ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ

ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ
ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ
ᱢᱩᱬ ᱧᱩᱛᱩᱢ	গগনেন্দ্রনাথ ঠাকুর
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ ᱟᱨ ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ	᱑᱗ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱑᱘᱖᱗; ᱠᱚᱞᱠᱟᱛᱟ, ᱵᱮᱝᱜᱚᱞ ᱯᱨᱮᱥᱤᱰᱮᱱᱥᱤ, ᱵᱽᱨᱤᱴᱤᱥ ᱤᱱᱰᱤᱭᱟ
ᱜᱩᱨ	᱑᱔ ᱯᱷᱮᱵᱽᱨᱩᱭᱟᱨᱤ ᱑᱙᱓᱘
ᱫᱤᱥᱚᱢᱤᱭᱟᱹ	ᱥᱤᱧᱚᱛ ᱨᱤᱱᱤᱡ
ᱧᱩᱢᱱᱟᱢ	ᱯᱮᱱᱴᱚᱨ, ᱠᱟᱨᱴᱳᱱ ᱵᱮᱱᱟᱣᱤᱡ
ᱨᱟᱡᱽᱟᱹᱨᱤ ᱞᱟᱲᱟᱣᱱᱟ	ᱵᱮᱝᱜᱚᱞ ᱟᱨᱴ ᱟᱥᱲᱟ

ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ (᱑᱗ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱑᱘᱖᱗ - ᱑᱔ ᱯᱷᱮᱵᱽᱨᱩᱭᱟᱨᱤ ᱑᱙᱓᱘)^[᱑] ᱫᱚ ᱫᱤᱧᱚᱛ ᱫᱤᱥᱚᱢ ᱨᱤᱱᱤᱡ ᱯᱮᱱᱴᱚᱨ ᱟᱨ ᱠᱟᱨᱴᱳᱱ ᱵᱮᱱᱟᱣᱤᱡ ᱠᱟᱱᱟᱭ ᱾ ᱱᱩᱭ ᱫᱚ ᱵᱮᱝᱜᱚᱞ ᱟᱨᱴ ᱟᱥᱲᱟ ᱨᱤᱱᱤᱡ ᱠᱟᱱᱟᱭ ᱾ ᱱᱩᱭ ᱟᱨ ᱟᱡ ᱵᱚᱭᱦᱟ ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱵᱟᱱᱟ ᱦᱚᱲ ᱜᱮ ᱥᱮᱫᱟᱭ ᱨᱤᱱᱤᱡ ᱯᱮᱱᱴᱚᱨ ᱢᱮᱱᱛᱮ ᱠᱚ ᱢᱟᱱᱟᱣ ᱵᱟᱛᱟᱣ ᱠᱩᱱᱟ ᱾ ᱱᱩᱠᱤᱱ ᱵᱟᱨ ᱵᱚᱭᱦᱟ ᱜᱮ ᱢᱚᱰᱚᱨᱱ ᱟᱨᱴ ᱫᱚ ᱠᱤᱱ ᱞᱟᱦᱟᱜ ᱞᱟ.ᱜᱤᱱ ᱠᱤᱱ ᱠᱤᱨᱩᱢᱩᱴᱩ ᱟ.ᱜᱩ ᱞᱮᱫ-ᱟ ᱾

ᱡᱤᱭᱚᱱ ᱠᱟᱛᱷᱟ

ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱡᱳᱨᱟᱥᱟᱱᱠᱳ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱵᱮᱝᱜᱚᱞᱤ ᱞᱟᱠᱪᱟᱨ ᱡᱤᱭᱚᱱ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟᱭ ᱯᱟᱨᱥᱟᱞ ᱞᱮᱫ-ᱟ ᱾ ᱱᱩᱭ ᱫᱚ ᱜᱩᱬᱮᱱᱫᱽᱨᱚᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ-ᱤᱡ ᱢᱟᱨᱟᱝ ᱦᱚᱯᱚᱱ ᱠᱟᱱᱟᱭ ᱟᱨ ᱨᱟᱡᱽ ᱫᱽᱣᱟᱨᱚᱠᱟᱱᱟᱛᱷ ᱴᱟᱜᱯᱨ-ᱤᱡ ᱜᱚᱲᱚᱢ ᱠᱚᱲᱟ-ᱤᱡ ᱦᱚᱯᱚᱱ ᱠᱟᱱᱟᱭ ᱾ ᱟᱡ ᱵᱚᱠᱚᱛ ᱠᱚᱲᱟ ᱚᱵᱚᱱᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱦᱚᱸ ᱢᱤᱫ ᱯᱮᱱᱴᱚᱨ ᱠᱟᱱᱟᱭ ᱟᱨ ᱵᱮᱝᱜᱚᱞ ᱟᱨᱴ ᱟᱥᱲᱟ ᱨᱮ ᱢᱟᱨᱟᱝ ᱠᱟ.ᱢᱤ ᱠᱚᱭ ᱛᱚᱨᱚᱣ ᱤᱫᱤ ᱞᱮᱫ-ᱟ ᱾ ᱱᱩᱭ ᱫᱚ ᱟᱨ ᱦᱚᱸ ᱨᱚᱵᱤᱱᱫᱽᱨᱚ ᱱᱟᱛᱷᱟ ᱴᱟᱜᱳᱨ-ᱤᱡ ᱵᱷᱟ.ᱜᱽᱱᱟ. ᱠᱚᱲᱟ ᱠᱟᱱᱟᱭ ᱾ ᱥᱚᱨᱢᱤᱲᱟ ᱴᱟᱜᱳᱨ ᱦᱚᱸ ᱚᱡ ᱢᱟᱢᱚ ᱚᱲᱟᱜ ᱥᱮᱫ ᱞᱮᱠᱟ ᱛᱮ ᱯᱮᱲᱟ ᱜᱮᱭᱟᱠᱚ ᱾

