ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱵᱷᱟ

ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱯᱟ
ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱯᱟ
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ ᱟᱨ ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ	ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱯᱟ; ᱒᱕ ᱱᱚᱵᱷᱮᱢᱵᱚᱨ ᱑᱙᱘᱗ (᱓᱖ ᱥᱮᱨᱢᱟ) ; ᱮᱨᱱᱟᱠᱩᱞᱟᱢ, ᱠᱮᱨᱚᱲ, ᱥᱤᱧᱚᱛ
ᱚᱲᱟᱜ	ᱮᱨᱱᱟᱠᱩᱞᱟᱢ, ᱠᱮᱨᱚᱲ, ᱥᱤᱧᱚᱛ
ᱫᱤᱥᱚᱢᱤᱭᱟᱹ	ᱥᱤᱧᱚᱛᱤᱭᱟᱹ
ᱠᱟᱹᱢᱤ	ᱯᱷᱤᱞᱢ ᱮᱠᱴᱨᱮᱥ
ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ	᱒᱐᱐᱘–present
ᱣᱮᱵᱽᱥᱟᱭᱤᱴ	krishnapraba.in

ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱯᱟ, ᱫᱚ ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱯᱷᱟ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱸ ᱧᱩᱛᱩᱢ ᱮᱢ ᱟᱠᱟᱱᱟ, ^[᱒] ᱢᱤᱫ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱯᱷᱤᱞᱢ ᱮᱠᱴᱨᱮᱥ ᱟᱨ Professional ᱮᱱᱮᱡᱤᱜ ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱟᱨ ᱥᱤᱱᱮᱢᱟ ᱞᱟᱠᱪᱟᱨ ᱨᱮ ᱥᱮᱪᱮᱫᱚᱜ ᱠᱟᱱᱟ ᱱᱚᱣᱟ ᱢᱩᱬ ᱞᱮᱠᱟᱛᱮ ᱢᱚᱞᱟᱭᱟᱞᱚᱢ ᱯᱷᱤᱞᱢ ᱨᱮ ᱫᱮᱠᱷᱟᱣ ᱮᱢᱚᱜ ᱾ ᱧᱩᱛᱩᱢᱟᱱ ᱢᱚᱞᱟᱭᱟᱞᱚᱢ ᱯᱷᱤᱞᱢ ᱫᱤᱥᱟᱹ ᱩᱫᱩᱜᱤᱦ ᱵᱤ. ᱩᱱᱱᱤᱠᱨᱤᱥᱟᱱᱟᱱ ᱤᱡ ᱫᱤᱥᱟᱹ ᱩᱫᱩᱜᱤᱦ ᱵᱮᱱᱟᱣ ᱮᱱᱟ ᱯᱷᱤᱞᱢ ᱢᱚᱫᱟᱢᱟᱯᱤ (᱒᱐᱐᱘) ᱨᱮ ᱩᱱᱤᱫᱚ ᱯᱷᱤᱞᱢ ᱤᱱᱰᱟᱥᱴᱨᱤ ᱨᱮ ᱵᱚᱞᱚ ᱭᱮᱱᱟ ᱾ ᱩᱱᱤᱫᱚ ᱞᱟᱭᱤᱯᱷ ᱳᱯᱷ ᱡᱚᱥᱴᱴᱤ (᱒᱐᱑᱕) ᱨᱮ ᱢᱳᱞᱤᱠᱩᱴᱴᱤ ᱟᱜ ᱨᱚᱞ ᱫᱮᱠᱷᱟᱣ ᱟᱠᱟᱫᱼᱟ ᱾^[᱓] ᱡᱤᱴᱷᱩ ᱡᱚᱥᱮᱯᱷ ᱤᱫᱤ ᱛᱮ ᱫᱤᱥᱟᱹ ᱩᱫᱩᱜᱤᱦ ᱾ ᱯᱨᱚᱵᱷᱟ ᱒᱐᱐᱙ ᱨᱮ ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱛᱤᱨᱞᱟᱹ ᱦᱟᱥᱭᱟ ᱮᱠᱴᱨᱮᱥ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱡᱮᱥᱤ ᱰᱮᱢᱤᱭᱟᱞ ᱯᱷᱟᱣᱸᱰᱮᱥᱚᱱ ᱥᱤᱨᱯᱷᱟᱹ ᱨᱮᱱᱟᱜ ᱥᱟᱹᱛ ᱮᱱᱟ ᱾ ᱱᱚᱣᱟ ᱦᱩᱰᱤᱧ ᱯᱟᱨᱫᱟ ᱨᱮ ᱦᱚᱸ ᱠᱚ ᱧᱮᱞᱚᱜ ᱟ ᱾

