ᱵᱽᱞᱩ ᱢᱩᱵᱷᱤ

ᱵᱽᱞᱩ ᱢᱩᱵᱷᱤ (ᱯᱷᱟᱠ ᱧᱩᱛᱩᱢ ᱛᱮ ᱩᱯᱨᱩᱢ) ᱑᱙᱖᱙ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱮᱱᱰᱤ ᱳᱣᱟᱨᱦᱳᱞ ᱫᱟᱨᱟᱭ ᱛᱮ ᱥᱟᱯᱲᱟᱣ ᱟᱨ ᱥᱟᱯᱲᱟᱣ ᱟᱠᱟᱱ ᱢᱤᱫᱴᱟᱝ ᱢᱟᱨᱠᱤᱱ ᱥᱟᱨᱳᱴᱤᱠ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱯᱳᱭᱞᱳ ᱦᱚᱲ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱡᱳᱨᱟᱱ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱡᱟᱦᱟᱸ ᱨᱮ ᱡᱳᱨ ᱟᱱ ᱡᱳᱜᱟᱹᱣ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ , ᱡᱟᱸᱦᱟ ᱫᱚ ᱢᱟᱨᱠᱤᱱ ᱡᱩᱠᱛᱚᱨᱟᱥᱴᱨᱚ ᱨᱮ ᱟᱹᱰᱤ ᱢᱟᱨᱟᱝ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱪᱷᱟᱹᱲ ᱮ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱟᱨ ᱱᱚᱶᱟ ᱫᱚ ᱯᱳᱨᱱ ᱨᱮᱭᱟᱜ ᱥᱳᱱᱟᱱᱟᱜ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱢᱩᱲᱩᱫ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ 'ᱯᱳᱨᱱᱳ ᱪᱤᱠ' ᱟᱠᱷᱲᱟ ᱮᱛᱚᱦᱚᱵ ᱨᱮ ᱜᱚᱲᱚ ᱮᱢ ᱞᱮᱫᱟ , ᱡᱟᱦᱟ ᱨᱮ ᱦᱚᱲ ᱦᱚᱲ ᱠᱚ (ᱡᱳᱱᱤ ᱠᱟᱨᱥᱚᱱ ᱟᱨ ᱵᱳᱵ ᱦᱳᱯ ᱞᱮᱠᱟ) ᱫᱟᱨᱟᱭ ᱛᱮ ᱦᱚᱲ ᱠᱚ ᱴᱷᱮᱱ ᱯᱚᱨᱱ ᱤᱫᱤ ᱠᱟᱛᱮ ᱵᱤᱵᱮᱲ ᱞᱮᱱᱟ ᱟᱨ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱩᱭᱦᱟᱹᱨᱤᱭᱟᱹ ᱠᱚ (ᱱᱟᱦᱟᱜ ᱢᱟᱨᱠᱤᱱ ᱞᱟᱠᱪᱟᱨ ᱨᱮ ᱨᱟᱡᱟᱨ ᱮᱵᱟᱨᱴ ᱞᱮᱠᱟ ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱡᱮᱜᱮᱫ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱟᱭᱢᱟ ᱫᱤᱥᱚᱢ ᱨᱮ) ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱛᱮ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟ ᱾ ᱳᱣᱟᱨᱦᱳᱞ ᱟᱜ ᱢᱚᱛ ᱞᱮᱠᱟᱛᱮ , ᱵᱞᱩ ᱢᱩᱵᱷᱤ ᱫᱚ ᱞᱮᱥᱴ ᱴᱟᱝᱜᱳ ᱤᱱ ᱯᱮᱨᱤᱥ ᱵᱮᱱᱟᱣ ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱢᱟᱨᱟᱝ ᱮᱥᱮᱨ ᱛᱟᱸᱦᱮ ᱠᱟᱱᱟ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱟᱨᱞᱚᱱ ᱵᱨᱮᱱᱰᱳ ᱟᱜ ᱯᱟᱴᱷ ᱛᱮ ᱵᱮᱱᱟᱣ ᱢᱤᱫᱴᱟᱝ ᱡᱮᱜᱮᱫ ᱡᱟᱠᱟᱛ ᱵᱤᱵᱮᱲᱟᱱ ᱞᱳᱨᱮᱴᱤᱠ ᱰᱨᱟᱢᱟ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱟᱨ ᱵᱞᱩ ᱢᱩᱵᱤ ᱵᱮᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱠᱤᱪᱷᱩ ᱥᱮᱨᱢᱟ ᱛᱟᱭᱚᱢ ᱪᱷᱟᱹᱲᱮ ᱧᱟᱢ ᱞᱮᱫᱟ ᱾ ᱵᱞᱤᱩ ᱢᱩᱵᱷᱤ ᱨᱮ ᱵᱷᱤᱵᱟ ᱟᱨ ᱞᱩᱭᱤ ᱳᱣᱟᱞᱰᱳᱱ ᱫᱚ ᱟᱡᱜᱮ ᱯᱟᱴᱷ ᱞᱮᱫᱟᱭ ᱾

