᱱᱫᱩᱨᱤᱠ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱠᱚ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ , ᱡᱟᱦᱟᱸ ᱢᱩᱫᱨᱮ ᱧᱩᱛᱩᱢᱟᱱ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱡᱤᱵᱟᱞᱵᱟ ᱥᱩᱱᱟᱢᱤ ᱟᱨ ᱱᱟᱠᱰ ᱞᱩᱡᱽ ᱾

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ᱵᱤᱴᱰᱟᱣᱩᱱ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱦᱮᱵᱷᱤ ᱢᱮᱴᱟᱞ ᱫᱟᱨᱟᱭ ᱛᱮ ᱮᱥᱮᱨ ᱟᱠᱟᱱ ᱦᱰᱠᱳᱨ ᱯᱮᱝᱠ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱠᱟᱹᱨᱤ ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱟᱨᱯᱟ ᱟᱱᱟᱜ ᱥᱮᱨᱮᱧ (ᱥᱟᱫᱷᱟᱨᱚᱱ ᱞᱮᱠᱟᱛᱮ ᱥᱠᱨᱤᱝ ᱜᱮᱝ ᱵᱷᱳᱠᱚᱞ ᱦᱮᱵᱷᱤ ᱜᱤᱛᱟᱨ ᱨᱤᱯᱷᱥ ᱟᱨ ᱦᱮᱵᱷᱤ ᱵᱨᱟᱠᱰᱟᱣᱩᱱ) ᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱟᱠᱟᱫᱟ ᱾[᱑][᱒] ᱥᱮᱨᱣᱟ ᱟᱱᱟᱜ ᱦᱚᱨᱰᱠᱳᱨ ᱯᱟᱱᱠ ᱠᱷᱚᱱ ᱡᱟᱹᱥᱛᱤ ᱦᱤᱭᱤ ᱢᱮᱛᱟᱞ ᱮᱥᱮᱨ ᱛᱮ ᱵᱤᱴᱰᱟᱣᱩᱱ ᱨᱮᱭᱟᱜ ᱥᱮᱨᱮᱧ ᱫᱚ ᱢᱮᱛᱟᱞ ᱟᱨ ᱦᱤᱯ ᱦᱚᱯ ᱨᱮᱭᱟᱜ ᱛᱷᱨᱟᱥ[᱑] ᱞᱟᱹᱜᱤᱫ ᱨᱤᱱᱫᱟᱹᱭ ᱾[᱓] ᱟᱭᱢᱟ ᱵᱤᱴᱰᱟᱣᱩᱱ ᱵᱮᱱᱰ ᱥᱞᱟᱢ ᱢᱮᱛᱟᱞ ᱨᱮᱭᱟᱜ ᱦᱤᱸᱥ ᱦᱚᱸ ᱵᱮᱣᱦᱟᱨᱼᱟ ᱾[᱔] ᱚᱱᱚᱞᱤᱭᱟᱹ ᱵᱨᱟᱭᱮᱱ ᱡᱮᱹ ᱠᱳᱪᱚᱱ ᱟᱜ ᱢᱚᱛ ᱞᱮᱠᱟᱛᱮ , ᱱᱚᱶᱟ ᱠᱟᱹᱨᱤ " ᱢᱟᱨᱠᱤᱱ ᱢᱟᱨᱟᱝ ᱥᱟᱦᱟᱨ ᱨᱮᱱ ᱦᱚᱲᱠᱚᱭᱟᱜ ᱨᱩᱴᱤ ᱟᱨ ᱠᱟᱹᱢᱤᱣᱟᱱ ᱛᱷᱚᱱᱚᱛ ᱡᱤᱭᱚᱱ ᱨᱮᱱᱟᱜ ᱱᱤᱨᱚᱥᱤᱛᱚ ᱠᱚ ᱢᱟᱱᱟᱣ ᱟᱠᱟᱫᱟ ᱾[᱕] Panknews. org ᱵᱤᱴᱰᱟᱣᱩᱱ ᱫᱚ " ᱦᱮᱵᱷᱤ ᱵᱨᱮᱠᱰᱟᱣᱩᱱ " ᱼᱜᱚᱨᱳᱞᱤ ᱵᱷᱚᱠᱮᱞ " ᱟᱨ " ᱫᱟ ᱢᱮᱱᱚᱠᱮᱞ ᱢᱮᱛᱟᱞ ᱨᱤᱯᱷ " ᱞᱮᱠᱟᱛᱮ ᱵᱚᱨᱱᱚᱱ ᱟᱠᱟᱫᱟ ᱾[᱖]