ᱯᱩᱭᱞᱩ ᱡᱤᱭᱚᱱ

ᱯᱨᱚᱵᱷᱟ ᱟᱜ ᱡᱟᱱᱟᱢ ᱑᱙᱘᱗ ᱨᱮ ᱠᱚᱞᱟᱢᱚᱥᱥᱮᱨᱤ ᱮᱪᱮᱢᱴᱤ ᱟᱨ ᱥᱤᱞᱟ ᱯᱨᱚᱵᱷᱟᱠᱚᱨᱚᱱ ᱱᱟᱭᱚᱨ ᱟᱜ ᱢᱟᱬᱟᱝ ᱢᱮᱠᱮᱱᱤᱠᱟᱞ ᱤᱱᱡᱤᱱᱤᱭᱟᱨ ᱜᱚᱡ ᱤᱦ ᱥᱤᱟᱨ ᱯᱨᱚᱵᱷᱟᱠᱚᱨᱚᱱ ᱱᱟᱭᱚᱨ ᱟᱜ ᱮᱨᱱᱟᱠᱩᱞᱚᱢ ᱦᱚᱱᱚᱛ ᱨᱤᱱᱤᱡ ᱥᱨᱤ ᱥᱩᱫᱷᱤᱱᱫᱽᱨᱚ ᱢᱮᱰᱤᱠᱟᱞ ᱢᱤᱥᱚᱱ ᱟᱥᱯᱟᱛᱟᱞ ᱨᱮ ᱦᱩᱭ ᱞᱮᱱᱟ ᱛᱟᱦᱮᱸᱫ ᱾ ᱩᱱᱤᱫᱚ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱥᱮᱪᱮᱫ ᱥᱮᱸᱴ ᱡᱟᱥᱮᱯᱷ ᱟᱥᱲᱟ ᱠᱟᱞᱟᱢᱟᱥᱮᱨᱤ ᱠᱷᱚᱱ ᱥᱟᱹᱛ ᱠᱮᱫᱼᱟ ᱟᱨ ᱦᱚᱲ ᱡᱟᱹᱛᱤ ᱨᱮ ᱩᱥᱩᱞ ᱛᱟᱞᱢᱟ ᱥᱮᱪᱮᱫ ᱥᱟᱹᱛ ᱠᱮᱫᱼᱟ ᱟᱨ ᱛᱷᱣᱟᱨᱟ ᱥᱮᱠᱨᱮᱰ ᱦᱟᱨᱴ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱠᱚᱪᱤ ᱠᱷᱚᱱ ᱜᱨᱮᱡᱩᱭᱮᱴ ᱟᱠᱟᱫᱟ ᱾ ᱩᱱᱤᱭᱟᱜ ᱥᱟᱯᱨᱟᱣ ᱦᱟᱱᱛᱟᱨ ᱤᱯᱷᱮᱠᱴ (effect) ᱨᱮ ᱢᱚᱦᱤᱱᱤᱟᱴᱴᱚᱢ, ᱠᱩᱪᱤᱯᱩᱲᱤ, ᱱᱟᱫᱽᱠᱚᱢ, ᱟᱨ ᱢᱟᱨᱜᱟᱢ ᱠᱟᱞᱤ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ, ᱩᱱᱤᱫᱚ ᱮᱞᱟᱭᱚᱸᱥ ᱡᱮᱜᱮᱫ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱵᱟᱸᱜᱽᱞᱳᱨ ᱠᱷᱚᱱ ᱵᱷᱟᱨᱥᱛᱱᱟᱴᱭᱚᱢ ᱨᱮ ᱰᱤᱯᱱᱚᱢᱟ ᱥᱟᱴᱤᱯᱷᱤᱠᱮᱴ ᱥᱟᱹᱛ ᱠᱮᱫᱼᱟ ᱾ ᱠᱨᱤᱥᱟᱱ ᱯᱚᱟᱵᱷᱟ ᱫᱚ ᱠᱟᱠᱟᱢᱟᱸᱰᱟᱞᱟᱢ ᱥᱩᱜᱷᱟᱱᱫᱷᱤ ᱨᱮᱱᱟᱜ ᱢᱮᱸᱴᱟᱨᱥᱤᱯ ᱞᱮᱠᱟ ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱮᱱᱮᱡ ᱨᱮᱱᱟᱜ ᱥᱮᱪᱮᱫᱚᱜ ᱥᱟᱹᱛ ᱠᱮᱫᱼᱟ, ^[᱔] ᱓ ᱥᱟᱞ ᱩᱢᱚᱨ ᱨᱮ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱮᱱᱮᱡ ᱢᱟᱪᱮᱛ ᱾^{[ᱥᱟᱹᱠᱭᱟᱹᱛ ᱞᱟᱹᱠᱛᱤ ᱠᱟᱱᱟ]}

ᱵᱮᱯᱟᱨ

ᱯᱨᱚᱵᱷᱟ ᱫᱚ ᱯᱚᱱᱚᱛ ᱞᱮᱵᱟᱞ (level) ᱭᱩᱵᱟ ᱯᱟᱨᱟᱵᱽ ᱠᱚᱢᱯᱮᱴᱤᱥᱚᱱ (competition) ᱨᱮ ᱟᱹᱰᱤ ᱜᱟᱱ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱫᱼᱟ ᱾ ᱱᱚᱣᱟ ᱢᱤᱫ ᱮᱱᱮᱡ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱟᱡᱽ ᱜᱤᱱᱤᱡᱽ ᱠᱚᱪᱤ ᱱᱟᱵᱚᱫᱟᱭ ᱢᱟᱸᱰᱞᱤ ᱨᱮ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ ᱾ ᱛᱟᱭᱚᱢ ᱛᱮ ᱩᱱᱤᱫᱚ ᱮᱥᱤᱭᱟᱱ ᱴᱤᱵᱷᱤ ᱪᱮᱱᱟᱞ ᱨᱮ ᱢᱤᱫ ᱠᱟᱹᱢᱤ "ᱠᱳᱢᱮᱰᱤ ᱫᱮᱠᱷᱟᱣ" ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱥᱟᱡᱚᱱ ᱯᱚᱞᱞᱩᱨᱛᱷᱤ ᱟᱨ ᱯᱨᱚᱡᱚᱫᱽ ᱥᱟᱶ ᱜᱚᱲᱚ ᱟᱫᱮ ᱾ ᱵᱤ. ᱩᱱᱱᱤᱠᱨᱤᱥᱟᱱᱟᱱ ᱟᱜ ᱯᱷᱤᱞᱢ ᱨᱮ ᱟᱡᱟᱜ ᱮᱛᱚᱦᱚᱵᱽ ᱛᱟᱭᱚᱢ, ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱵᱷᱟ ᱢᱚᱞᱟᱭᱟᱞᱚᱢ ᱯᱷᱤᱞᱢ ᱤᱱᱰᱟᱥᱴᱨᱤ ᱨᱮ ᱪᱮᱛᱟᱱ ᱱᱟᱜ ᱯᱷᱤᱞᱢ ᱨᱮᱱᱟᱜ ᱥᱤᱨᱤᱭᱟᱹᱞ ᱨᱮ ᱵᱷᱤᱱᱮ ᱵᱷᱤᱱᱮ ᱜᱩᱬ ᱟᱜ ᱦᱟᱨᱟ ᱮᱱᱟᱭ ᱟᱨ ᱟᱡᱟᱜ ᱠᱟᱢᱤ ᱛᱩᱞᱟ.ᱣ ᱮᱫᱟᱭ ᱟᱥᱚᱠᱟᱭ ᱞᱮᱠᱟᱛᱮ ᱱᱟᱛᱷᱚᱞᱤ ᱳᱨᱩ ᱪᱮᱨᱤᱭᱟ ᱢᱤᱱᱞᱟ (᱒᱐᱑᱓) ᱟᱨ ᱞᱟᱭᱤᱯᱷ ᱳᱯᱷ ᱡᱚᱥᱴᱤ (᱒᱐᱑᱕) ᱨᱮ ᱾ ᱒᱐᱑᱔ ᱨᱮ, ᱩᱱᱤᱫᱚ ᱢᱮᱱ ᱠᱮᱫᱼᱟ ᱡᱮ ᱚᱱᱟ ᱞᱟᱜᱟᱣ ᱟ ᱠᱟᱵᱽᱭᱟ ᱢᱟᱫᱷᱣᱟᱱ ᱟᱨ ᱨᱚᱢᱮᱥ ᱯᱤᱥᱟᱨᱚᱰᱤ ᱥᱟᱶᱛᱮ ᱟᱹᱰᱤ ᱜᱟᱱ ᱧᱩᱛᱩᱢᱟᱱ ᱦᱚᱲ ᱛᱟᱭᱚᱢ ᱛᱮ ᱥᱩᱠᱩᱢᱟᱨᱤ ᱟᱜ ᱥᱚᱢᱟᱱ ᱨᱮ ᱩᱱᱤ ᱟᱥᱚᱠᱟᱭ ᱟᱹᱢᱟᱹᱞᱮᱛ ᱥᱟᱹᱛ ᱠᱮᱫᱼᱟ ᱾ ᱩᱱᱤᱫᱚ ᱵᱚᱭᱤᱝ ᱵᱚᱭᱤᱝ ᱨᱮ ᱥᱤ ᱴᱮᱠᱥᱤ ᱟᱨ ᱥᱩᱠᱩᱢᱟᱨᱤ ᱟᱜ ᱜᱩᱬ ᱨᱮ ᱮᱱᱮᱡ ᱠᱮᱫᱼᱟ ᱜᱩᱬ ᱛᱟᱞᱟ ᱢᱮᱞ ᱞᱟᱹᱭ ᱠᱮᱫᱼᱟ ᱾^[᱕] ᱒᱐᱑᱗ ᱨᱮ, ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱵᱷᱟ ᱥᱤᱱᱮ ᱮᱠᱴᱨᱮᱥ ᱜᱟᱭᱚᱛᱨᱤ ᱤᱫᱤ ᱛᱮ ᱫᱤᱥᱟᱹ ᱩᱫᱩᱜᱤᱦ ᱮᱱᱮᱡ ᱜᱟᱭᱟᱱ, ᱨᱟᱫᱷᱟ ᱢᱟᱫᱷᱣᱟᱱ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱟᱹᱰᱤ ᱜᱟᱱ ᱥᱤᱨᱯᱷᱟᱹ ᱡᱤᱛᱠᱟᱹᱨ ᱟᱪᱮᱛᱟᱱᱤ ᱨᱮ ᱥᱮᱞᱮᱫ ᱮᱱᱟ ᱾ ^[᱖]ᱩᱱᱤᱫᱚ ᱒᱐᱑᱗ ᱨᱮ ᱯᱷᱤᱞᱢ, ᱛᱷᱮᱨᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱥᱮᱨᱮᱧ ᱠᱮᱫᱼᱟ ᱾

ᱥᱤᱨᱯᱷᱟᱹ

ᱡᱮᱥᱤ ᱰᱮᱱᱤᱭᱚᱞ ᱯᱷᱟᱣᱩᱸᱰᱮᱥᱚᱱ ᱥᱤᱨᱯᱷᱟᱹ

᱒᱐᱐᱙: ᱟᱹᱰᱤ ᱱᱟᱯᱟᱭ ᱛᱤᱨᱞᱟᱹ ᱠᱚᱢᱮᱰᱤ ᱮᱠᱴᱨᱮᱥ ᱡᱮᱥᱤ ᱰᱮᱱᱤᱛᱚᱞ ᱯᱷᱟᱣᱩᱸᱰᱮᱥᱚᱱ ᱥᱤᱨᱯᱷᱟᱹ

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ

↑ "KRISHNA PRABA". Oneindia.in.
↑ "Dance apart from films". Deccan Chronicle. Kochi. Retrieved 2016-08-13.^{[permanent dead link]}
↑ "KRISHNA PRABA about her character in Life of Josutty". Times of India
↑ "Kalamandalam Suganthi about redefining mohiniyattam". The Hindu
↑ "Krishna Praba compared to sukumari". Times of India
↑ "Radha Madhavam enacted by Krishna Praba". Deccan Chronicle

ᱵᱟᱦᱨᱮ ᱡᱚᱱᱚᱲ

ᱢᱩᱠᱷᱭᱟᱹ ᱣᱮᱵᱽᱥᱟᱭᱤᱴ
ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱵᱷᱟ (ᱤᱱᱴᱚᱨᱱᱮᱴ ᱢᱩᱵᱷᱤ ᱰᱟᱴᱟᱵᱮᱥ ᱨᱮ)

[1] "KRISHNA PRABA". Oneindia.in.

[2] "Dance apart from films". Deccan Chronicle. Kochi. Retrieved 2016-08-13.^{[permanent dead link]}

[3] "KRISHNA PRABA about her character in Life of Josutty". Times of India

[4] "Kalamandalam Suganthi about redefining mohiniyattam". The Hindu

[5] "Krishna Praba compared to sukumari". Times of India

[6] "Radha Madhavam enacted by Krishna Praba". Deccan Chronicle

[᱒]

[᱓]

[᱑]

[᱔]

[᱕]

[᱖]

ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱯᱟ

ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ ᱟᱨ ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ	ᱠᱨᱤᱥᱱᱟ ᱯᱨᱚᱯᱟ ᱒᱕ ᱱᱚᱵᱷᱮᱢᱵᱚᱨ ᱑᱙᱘᱗ (1987-11-25) (᱓᱖ ᱥᱮᱨᱢᱟ) ^[᱑] ᱮᱨᱱᱟᱠᱩᱞᱟᱢ, ᱠᱮᱨᱚᱲ, ᱥᱤᱧᱚᱛ
ᱚᱲᱟᱜ	ᱮᱨᱱᱟᱠᱩᱞᱟᱢ, ᱠᱮᱨᱚᱲ, ᱥᱤᱧᱚᱛ
ᱫᱤᱥᱚᱢᱤᱭᱟᱹ	ᱥᱤᱧᱚᱛᱤᱭᱟᱹ
ᱠᱟᱹᱢᱤ	ᱯᱷᱤᱞᱢ ᱮᱠᱴᱨᱮᱥ
ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ	᱒᱐᱐᱘–present
ᱣᱮᱵᱽᱥᱟᱭᱤᱴ	krishnapraba.in