ᱵᱽᱞᱩ ᱢᱩᱵᱷᱤ
ᱨᱮᱫ:BlueMovie.jpg Theatrical release poster
ᱫᱤᱥᱟᱹ ᱩᱫᱩᱜᱤᱡ	Andy Warhol
Produced by	Andy Warhol Paul Morrissey
ᱚᱱᱚᱞᱤᱭᱟᱹ	Andy Warhol
Starring	Viva Louis Waldon
Cinematography	Andy Warhol
Production company	Andy Warhol Films
Distributed by	Andy Warhol Films
Release date	᱑᱒ ᱡᱩᱱ ᱑᱙᱖᱙ (1969-06-12)
Running time	105 minutes
ᱫᱤᱥᱚᱢ	United States
ᱯᱟᱹᱨᱥᱤ	English
Budget	$3,000

᱑᱙᱗᱐ ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱫᱚᱥᱟᱨ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱵᱷᱟᱹᱨᱰᱩ ᱟᱱᱟᱜ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱢᱳᱱᱟ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱾ ᱛᱟᱭᱚᱢ ᱫᱟᱨᱟᱢ ᱨᱮ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱦᱚᱲ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱪᱷᱟᱹᱲ ᱠᱚ ᱧᱟᱢ ᱞᱮᱫᱟ , ᱡᱟᱦᱟᱸ ᱢᱩᱫᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ' ᱵᱳᱭᱡᱽ ᱤᱱ ᱫᱟ ᱥᱮᱱᱰ ' , ' ᱰᱤᱯ ᱛᱨᱳᱭᱟᱴ ' , ' ᱵᱤᱦᱤᱱᱰ ᱫᱟ ᱜᱨᱤᱱ ᱰᱳᱨ ' ᱟᱨ ' ᱫᱟ ᱰᱮᱵᱷᱤᱞ ᱤᱱ ᱢᱤᱥ ᱡᱩᱱᱥ ' , ᱡᱟᱦᱟᱸ ᱫᱚ ' ᱯᱳᱨᱱ ' ᱨᱮᱭᱟᱜ ᱥᱳᱱᱟ ᱢᱟᱦᱟ ᱫᱚ ᱪᱟᱞᱟᱣᱟᱱ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ 2016 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱢᱮᱱᱟᱦᱚᱴᱟᱱ ᱨᱮᱭᱟᱜ ᱩᱭᱴᱤᱱᱤ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱚᱯᱷ ᱟᱢᱤᱠᱟᱨᱮᱱ ᱟᱨᱴ ᱨᱮ ᱵᱞᱩ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱾

ᱩᱛᱱᱟᱹᱣ

ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱱᱤᱭᱩᱨᱠ ᱥᱟᱦᱟᱨ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱮᱯᱟᱨᱴᱢᱮᱱᱴ ᱨᱮ (ᱠᱟᱹᱨᱤ ᱩᱭᱦᱟᱹᱨᱤᱭᱟᱹ ᱰᱮᱵᱤᱰ ᱵᱳᱨᱰᱳᱱ ᱟᱜ ᱛᱷᱟᱯᱚᱱᱟᱱ) ᱢᱤᱫᱴᱟᱝ ᱟᱱᱫᱷᱟᱝ ᱫᱤᱱ ᱨᱮ ᱵᱷᱤᱛᱮᱱᱟᱢ ᱞᱟᱹᱲᱦᱟᱹᱭᱼᱟᱱ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱥᱟᱣᱟᱨ ᱠᱟᱹᱢᱤ ᱟᱨ ᱵᱟᱝᱼᱥᱤᱢᱳᱞᱮᱴᱰ ᱥᱤᱠᱮᱥᱼᱟᱱ ᱵᱟᱨᱮᱛᱮ ᱠᱟᱛᱷᱟᱼᱵᱩᱫᱤᱥ ᱥᱮᱞᱮᱫ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱯᱚᱨᱤᱥᱮᱵᱟ ᱨᱮ ᱵᱷᱮᱴᱤᱱᱚᱢ ᱞᱟᱹᱲᱦᱟᱹᱭ ᱟᱨ ᱚᱱᱟ ᱤᱫᱤ ᱠᱟᱛᱮ ᱟᱢ ᱪᱮᱫ ᱠᱚᱨᱟᱣ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱚᱱᱟ ᱤᱫᱤ ᱠᱟᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱾ ᱳᱣᱟᱨᱦᱳᱞ ᱟᱨᱦᱚᱸ ᱞᱟᱹᱭ ᱞᱮᱫᱟᱭ , " ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ... ᱥᱟᱸᱶᱛᱮ , ᱵᱟᱝ ᱫᱚᱵᱩᱫᱟᱹ ᱾

ᱳᱣᱟᱨᱦᱳᱞ ᱵᱤᱪᱷᱱᱟᱹᱣ ᱞᱮᱫᱟᱭ ᱡᱮ, ᱵᱞᱩ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱪᱚᱞᱳᱴ ᱨᱮᱭᱟᱜ ᱚᱵᱷᱟᱵᱽ ᱫᱚ ᱩᱭᱦᱟᱹᱨ ᱟᱱᱟᱜ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾

“ Scripts bore me. It's much more exciting not to know what's going to happen. I don't think that plot is important. If you see a movie of two people talking, you can watch it over and over again without being bored. You get involved – you miss things – you come back to it ... But you can't see the same movie over again if it has a plot because you already know the ending ... Everyone is rich. Everyone is interesting. Years ago, people used to sit looking out of their windows at the street. Or on a park bench. They would stay for hours without being bored although nothing much was going on. This is my favorite theme in movie making – just watching something happening for two hours or so ... I still think it's nice to care about people. And Hollywood movies are uncaring. We're pop people. We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything. ” — Andy Warhol, cited by Victor Bockris in his book Warhol: the Biography (2003), p. 327

Viva ᱞᱮᱠᱟᱛᱮ: "Worhol ᱯᱷᱤᱞᱢ ᱠᱚ ᱫᱚ ᱡᱩᱲᱟᱹᱭ ᱨᱮᱱᱟᱜ ᱵᱷᱟᱹᱞᱟᱹᱭ ᱟᱨ ᱵᱷᱟᱹᱞᱟᱹᱭ ᱨᱮᱱᱟᱜ ᱠᱟᱛᱷᱟ ᱠᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ: ᱚᱸᱰᱤ ᱡᱮᱜᱮᱛ ᱨᱮᱱᱟᱜ ᱧᱮᱞ ᱡᱚᱝ, ᱡᱮᱜᱮᱛ ᱨᱮᱱᱟᱜ ᱚᱝᱥᱟᱨ, ᱟᱨ ᱡᱮᱜᱮᱛ ᱨᱮᱱ ᱙/᱑᱐ ᱦᱚᱲ ᱱᱚᱶᱟ ᱠᱚ ᱧᱮᱞᱚᱜ ᱠᱟᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱱᱚᱶᱟ ᱠᱚ ᱵᱟᱝ ᱧᱮᱞᱚᱜ ᱠᱟᱱᱟ ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱟᱱᱟᱣᱟ ᱾"

ᱯᱟᱴ

• ᱞᱩᱭ ᱳᱣᱟᱞᱰᱚᱱ ᱟᱡ ᱞᱮᱠᱟ
• ᱵᱷᱚᱵᱟᱭ ᱟᱡ ᱞᱮᱠᱟ

ᱮᱱᱰᱤ ᱳᱣᱟᱨᱦᱳᱞ ᱵᱞᱩ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱵᱚᱨᱱᱚᱱ ᱮ ᱮᱢ ᱞᱮᱫᱟ ᱡᱮ , " ᱤᱧ ᱥᱟᱱᱟᱢ ᱚᱠᱛᱚ ᱜᱮ ᱢᱤᱫᱴᱟᱝ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱠᱚᱨᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱮ ᱠᱷᱚᱡᱚᱜ ᱠᱟᱱ ᱛᱟᱸᱦᱮ , ᱡᱟᱦᱟᱸ ᱫᱚ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱱᱤᱨᱚ , ᱟᱨ ᱪᱮᱫ ᱦᱚᱸ ᱵᱟᱝ , ᱡᱮᱞᱮᱠᱟ , ᱤᱴᱟ ᱫᱚ ᱥᱩᱢᱩᱝ ᱠᱚ ᱠᱷᱟᱱ ᱟᱨ ᱥᱞᱤᱯ ᱫᱚ ᱥᱩᱢᱩᱝ ᱠᱚ ᱥᱩᱫᱟ ᱾ ᱚᱱᱟᱛᱮ ' 68 ᱥᱟᱞ ᱨᱮᱭᱟᱜ ᱚᱠᱴᱳᱵᱚᱨ ᱨᱮ ᱤᱧ ᱵᱷᱤᱵᱟ ᱫᱚ ᱞᱩᱭ ᱳᱣᱟᱞᱰᱚᱱ ᱥᱟᱶᱛᱮ ᱡᱳᱜᱟᱡᱳᱜ ᱠᱚᱨᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫᱴᱟᱝ ᱪᱚᱞᱚᱛᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱥᱩᱴᱤᱭᱩᱴ ᱞᱮᱫᱟ ᱾ ᱤᱧ ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱢᱩᱝ ᱯᱷᱟᱠ ᱢᱮᱱ ᱞᱮᱫᱟ ᱾

ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱢᱤᱫ ᱯᱮ ᱴᱟᱲᱟᱝ ᱚᱠᱛᱮ ᱨᱮ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ , ᱡᱟᱦᱟᱸ ᱨᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱠᱟᱛᱮ 140 ᱴᱤᱲᱤᱡ ᱨᱮᱱᱟᱜ ᱞᱟᱹᱜᱤᱫ 30 ᱴᱤᱲᱤᱡ ᱠᱟᱴᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱠᱞᱟᱭᱢᱮᱴᱤᱠ ᱛᱷᱚᱱᱚᱛ ᱫᱚ 35 ᱴᱤᱲᱤᱡ ᱚᱠᱛᱚ ᱨᱮ ᱥᱩᱴ ᱠᱚᱨᱟᱣ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱳᱣᱟᱨᱤᱴᱤ ᱟᱜ ᱢᱚᱛ ᱞᱮᱠᱟᱛᱮ , ᱪᱤᱛᱟᱹᱨ ᱨᱮ ᱥᱩᱢᱩᱝ ᱑᱐ ᱴᱤᱲᱤᱡ ᱨᱮᱭᱟᱜ ᱡᱩᱠᱛᱤᱭᱟᱜ ᱡᱳᱜᱟᱡᱳᱜ ᱢᱮᱱᱟᱜᱼᱟ ᱾

ᱳᱣᱟᱨᱦᱳᱞ ᱴᱟᱝᱥᱴᱮᱱ ᱞᱟᱭᱤᱴ ᱛᱮ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱯᱷᱤᱞᱢ ᱥᱴᱚᱠ ᱵᱮᱣᱦᱟᱨ ᱠᱟᱛᱮ ᱟᱨ ᱢᱤᱫᱴᱟᱝ ᱢᱟᱨᱟᱝ ᱮᱯᱟᱨᱴᱢᱮᱱᱴ ᱨᱮᱱᱟᱜ ᱩᱭᱤᱱᱫᱳ ᱛᱟᱞᱟᱛᱮ ᱦᱮᱡ ᱞᱮᱱ ᱫᱤᱱ ᱨᱮᱭᱟᱜ ᱚᱡᱮᱛᱮ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱛᱟᱞᱟ ᱨᱮᱞ ᱫᱚ ᱱᱤᱞᱩ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱩᱭᱦᱤᱞᱟᱨ ᱩᱭᱤᱱᱥᱴᱚᱱ ᱰᱤᱠᱥᱚᱱ ᱟᱜ ᱢᱚᱛ ᱞᱮᱠᱟᱛᱮ , ᱑᱙᱖᱙ ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱥᱟᱵᱚᱨ ᱫᱤᱱ ᱨᱮ ᱳᱣᱟᱨᱦᱳᱞ ᱯᱷᱚᱠᱴᱤᱨᱤ ᱨᱮ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱯᱳᱭᱞᱳ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱨᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱ ᱢᱤᱫ ᱦᱚᱲ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱵᱮᱱᱟᱣᱤᱡ ᱟᱨ ᱥᱮᱪᱮᱫᱤᱭᱟᱹ ᱾

ᱨᱤᱞᱤᱡᱽ

ᱨᱮᱫ:WarholAndy-BlueMovie-GrovePress1970.jpg

᱑᱙᱗᱐ ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱯᱚᱛᱚᱵ ᱵᱮᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱠᱚᱵᱷᱟᱨ ᱾

1969 ᱥᱟᱹᱦᱤᱛ ᱨᱮᱭᱟᱜ ᱑᱒ ᱡᱩᱱ ᱱᱤᱭᱳᱣᱚᱨᱠ ᱥᱟᱦᱟᱨ ᱨᱮᱭᱟᱜ ᱮᱞᱜᱤᱱ ᱛᱷᱤᱭᱮᱴᱟᱨ ᱨᱮ ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱱᱟᱯᱟᱭ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱳᱣᱟᱨᱤᱴᱤ ᱞᱟᱹᱭ ᱞᱮᱫᱟᱭ ᱡᱮ , " ᱪᱚᱞᱚᱛ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱯᱳᱭᱞᱳ ᱛᱚᱛᱛᱚᱨᱟᱱ ᱪᱤᱛᱟᱹᱨ ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱥᱚᱞᱨᱮ ᱡᱳᱜᱟᱡᱳᱜ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱞᱮᱫᱟ ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱠᱟᱛᱮ ᱫᱟ ᱯᱷᱚᱠᱴᱤᱨᱤ ᱨᱮ ᱩᱫᱩᱜ ᱦᱩᱭ ᱞᱮᱱ ᱨᱮᱦᱚᱸ ,᱒᱑ ᱡᱩᱞᱟᱭ 1969 ᱥᱟᱹᱦᱤᱛ ᱨᱮ ᱱᱤᱭᱩᱭᱚᱨᱠ ᱥᱟᱦᱟᱨ ᱨᱮᱭᱟᱜ ᱱᱤᱭᱩᱱ ᱮᱱᱰᱤ ᱳᱣᱟᱨᱦᱳᱞ ᱜᱮᱨᱤᱠ ᱛᱮᱴᱟᱨ ᱨᱮ ᱑᱐᱕ ᱴᱤᱲᱤᱡ ᱚᱠᱛᱚ ᱥᱟᱶᱛᱮ ᱱᱚᱶᱟ ᱫᱚ ᱮᱦᱚᱵ ᱵᱟᱝ ᱦᱩᱭ ᱞᱮᱱ ᱨᱮᱦᱚᱸ ᱵᱞᱩ ᱢᱩᱵᱷᱤ ᱫᱚ ᱢᱟᱨᱟᱝ ᱦᱚᱲ ᱠᱚ ᱴᱷᱮᱱ ᱥᱚᱫᱚᱨ ᱵᱟᱝ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱠᱮᱞᱯᱷᱟᱨᱱᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱵᱟᱨᱠᱞᱮ ᱨᱮᱯᱟᱨᱴᱨᱤ ᱛᱷᱤᱭᱮᱴᱟᱨ ᱨᱮᱦᱚᱸ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱦᱩᱭ ᱞᱮᱱᱟ ᱾