ᱯᱨᱚᱛᱤᱢᱟ ᱵᱤᱥᱚᱨᱡᱚᱱ-ᱟᱜ ᱣᱟᱴᱚᱨ ᱠᱚᱞᱚᱨ ᱑᱙᱑᱕ ᱨᱮ

ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ ᱫᱚ ᱟᱥᱲᱟ ᱠᱚᱨᱮ ᱵᱟᱭ ᱚᱞ ᱵᱟᱲᱟ ᱟᱠᱟᱫᱟ, ᱛᱚᱵᱮ ᱦᱚᱨᱤᱱᱟᱨᱟᱭᱚᱬ ᱵᱚᱱᱫᱳᱯᱟᱫᱷᱭᱟᱭ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱣᱟᱴᱚᱨ ᱠᱚᱞᱚᱨ ᱠᱟ.ᱢᱤ ᱥᱮᱬᱟᱦᱟᱱ ᱛᱟᱦᱮᱸᱫ ᱾ ᱑᱙᱗᱐ ᱨᱮ, ᱟᱡ ᱵᱚᱠᱚᱛ ᱠᱚᱲᱟ ᱥᱟᱶ ᱱᱩᱠᱤᱱ ᱫᱚ ᱤᱱᱰᱤᱭᱟᱱ ᱥᱳᱥᱟᱭᱤᱴᱤ ᱚᱯᱷ ᱳᱨᱤᱭᱮᱱᱴᱟᱞ ᱟᱨᱴ ᱠᱤᱱ ᱵᱮᱨᱮᱫ ᱞᱮᱫ-ᱟ ᱾ ᱱᱚᱶᱟ ᱜᱮ ᱛᱟᱭᱟᱢ ᱵᱤᱫᱟ.ᱞ ᱨᱩᱯᱚᱢ ᱵᱮᱣᱨᱟ ᱥᱟᱠᱟᱢ ᱮ ᱯᱚᱵᱽᱞᱤᱥ ᱞᱮᱫ-ᱟ ᱾ ᱑᱙᱐᱖ ᱟᱨ ᱑᱙᱑᱐ ᱛᱟᱞᱟᱨᱮ ᱱᱩᱭ ᱫᱚ ᱡᱟᱯᱟᱱᱤᱡᱽ ᱵᱽᱨᱚᱥ ᱴᱮᱠᱱᱤᱠ ᱮ ᱥᱮᱬᱟ ᱞᱮᱫ-ᱟ ᱟᱨ ᱟᱨ ᱨᱚᱵᱤᱱᱫᱽᱨᱚᱱᱟᱛᱷ ᱴᱟᱜᱳᱨ-ᱟᱜ ᱡᱤᱭᱚᱱ ᱠᱟ.ᱦᱱᱤ ᱡᱤᱵᱚᱱᱥᱢᱨᱤᱛᱤ (᱑᱙᱑᱒) ᱨᱮ ᱠᱟ.ᱢᱤ ᱞᱮᱫ-ᱟ ᱾ ᱱᱩᱭ ᱫᱚ ᱪᱚᱭᱛᱚᱱᱭᱚ ᱟᱨ ᱯᱤᱞᱜᱽᱨᱟᱢ ᱥᱤᱨᱤᱡᱽ ᱨᱮ ᱟᱡᱟᱜ ᱠᱟ.ᱢᱤ ᱫᱮᱠᱷᱟᱣ ᱞᱟ.ᱜᱤᱱ ᱥᱮᱱ ᱞᱮᱱᱟᱭ ᱾ ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱵᱮᱝᱜᱚᱞ ᱥᱠᱩᱞ ᱟᱥᱲᱟ ᱨᱮᱭᱟᱜ ᱠᱟ.ᱢᱤ ᱵᱟ.ᱜᱤ ᱠᱟᱛᱮ ᱵᱽᱭᱚᱝᱜᱚ ᱪᱤᱛᱟ.ᱨ ᱵᱮᱱᱟᱣ ᱮ ᱪᱷᱩᱴᱟ.ᱣ ᱞᱮᱱᱟ ᱾ ᱑᱙᱑᱗ ᱨᱮ ᱢᱚᱰᱚᱱ ᱨᱤᱵᱷᱭᱩ(Modern Review) ᱱᱩᱭᱟᱜ ᱠᱟᱴᱳᱱ ᱠᱚ ᱯᱟᱨᱥᱟᱞ ᱞᱮᱫ-ᱟ ᱾ ᱑᱙᱑᱗ ᱛᱟᱭᱚᱢ ᱠᱷᱚᱱ ᱯᱞᱮᱭ ᱚᱯᱷ ᱚᱯᱚᱡᱤᱴ(Play of Opposites) ᱨᱤᱭᱮᱞᱢ ᱚᱯᱷ ᱫᱤ ᱟᱵᱽᱥᱚᱨᱰ(Realm of the Absurd) ᱟᱨ ᱨᱤᱯᱷᱚᱨᱢ ᱥᱠᱨᱤᱢᱥ(Reform Screams) ᱮᱢᱟᱱ ᱯᱚᱛᱚᱵ ᱠᱚᱨᱮ ᱱᱩᱭᱟᱜ ᱠᱟᱨᱴᱳᱱ ᱠᱚ ᱪᱷᱟᱯᱟ ᱥᱚᱫᱚᱨ ᱞᱮᱫ-ᱟ ᱾^[᱒]

