ᱵᱷᱤᱱᱥᱮᱱᱴ ᱵᱷᱟᱱ ᱜᱚᱜᱷ
ᱵᱷᱤᱱᱥᱮᱱᱴ ᱩᱭᱞᱤᱭᱟᱢ ᱵᱷᱟᱱ ᱜᱚᱜᱷ (Dutch: [ˈvɪnsɛnt ˈʋɪləm vɑn ˈɣɔx] ( listen);[᱑] ᱓᱐ ᱢᱟᱨᱪ ᱑᱘᱕᱓ – ᱒᱙ ᱡᱩᱞᱟᱭ ᱑᱘᱙᱐) ᱫᱚ ᱰᱟᱪ Post-Impressionist ᱪᱤᱛᱟᱹᱨᱤᱭᱟᱹ ᱠᱟᱱᱟᱭ᱾ ᱟᱹᱰᱤ ᱠᱟᱹᱴᱤᱡᱽ ᱠᱷᱚᱱᱜᱮ ᱩᱱᱤᱫᱚ ᱪᱤᱛᱟᱹᱨᱮ ᱵᱮᱱᱟᱣᱮᱛ ᱛᱟᱸᱦᱮᱸᱱᱟ᱾ ᱟᱭᱟᱜ ᱒᱐ ᱥᱮᱨᱢᱟ ᱛᱟᱭᱚᱢ ᱡᱟᱹᱥᱛᱤ ᱡᱟᱹᱥᱛᱤ ᱪᱤᱛᱟᱹᱨ ᱛᱮᱭᱟᱨᱮ ᱫᱦᱩᱨᱟᱹᱣ ᱞᱮᱱᱟ᱾ ᱟᱭᱟᱜ ᱡᱤᱭᱚᱱ ᱨᱮᱭᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱒ ᱥᱮᱨᱢᱟᱨᱮ ᱩᱱᱤᱫᱚ ᱡᱚᱛᱚ ᱠᱷᱚᱡ ᱡᱟᱹᱥᱛᱤ ᱪᱤᱛᱟᱹᱨᱮ ᱟᱸᱠᱟᱣ ᱠᱟᱫᱟ᱾ ᱫᱟᱨᱮ ᱱᱟᱹᱲᱤ, ᱵᱟᱦᱟ, ᱦᱚᱲᱠᱩᱭᱟᱜ ᱢᱮᱛᱦᱟ, ᱫᱷᱟᱹᱨᱛᱤ ᱨᱮᱱᱟᱜ ᱱᱟᱱᱟ ᱦᱩᱱᱟᱹᱨ ᱡᱤᱵ ᱡᱤᱭᱟᱹᱞᱤᱠᱩ ᱱᱩᱠᱩᱜᱮ ᱟᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭ ᱯᱷᱩᱴᱟᱹᱣ ᱨᱟᱠᱟᱯᱮᱠᱩ ᱛᱟᱸᱦᱮᱸᱱᱟ᱾ ᱢᱚᱱ ᱵᱟᱹᱲᱤᱪ ᱟᱨ ᱨᱩᱣᱟᱹ[᱒][᱓] ᱛᱮ ᱩᱱᱤᱫᱚ ᱓᱗ ᱥᱮᱨᱢᱟᱨᱮ suicide ᱠᱟᱴᱮᱡ ᱮ ᱜᱚᱪ ᱞᱮᱱᱟ᱾
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ᱡᱟᱱᱟᱢ | ᱓᱐ ᱢᱟᱨᱪ ᱑᱘᱕᱓
ᱱᱮᱫᱟᱨᱞᱮᱱᱰᱥ |
ᱵᱚᱸᱜᱟ ᱛᱟᱞᱟ | ᱒᱙ ᱡᱩᱞᱟᱭ ᱑᱘᱙᱐
ᱯᱨᱷᱟᱱᱥ |
ᱠᱟᱹᱢᱤᱠᱩᱛᱟᱭ | Sorrow (1882)
The Potato Eaters (1885) Sunflowers (1887) Bedroom in Arles (1888) The Starry Night (1889) Portrait of Dr. Gachet (1890) Wheatfield with Crows (1890) |
ᱵᱟᱞᱮ ᱚᱠᱛᱚ
ᱥᱟᱯᱲᱟᱣ᱑᱓ ᱢᱟᱨᱪ ᱑᱘᱕᱓ ᱥᱮᱨᱢᱟᱨᱮ ᱱᱮᱫᱟᱨᱞᱮᱱᱰ ᱨᱮᱱᱟᱜ ᱵᱮᱨᱟᱭᱤᱰ ᱥᱚᱦᱚᱨ ᱟᱲᱮ ᱜᱨᱩᱴ ᱡᱩᱱᱰᱟᱨᱛᱷ ᱧᱤᱛᱩᱢᱟᱱ ᱢᱤᱫᱴᱮᱱ ᱠᱟᱹᱴᱤᱡ ᱟᱛᱚᱨᱮ ᱵᱷᱤᱱᱥᱮᱱᱴ ᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟ᱾[᱔] ᱵᱟᱞᱮ ᱚᱠᱛᱚ ᱨᱮᱫᱚ ᱩᱱᱤ ᱟᱹᱰᱤ ᱪᱩᱯᱪᱟᱯ ᱢᱟᱪᱷᱟᱭ ᱛᱟᱸᱦᱮᱸᱞᱮᱱᱟ᱾ ᱑᱘᱖᱐ ᱥᱮᱨᱢᱟᱨᱮ ᱟᱛᱚᱨᱮᱱᱟᱜ ᱢᱤᱫᱴᱮᱱ ᱤᱥᱠᱩᱞ ᱨᱮᱠᱩ ᱵᱷᱳᱨᱛᱤ ᱞᱤᱫᱤᱭᱟ᱾ ᱤᱱᱟᱹ ᱛᱟᱭᱚᱢ ᱑᱘᱖᱑ ᱥᱮᱨᱢᱟᱨᱮ ᱟᱹᱠᱩ ᱟᱲᱟᱜ ᱠᱷᱚᱡ ᱒᱐ ᱢᱟᱭᱤᱞ ᱥᱟᱸᱜᱤᱧ ᱢᱤᱫᱴᱮᱱ ᱵᱳᱰᱤᱝ ᱤᱥᱠᱩᱞᱨᱮᱠᱩ ᱵᱷᱳᱨᱛᱤ ᱞᱤᱫᱤᱭᱟ᱾ ᱤᱱᱟᱹ ᱛᱟᱭᱚᱢ ᱑᱘᱖᱖ ᱥᱮᱨᱢᱟᱨᱮ ᱴᱤᱞᱵᱟᱨᱜᱮᱨ ᱢᱤᱫᱴᱮᱱ ᱤᱥᱠᱩᱞ ᱨᱮᱠᱩ ᱵᱷᱳᱨᱛᱤ ᱠᱮᱫᱤᱭᱟ᱾ ᱚᱸᱰᱮᱜᱮ ᱩᱱᱤᱫᱚ ᱯᱟᱹᱦᱤᱞ ᱫᱷᱟᱣ ᱞᱮᱠᱟ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣᱮ ᱪᱤᱛ ᱠᱮᱫᱟ᱾ ᱑᱘᱗᱙ ᱥᱮᱨᱢᱟ ᱠᱷᱚᱱ ᱵᱮᱞᱡᱤᱭᱟᱢ ᱨᱮᱱᱟᱜ ᱢᱤᱫᱴᱮᱱ Mine ᱮᱞᱟᱠᱟᱨᱮ ᱫᱷᱚᱨᱚᱢ ᱯᱟᱥᱱᱟᱣ ᱠᱟᱹᱢᱤᱨᱮ ᱪᱟᱞᱟᱣ ᱠᱟᱛᱮ ᱚᱸᱰᱮᱱᱠᱩ ᱦᱚᱲᱟᱜ ᱮᱥᱠᱮᱪ ᱛᱮᱭᱟᱨᱮ ᱮᱦᱚᱵ ᱞᱮᱫᱟ᱾
ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱢᱤᱠᱩᱛᱟᱭ
ᱥᱟᱯᱲᱟᱣ-
Cypresses in Starry Night, a reed pen drawing executed by Van Gogh after the painting in 1889
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Cypresses and Two Women, 1890. Kröller-Müller Museum, Otterlo, Netherlands
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Wheat Field with Cypresses, 1889. Metropolitan Museum of Art, New York
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Still Life: Vase with Twelve Sunflowers, August 1888. Neue Pinakothek, Munich
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Irises, 1889. J. Paul Getty Museum, Los Angeles
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Almond Blossom, 1890. Van Gogh Museum, Amsterdam
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Still Life: Vase with Irises Against a Yellow Background, May 1890, Van Gogh Museum, Amsterdam [᱕]
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Still Life: Pink Roses in a Vase, May 1890, Metropolitan Museum of Art, New York [᱕]
ᱵᱟᱨᱦᱮ ᱡᱚᱱᱚᱲ
ᱥᱟᱯᱲᱟᱣ- Vincent van Gogh Biography, Style and Critical Reception.