ᱵᱤᱴᱰᱟᱣᱩᱱ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱧᱩᱛᱩᱢᱟᱱ ᱦᱤᱥ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱦᱟᱨᱰᱠᱳᱨ ᱠᱨᱩᱡᱽ ᱥᱟᱶ ᱟᱹᱰᱤ ᱥᱩᱨ ᱥᱩᱯᱩᱨ ᱥᱟᱹᱜᱟᱹᱭ ᱢᱮᱱᱟᱜ-ᱟ, ᱡᱮᱢᱚᱱ ᱱᱤᱭᱩ ᱭᱚᱨᱠ ᱨᱮᱱᱟᱜ ᱰᱤ. ᱮᱢ. ᱮᱥ ᱟᱨ ᱵᱚᱥᱴᱚᱱ ᱨᱮᱱᱟᱜ ᱯᱷᱨᱮᱸᱰᱥ ᱥᱴᱮᱱᱰ ᱭᱩᱱᱤᱴᱮᱰ, ᱡᱟᱦᱟᱸ ᱞᱮᱠᱟᱛᱮ ᱥᱮᱪᱮᱫᱤᱭᱟᱹ ᱡᱮᱯᱷ ᱯᱩᱨᱪᱞᱟ ᱫᱚ ᱒᱐᱑᱑ ᱥᱟᱞᱮ ᱨᱮ ᱟᱡᱟᱜ ᱚᱱᱚᱬᱦᱮ 'ᱫᱤ ᱯᱟᱣᱟᱨᱥ ᱴᱷᱟᱶ: ᱯᱨᱚᱥᱮᱥ ᱚᱯᱷ ᱠᱚᱱᱴᱨᱚᱞ ᱤᱱ 'ᱠᱨᱩ ᱥᱠᱮᱱ ᱦᱟᱨᱰᱠᱳᱨ' ᱨᱮ ᱱᱚᱶᱟ ᱡᱮᱱᱚᱨ ᱞᱟᱹᱜᱤᱫ ᱛᱮ "ᱠᱨᱩ ᱥᱠᱮᱱ ᱦᱟᱨᱰᱠᱳᱨ" ᱟᱹᱲᱟᱹᱭ ᱵᱮᱵᱷᱟᱨ ᱞᱮᱫ-ᱟ ᱾[᱗] ᱥᱟᱶᱛᱟ ᱥᱟᱬᱮᱥᱤᱭᱟᱹ ᱮᱰᱜᱟᱨ ᱢ. ᱯᱮᱨᱚᱞᱴᱟ ᱫᱚ ᱠᱨᱤᱭᱩᱰ ᱠᱚ ᱢᱮᱛᱟᱭ ᱠᱟᱱᱟ ᱦᱟᱨᱰᱠᱳᱨ ᱥᱠᱮᱱ ᱨᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱ ᱦᱚᱲ ᱠᱚ ᱡᱟᱦᱟᱸ ᱠᱚ "ᱥᱮᱨᱮᱧ ᱟᱨ ᱠᱷᱮᱞᱚᱸᱰ ᱞᱮᱠᱟᱱ ᱵᱟᱝ-ᱠᱨᱟᱭᱢᱤᱱᱚᱞ ᱮᱞᱮᱢᱮᱱᱴ ᱠᱚ ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱦᱟᱨᱰᱠᱳᱨ ᱥᱠᱮᱱ ᱨᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱦᱚᱨᱚᱯ ᱛᱮ ᱡᱩᱲᱟᱹᱣ ᱮᱫᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱠᱨᱟᱭᱢᱤᱱᱚᱞ ᱮᱞᱮᱢᱮᱱᱴ ᱠᱚ ᱦᱚᱸ ᱥᱮᱞᱮᱫ ᱮᱫᱟ, ᱡᱟᱦᱟᱸ ᱨᱮᱫᱚ ᱟᱹᱠᱤᱞ ᱟᱨ ᱜᱽᱨᱟᱯᱷᱤᱴᱤ ᱦᱚᱸ ᱥᱮᱞᱮᱫ ᱢᱮᱱᱟᱜᱼᱟ", ᱱᱚᱣᱟ ᱠᱚᱫᱚ ᱵᱤᱥᱮᱥ ᱛᱮ ᱟᱠᱚᱣᱟᱜ ᱥᱠᱮᱱ ᱨᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮ ᱵᱷᱮ[᱘]

ᱱᱚᱶᱟ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱥᱮᱨᱮᱧ ᱨᱮ ᱡᱟᱣᱜᱮ ᱢᱩᱪᱳᱼᱱᱤᱭᱩᱱᱤᱴᱤᱼᱵᱷᱤᱡᱮᱞᱮᱱᱥ ᱟᱨ ᱤᱱᱴᱟᱨᱯᱟᱨᱥᱱᱮᱞ ᱥᱟᱹᱜᱟᱹᱭᱼ ᱫᱚᱠᱷᱟᱹᱭ ᱞᱮᱠᱟᱛᱮ ᱫᱩᱭᱟᱹᱱᱛᱤ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱚ ᱩᱭᱦᱟᱹᱨᱟ ᱾[᱙][᱑᱐][᱑᱑] ᱳᱭᱮᱵᱽᱡᱤᱱ ᱦᱮᱵᱷᱤ ᱵᱞᱚᱜ ᱤᱡᱽ ᱦᱮᱵᱷᱤ ᱨᱮᱱ ᱡᱮᱠ ᱴᱤᱭᱟᱨᱟᱱᱟᱱ ᱦᱤᱫᱳᱠᱳᱨ ᱨᱮᱭᱟᱜ ᱟᱹᱰᱤ ᱡᱟᱹᱥᱛᱤ ᱠᱚᱲᱟ ᱠᱚᱣᱟᱜ ᱠᱟᱛᱷᱟ ᱮ ᱞᱟᱹᱞᱤᱥ ᱞᱮᱫᱟ ᱟᱨ ᱚᱞ ᱞᱮᱫᱟᱭ ᱡᱮ , ᱦᱤᱫᱳᱠᱚᱨ ᱥᱤᱱ ᱫᱚ ᱢᱤᱫ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱢᱚᱱ ᱨᱮ ᱡᱳᱨ ᱮᱢᱼᱟ ᱟᱨ ᱦᱚᱲᱢᱚ ᱨᱮᱭᱟᱜ ᱦᱤᱝᱥᱟ ᱨᱮᱭᱟᱜ ᱚᱡᱮ ᱦᱳᱭᱳᱜᱼᱟ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱦᱤᱫᱳᱠ ᱨᱮᱭᱟᱜ ᱢᱩᱲᱩᱫ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱫᱚ ᱵᱟᱝ ᱵᱟᱰᱟᱭᱼᱟ ᱚᱡᱮ ᱫᱚ ᱯᱟᱝᱠ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱠᱟᱛᱷᱟ ᱾ ᱴᱤᱭᱟᱨᱟᱱᱟᱱ ᱠᱚ ᱢᱚᱱᱮ ᱞᱮᱫᱟ ᱡᱮ , ᱦᱚᱨᱰᱠᱳᱨ ᱨᱮᱭᱟᱜ ᱦᱟᱭᱯᱟᱨᱢᱮᱥᱠᱩᱞᱤᱱᱤᱴᱤ ᱟᱨ ᱥᱟᱶᱛᱟ ᱞᱮᱠᱟᱛᱮ ᱞᱟᱹᱠᱛᱤ ᱟᱱᱟᱜ ᱢᱮᱥᱯᱤᱴ ᱠᱚᱫᱚ ᱩᱱ ᱚᱠᱛᱚ ᱵᱟᱛᱟᱣᱟᱜ ᱚᱡᱮ ᱦᱩᱭ ᱞᱮᱱᱟ , ᱡᱚᱠᱷᱚᱱ ᱱᱚᱶᱟ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱲ ᱟᱨ ᱥᱮᱞᱮᱫ ᱤᱫᱤ ᱠᱟᱛᱮ ᱵᱮᱱᱟᱣ ᱞᱮᱱᱟ ᱾[᱑᱒]

ᱵᱮᱱᱰᱠᱮᱢᱯ ᱰᱮᱞᱤ ᱨᱮᱱ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱠᱮᱵᱷᱤᱱ ᱳᱣᱟᱨᱩᱭᱤᱠ ᱟᱜ ᱢᱚᱛ ᱞᱮᱠᱟᱛᱮ 1990 ᱜᱮᱞᱟᱝ ᱛᱟᱭᱚᱢ ᱱᱚᱶᱟ ᱠᱟᱹᱨᱤ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱜᱚᱴᱟᱵᱩᱴᱟᱹ ᱢᱮᱛᱟᱞ ᱮᱥᱯᱨᱚᱵᱷᱮᱱᱥᱰ ᱦᱚᱨᱰᱠᱳᱨ ᱠᱷᱚᱱ ᱯᱟᱥᱱᱟᱣ ᱠᱟᱛᱮ " ᱢᱮᱥᱼᱯᱷᱨᱮᱱᱰᱤᱞ ᱵᱨᱮᱠᱰᱟᱣᱩᱱᱼᱯᱷᱤᱥᱤᱠᱮᱴᱰ ᱜᱨᱩᱯᱥ " ᱼ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱢᱟᱨᱟᱝ ᱞᱮᱠᱟᱱ ᱨᱮ ᱯᱟᱥᱱᱟᱣ ᱞᱮᱱᱟ , ᱡᱟᱦᱟᱸ ᱢᱩᱫᱨᱮ 1990 ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱥᱳᱭᱞᱤᱠ ᱦᱟᱨᱰᱠᱳᱨ ᱨᱩᱭᱤᱞᱚᱭᱱᱤᱥᱴ ᱡᱮᱞᱮᱠᱟ ᱮᱵᱚᱥᱚᱞᱩᱴ ᱥᱮᱯᱷᱟᱨᱝ ᱟᱨ ᱱᱟᱠᱰ ᱞᱩᱡ ᱞᱮᱠᱟᱱ ᱟᱨᱦᱚᱸ ᱟᱭᱢᱟ ᱢᱮᱛᱟᱞᱤᱠ ᱜᱨᱩᱯ ᱥᱮᱞᱮᱫ ᱢᱮᱱᱟᱜᱼᱟ ᱾[᱑᱓] ᱱᱚᱶᱟ ᱩᱛᱱᱟᱹᱣ ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱰᱮᱛᱷ ᱢᱮᱛᱮᱞ ᱥᱞᱟᱢ ᱢᱮᱛᱮᱞ ᱟᱨ ᱰᱩᱢ ᱢᱮᱛᱮᱞ ᱨᱮᱭᱟᱜ ᱮᱥᱮᱨ ᱢᱮᱴᱮᱞᱚᱥᱚᱠᱥ ᱨᱮᱱ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱢᱮᱠᱥ ᱦᱮᱞᱢᱮᱱ ᱥᱞᱟᱢ ᱨᱮᱯᱷᱥ ᱫᱚ " ᱱᱟᱦᱟᱜ ᱵᱤᱴᱰᱟᱣᱩᱱ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱢᱩᱲᱩᱫ " ᱢᱮᱱᱛᱮ ᱞᱟᱹᱭ ᱠᱟᱛᱮ ᱟᱹᱰᱤ ᱵᱟᱹᱲᱛᱤ ᱯᱟᱥᱱᱟᱣ ᱞᱮᱱᱟ ᱾[᱑᱔] ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ ᱛᱮ , ᱢᱮᱛᱮᱞᱠᱳᱨ ᱟᱨ ᱰᱮᱛᱷᱠᱳᱨ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟᱹ ᱠᱚ ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱱᱚᱶᱟ ᱠᱟᱹᱨᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟᱹ ᱠᱚ ᱰᱷᱮᱨ ᱠᱟᱛᱮ ᱵᱟᱝᱼᱵᱟᱹᱲᱤᱡ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱾[᱑᱕]

ᱱᱟᱜᱟᱢ

ᱥᱟᱯᱲᱟᱣ

ᱢᱟᱲᱟᱝ ᱠᱷᱚᱱ ᱛᱟᱦᱮᱸᱱᱠᱚ

ᱥᱟᱯᱲᱟᱣ
 
ᱢᱮᱰᱵᱚᱞ ᱫᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱯᱳᱭᱞᱳ ᱥᱮᱫ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱦᱚᱨᱰᱠᱳᱨ ᱵᱮᱱᱰ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱮᱛᱟᱞ ᱮᱥᱮᱨᱟᱱ ᱜᱨᱚᱵᱷᱥ ᱥᱟᱶᱛᱮ ᱰᱟᱦᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱠᱚᱲᱟ ᱠᱚᱣᱟᱜ ᱥᱮᱨᱮᱧ ᱠᱚ ᱢᱤᱫ ᱞᱮᱫᱟ ᱾