᱑᱙᱒᱐ ᱟᱨ ᱑᱙᱒᱕ ᱛᱟᱞᱟᱨᱮ ᱜᱚᱜᱮᱱᱫᱽᱨᱚ ᱱᱟᱛᱷ ᱱᱟᱦᱟᱜᱟᱜ ᱯᱮᱱᱴᱤᱝ ᱨᱮ ᱠᱟ.ᱢᱤ ᱮᱦᱚᱵ ᱵᱤᱰᱟ.ᱣ ᱞᱮᱫ-ᱟ ᱾^[᱓] ᱞᱮᱠᱟᱛᱮ ᱱᱩᱭ ᱫᱚ "ᱯᱩᱭᱞᱩ ᱥᱤᱧᱚᱛᱤᱭᱟ. ᱯᱮᱱᱴᱚᱨ ᱠᱟᱱᱟᱭ, ᱡᱟᱦᱟᱸᱭ ᱫᱚ ᱟᱡᱟᱜ ᱯᱮᱱᱴᱤᱝ ᱞᱮᱠᱟᱛᱮ ᱨᱚᱲ ᱟᱨ ᱞᱟᱠᱪᱟᱨ ᱠᱚᱭ ᱵᱮᱱᱟᱣ ᱥᱟ.ᱨᱤᱛ ᱞᱮᱫ-ᱟ ᱾"^[᱔] ᱑᱙᱒᱕ ᱛᱟᱭᱚᱢ ᱠᱷᱟᱱ ᱱᱩᱭ ᱫᱟ ᱠᱚᱢᱯᱞᱮᱠᱥ ᱯᱳᱥᱴ ᱠᱭᱩᱵᱤᱥᱴ(complex post-cubist) ᱵᱮᱨᱮᱫ ᱞᱮᱫ-ᱟ ᱾

ᱱᱩᱭ ᱫᱚ ᱚᱱᱚᱞᱤᱭᱟ. ᱞᱮᱠᱟᱛᱮ ᱠᱟ.ᱢᱤ ᱟᱠᱟᱫᱟ ᱾ ᱠᱤᱪᱷᱩᱜᱟᱱ ᱜᱤᱫᱽᱨᱟ. ᱯᱚᱛᱚᱵ ᱠᱚᱭ ᱚᱞ ᱟᱠᱟᱫᱟ ᱾ ^[᱕]

ᱥᱟ.ᱠᱷᱭᱟ.ᱛ

↑ Sengupta, Subodhchandra; Bose, Anjali, eds. (2010). Sansad Bangali Charitabhidhan (5th ed.). Calcutta: Sahitya Samsad. ISBN 9788185626659.
↑ Terracciano, Emilia. "Biographical Notes". Bengal School Painting from the Collection of L.T.P Manjusri (1902-82). Oliver Forge Brendan Lynch.
↑ ᱠᱚᱥᱛᱩᱨᱵᱷᱟᱭᱤ ᱞᱟᱞᱵᱷᱟᱭᱤ ᱢᱭᱩᱡᱤᱭᱚᱢ, ᱚᱦᱚᱢᱚᱫᱟᱵᱟᱫᱽ
↑ Partha Mitter (2007). The Triumph of Modernism: India's Artists and the Avant-Garde, 1922-1947. Reaktion Books. p. 18. ISBN 978-1-86189-318-5.
↑ "Gaganendranath Tagore". Grove Art Encyclopaedia, Oxford University Press.

ᱵᱟ.ᱲᱛᱤ ᱡᱚᱱᱚᱲ

Gagnendranath Tagore
Gaganendranath Tagore's Realm of the Absurd, Mukul Dey Archives
Gaganendranath Tagore's works at V&A
Gaganendranath's Moments with Cubism Archived ᱒᱖ ᱡᱩᱱ ᱒᱐᱒᱐ at the Wayback Machine.

[sengupta-1] Sengupta, Subodhchandra; Bose, Anjali, eds. (2010). Sansad Bangali Charitabhidhan (5th ed.). Calcutta: Sahitya Samsad. ISBN 9788185626659.

[2] Terracciano, Emilia. "Biographical Notes". Bengal School Painting from the Collection of L.T.P Manjusri (1902-82). Oliver Forge Brendan Lynch.

[3] ᱠᱚᱥᱛᱩᱨᱵᱷᱟᱭᱤ ᱞᱟᱞᱵᱷᱟᱭᱤ ᱢᱭᱩᱡᱤᱭᱚᱢ, ᱚᱦᱚᱢᱚᱫᱟᱵᱟᱫᱽ

[Mitter2007-4] Partha Mitter (2007). The Triumph of Modernism: India's Artists and the Avant-Garde, 1922-1947. Reaktion Books. p. 18. ISBN 978-1-86189-318-5.

[5] "Gaganendranath Tagore". Grove Art Encyclopaedia, Oxford University Press.

[᱑]

[᱒]

[᱓]

[᱔]

[᱕]