- Vincent van Gogh Gallery. The complete works and letters of Vincent van Gogh.
- Van Gogh Letters – The complete letters of Van Gogh, translated into English and annotated. Published by the Van Gogh Museum.
- Johanna Gesina van Gogh-Bonger, Memoir of Vincent van Gogh
- Memoir of Vincent van Gogh. By Johanna Gesina van Gogh-Bonger, Vincent's sister in law.
- Van Gogh's Letters, unabridged and annotated.
- Van Gogh Museum, Amsterdam, The Netherlands.
- ভিনসেন্ট ভ্যান গখ মিউজিয়াম অব মডার্ন আর্টে
- গ্রন্থাগারে ভিনসেন্ট ভ্যান গখ সম্পর্কিত বা কর্তৃক কাজ Archived ᱒᱐᱑᱗-᱑᱑-᱑᱒ at the Wayback Machine. (ওয়ার্ল্ডক্যাট ক্যাটালগ) (ইংরেজি)
- Van Gogh at the National Gallery of Art, Washington, D.C., United States.
- 'Drama at Arles new light on Van Gogh's self-mutilation' Archived ᱒᱐᱑᱒-᱑᱑-᱐᱕ at the Wayback Machine. from Apollo, September 2005 by Martin Bailey.
- Painted with Words: Vincent van Gogh's Letters to Emile Bernard, New York Times, 9 September 2007
- Painted with Words: Vincent van Gogh's Letters to Emile Bernard – Facsimiles at The Morgan Library & Museum
- Art Historians Claim Van Gogh's ear 'Cut Off by Gauguin' by Angelique Chrisafis, The Guardian, 4 May 2009
ᱯᱷᱮᱰᱟᱛ ᱦᱚᱨ
ᱥᱟᱯᱲᱟᱣ- ↑ The pronunciation of "Van Gogh" varies in both English and Dutch. Especially in British English it is /ˌvæn ˈɡɒx/ van-GOKH-' or sometimes /ˌvæn ˈɡɒf/ van-GOF-'. U.S. dictionaries list /ˌvæn ˈɡoʊ/van-GOH-', with a silent gh, as the most common pronunciation. In the dialect of Holland, it is [ˈvɪnsɛnt fɑŋˈxɔx] ( শুনুন), with a voiceless V. He grew up in Brabant (although his parents were not born there), and used Brabant dialect in his writing; it is therefore likely that he himself pronounced his name with a Brabant accent: [vɑɲˈʝɔç], with a voiced V and palatalized G and gh. In France, where much of his work was produced, it is [vɑ̃ ɡɔɡə]
- ↑ Tralbaut (1981), 286,287
- ↑ Hulsker (1990), 390
- ↑ http://www.arthistoryarchive.com/arthistory/expressionism/Vincent-Van-Gogh.html
- ↑ ᱕.᱐ ᱕.᱑ Naifeh & Smith (2011), 819–820.