1980 ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱥᱮᱫ ᱵᱞᱟᱠ ᱯᱷᱞᱟᱜ ' ᱢᱮᱱᱳᱭᱟᱨ ᱴᱨᱟᱮᱴ ' ᱟᱨ ᱰᱮᱰ ᱠᱮᱱᱱᱰᱤᱥ ᱞᱮᱠᱟᱱ ᱵᱮᱱᱰ ᱨᱮᱭᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱦᱰᱠᱳᱨ ᱯᱮᱝᱠ ᱟᱹᱰᱤ ᱞᱚᱜᱚᱱ ᱯᱟᱥᱱᱟᱣ ᱞᱮᱱᱟ ᱾[᱑᱖] ᱡᱚᱠᱷᱚᱱ ᱳᱣᱟᱥᱴᱤᱝᱴᱚᱱ ᱰᱤᱥᱤ ᱨᱮᱭᱟᱜ ᱦᱚᱨᱰᱠᱳᱨ ᱯᱮᱝᱠ ᱵᱮᱱᱰ ᱵᱮᱰ ᱵᱨᱟᱤᱱᱥ ᱱᱤᱭᱳᱨᱠ ᱨᱮ ᱥᱮᱱ ᱞᱮᱱᱟ , ᱩᱱ ᱱᱤᱭᱳᱨᱠ ᱦᱟᱨᱰᱠᱳᱨ ᱥᱤᱱ ᱠᱤᱠᱥᱴᱟᱨ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱢᱟᱲᱟᱝ ᱥᱮᱫ ᱪᱟᱞᱟᱣ ᱥᱟᱶ ᱥᱟᱶᱛᱮ ᱟᱭᱢᱟ ᱵᱮᱱᱰ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱦᱮᱵᱷᱤ ᱢᱮᱴᱟᱞ ᱟᱨ ᱦᱤᱯ ᱦᱚᱯ ᱠᱷᱚᱱ ᱟᱹᱰᱤ ᱰᱷᱮᱨ ᱮᱥᱮᱨ ᱮ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟ ᱾ ᱱᱤᱭᱳᱠ ᱨᱮᱭᱟᱜ ᱦᱰᱠᱳᱨ ᱥᱤᱱ ᱨᱮ ᱠᱤᱪᱷᱩ ᱥᱮᱨᱮᱧ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱫᱚ ᱞᱟᱹᱞᱤᱥ ᱟᱱᱟᱜ ᱦᱤᱝᱥᱟ ᱟᱨ ᱵᱤᱨᱤᱫ ᱵᱮᱣᱦᱟᱨ ᱛᱟᱞᱟᱛᱮ ᱢᱤᱫᱴᱟᱝ " ᱟᱹᱰᱤ ᱜᱟᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱫᱷᱚᱨᱚᱢ " ᱠᱚ ᱛᱷᱟᱯᱚᱱ ᱞᱮᱫᱟ ᱾ ᱠᱤᱪᱷᱩ ᱵᱮᱱᱰ ᱞᱟᱹᱜᱤᱫ , ᱵᱤᱥᱮᱥ ᱠᱟᱛᱮ ᱠᱨᱳᱼ ᱢᱮᱜᱥ ᱞᱟᱹᱜᱤᱫ , ᱱᱚᱣᱟ ᱟᱹᱨᱤ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱠᱟᱱ ᱥᱮᱨᱮᱧ ᱠᱟᱹᱨᱤᱜᱚᱞ ᱠᱚ ᱛᱚᱞᱟᱥ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫᱴᱟᱝ ᱠᱟᱹᱢᱤᱣᱟᱱ ᱨᱤᱠᱟᱹ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱵᱮᱱᱰ ᱨᱮᱭᱟᱜ ᱥᱮᱨᱮᱧ ᱢᱩᱫᱨᱮ ᱟᱹᱰᱤ ᱥᱚᱫᱚᱨ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱡᱮ ᱟᱞᱢᱩᱥᱤᱠ ᱨᱮᱱ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱯᱮᱨᱤᱠ ᱠᱮᱱᱰᱤ 1986 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱩᱱᱠᱩᱣᱟᱜ ᱯᱳᱭᱞᱳ ᱮᱞᱵᱟᱢ ᱮᱡ ᱚᱯᱷ ᱠᱟᱣᱨᱮᱞ ᱫᱚ " ᱥᱚᱨᱮᱥ ᱚᱠᱛᱚ " ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱮᱱ ᱞᱮᱫᱟ ᱾[᱑᱗] ᱮᱱᱦᱚᱸ ᱱᱚᱣᱟ ᱚᱱᱟ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱦᱚᱨᱰᱠᱚᱨ ᱧᱮᱞᱟᱱ ᱠᱷᱚᱱ ᱟᱹᱰᱤ ᱜᱟᱱ ᱞᱟᱹᱞᱤᱥ ᱮ ᱧᱟᱢ ᱞᱮᱫᱟ , ᱱᱚᱶᱟ ᱵᱟᱨᱰ ᱠᱚ ᱢᱩᱫᱨᱮ ᱟᱭᱢᱟ ᱢᱤᱫᱴᱟᱝ ᱮᱴᱟᱜ ᱞᱮᱠᱟᱱ ᱠᱟᱹᱨᱤ ᱵᱮᱱᱟᱣ ᱮᱦᱚᱵ ᱞᱮᱫᱟ ᱡᱟᱦᱟᱸᱫᱚ ᱟᱹᱰᱤ ᱡᱟᱹᱥᱛᱤ ᱛᱟᱞᱚᱢ ᱪᱮᱛᱟᱱ ᱴᱮᱦᱟᱴ ᱠᱟᱛᱮ ᱟᱨ ᱠᱚᱢ ᱜᱮ ᱯᱟᱱᱠ ᱨᱮᱭᱟᱜ ᱮᱥᱮᱨ ᱪᱮᱛᱟᱱ ᱴᱮᱦᱟᱴ ᱛᱮ ᱛᱟᱸᱦᱮ ᱠᱟᱱᱟ ᱾[᱑᱘]

ᱵᱤᱴᱰᱟᱣᱩᱱ ᱨᱮᱭᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱫᱚ ᱵᱤᱥᱮᱥ ᱞᱮᱠᱟᱛᱮ ᱞᱳᱨ ᱤᱥᱴ ᱥᱟᱭᱤᱰ ᱦᱚᱨᱰᱠᱳᱨ ᱠᱨᱤ ᱰᱤ ᱮᱢ ᱮᱥ (ᱰᱚᱠ ᱢᱟᱨᱴᱮᱱ ᱥᱠᱤᱱᱦᱮᱰᱥ) ᱥᱟᱶ ᱥᱮᱞᱮᱫ ᱢᱮᱱᱟᱜᱼᱟ ᱾[᱗] 1980 ᱜᱮᱞᱟᱝ ᱨᱮᱭᱟᱜ ᱮᱛᱚᱦᱚᱵ ᱥᱮᱫ ᱡᱮᱨᱮ ᱰᱤ ᱮᱢ ᱮᱥ ᱫᱟᱨᱟᱭ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱜᱨᱟᱯᱷᱴᱤ ᱢᱳᱭᱤᱥᱠᱮᱞ ᱥᱠᱤᱱᱦᱮᱰ ᱟᱨ ᱮᱥᱠᱮᱴᱵᱳᱨᱰᱝ ᱞᱟᱠᱪᱟᱨ ᱟᱨ ᱟᱭᱢᱟᱼᱟᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱥᱮᱞᱮᱫ ᱠᱷᱟᱹᱛᱤᱨ ᱜᱟᱫᱮᱞ ᱨᱮ ᱚᱱᱟ ᱥᱟᱶᱛᱮ बुलᱰᱳᱡᱽ ᱢᱮᱰᱵᱚᱞ ᱟᱨ ᱥᱠᱟᱨᱦᱮᱰ ᱥᱟᱶᱛᱮ ᱵᱮᱱᱰ ᱠᱚ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟ ᱾ ᱰᱤ ᱮᱢ ᱮᱥ ᱵᱮᱱᱰ ᱠᱚ ᱡᱟᱦᱟᱸ ᱞᱮᱠᱟᱛᱮ ᱠᱤᱪᱷᱩ ᱚᱠᱛᱮ ᱩᱱᱠᱩ ᱨᱮᱱ ᱠᱟᱹᱢᱤᱭᱟᱹ ᱜᱟᱫᱮᱞ ᱠᱚ ᱢᱩᱫᱨᱮ ᱵᱷᱟᱹᱨᱰᱩ ᱟᱨ ᱞᱟᱹᱞᱤᱥ ᱟᱱᱟᱜ ᱠᱟᱹᱢᱤ ᱠᱚ ᱤᱫᱤ ᱠᱟᱛᱮ ᱵᱤᱴᱟᱣᱩᱱ ᱨᱮᱭᱟᱜ ᱥᱮᱨᱮᱧ ᱨᱮᱭᱟᱜ ᱥᱟᱛᱟᱢᱠᱚ ᱩᱛᱱᱟᱹᱣ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫᱴᱟᱝ ᱢᱩᱲᱩᱫ ᱮᱱᱮᱢᱮ ᱯᱟᱞᱟᱣᱼᱟ ᱾[᱘]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ

ᱥᱟᱯᱲᱟᱣ
  1. ↑ ᱑.᱐ ᱑.᱑ "5 Under the Radar Metal Bands That Are Pushing Boundaries". Radio.com. October 21, 2013. Archived from the original on March 30, 2014. Retrieved November 11, 2017. Tough guy hardcore has been around as long as I have. An impressive act here and there have combined circle pits and gang vocals with elements of Metallica-type thrash, but none in recent years have pushed that hybrid to the brink quite like Dallas, Texas’ Power Trip.
  2. ↑ Julien, Alexandre (October 26, 2013). "A Taste for Blood Official Biography". Abridged Pause Blog. Abridged Pause Publishing. Archived from the original on January 16, 2020. Retrieved November 13, 2017.
  3. ↑ Gramlich, Chris (October 1, 2000). "Shutdown Few and Far Between". Exclaim!. Archived from the original on November 12, 2017. Retrieved November 10, 2017.
  4. ↑ "SLAMSDANK SLAMS: A Slam By Any Other Name Is Still A Slam (Within Destruction, Horned, Hateful Transgression, Open Wound, Begging For Incest, Infected Swarm)". Retrieved 24 August 2023.
  5. ↑ Kochan, Brian J. (2006). "Youth Culture and Identity: A Phenomenology of Hardcore". The University of Maine. Archived from the original on July 27, 2015. Retrieved November 10, 2006.
  6. ↑ Jim (June 27, 2003). "Hoods – Pray For Death". Punknews.org. Archived from the original on April 30, 2022. Retrieved November 16, 2017.
  7. ↑ ᱗.᱐ ᱗.᱑ Purchla, Jeff (June 2011). "The Powers that be: Processes of Control in 'Crew Scene hardcore'". Ethnography. 12 (2): 198–223. doi:10.1177/1466138110362012. Actors within the field may often refer to the crew scene as 'beatdown hardcore', 'thugcore', or 'tough guy hardcore'. The third and most common of these phrases is often taken to be demeaning by those involved with the scene. By employing 'crew scene hardcore' as a descriptor, this study aims to avoid imposing what may be considered a demeaning phrase upon actors in the scene...DMS formed in the early 1980s around New York's Lower East Side as 'Doc Martin Skins', which is a reference to a type of boot popular amongst skinheads at the time. Skinheads in punk and hardcore scenes, despite popular connotation, are not a unified faction of racists. The complex racial ideology that has accompanied hardcore, especially in its early days, exceeds the limits of this paper and deserves further research. The DMS crew, as one member informed, does not adhere to racist ideology and has dropped allusions to the skinhead scene. Now the acronym is more likely to mean 'Dirty Money Syndicate', or 'Drugs Money Sex'. The FSU crew started as 'Friends Stand United', and has been also referred to as 'Fuck Shit Up', or 'Forever Society’s Underdogs'. The pliability of crew names will be addressed later in the article. ᱛᱩᱢᱟᱹᱞ ᱦᱩᱲᱟᱹᱜ:Invalid <ref> tag; name "Purchla, 2011" defined multiple times with different content
  8. ↑ ᱘.᱐ ᱘.᱑ Peralta, Edgar M. "HARDCORE CREWS: FRIENDS, CREWS OR STREET GANGS?". Retrieved 21 August 2023. ᱛᱩᱢᱟᱹᱞ ᱦᱩᱲᱟᱹᱜ:Invalid <ref> tag; name "Peralta, 2017" defined multiple times with different content
  9. ↑ MCCRACKEN, MATT. "NEVER ENDING GAME Halo & Wings EP". Maximumrocknroll. Retrieved 21 August 2023.
  10. ↑ Rogowski, Jordan. "Skycamefalling 10.21 (2001)". Retrieved 24 August 2023.
  11. ↑ Rogowski, Jordan. "Black My Heart Before the Devil (2005)". Retrieved 24 August 2023.
  12. ↑ Tiernan, Jake (January 22, 2016). "No More Mr. Tough Guy: The Issue With Machismo In Hardcore". Heavy Blog is Heavy. Archived from the original on June 8, 2021. Retrieved June 8, 2021.
  13. ↑ Warwick, Kevin. "Eight Bands Re-Inventing the '90s Hardcore Breakdown". Bandcamp Daily. Retrieved 26 August 2023.
  14. ↑ Heilman, Max. "Review: Kruelty mines death metal for the best beatdowns with Untopia". MetalSucks. Retrieved 26 August 2023.
  15. ↑ Enis, Eli. "6 BEST NEW SONGS RIGHT NOW: 6/16/23". Revolver. Retrieved 26 August 2023.
  16. ↑ "Hardcore Punk Music Genre Overview". AllMusic. Archived from the original on June 5, 2014. Retrieved June 7, 2021.
  17. ↑ Kennedy, Patrick. "Before the Quarrel – Cro-Mags". AllMusic. Archived from the original on November 13, 2017. Retrieved November 12, 2017.
  18. ↑ ᱛᱩᱢᱟᱹᱞ ᱦᱩᱲᱟᱹᱜ:Invalid <ref> tag; no text was provided for refs named newyorker
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