ᱢᱟᱭᱟ ᱨᱟᱣ ᱫᱚ ᱢᱤᱫ ᱥᱤᱧᱚᱛᱤᱭᱟ ᱠᱞᱟᱥᱤᱠᱟᱞ ᱮᱱᱮᱡᱤᱭᱟ, ᱠᱳᱨᱤᱭᱚᱜᱨᱟᱯᱷᱚᱨ ᱟᱨ ᱠᱳᱛᱷᱚᱠ ᱮᱱᱮᱡ ᱨᱮᱱ ᱢᱟᱪᱮᱫ ᱦᱚᱸ ᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱫᱚ ᱑᱙᱒᱘ ᱥᱟᱞᱮ ᱢᱮ ᱒ ᱨᱮ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ ᱟᱨ ᱒᱐᱑᱔ ᱥᱟᱞ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱑ ᱨᱮ ᱵᱚᱸᱜᱟ ᱛᱟᱞᱟ ᱦᱟᱠᱟᱱᱟᱭ ᱾ ᱩᱱᱤ ᱠᱚᱛᱷᱚᱠ ᱮᱱᱮᱡ ᱨᱮᱱᱟᱜ ᱠᱳᱨᱤᱭᱚᱜᱨᱟᱯᱷᱚᱨ ᱵᱤᱥᱮᱥ ᱠᱟᱭ ᱛᱮ ᱰᱟᱹᱱᱥ ᱣᱟᱹᱞᱮᱴᱥ ᱨᱮ ᱟᱡᱟᱜ ᱮᱱᱮᱢ ᱢᱮᱱᱟᱜ ᱢᱮᱱᱛᱮ ᱵᱟᱰᱟᱭᱚᱜ ᱠᱟᱱᱟ ᱾ ᱩᱛᱚᱨ ᱥᱤᱧᱚᱛ ᱨᱮ ᱠᱚᱛᱷᱚᱠ ᱮᱱᱮᱡ ᱨᱮᱱᱟᱜ ᱰᱷᱚᱝ ᱫᱟᱹᱠᱷᱤᱱ ᱱᱟᱠᱷᱟ ᱥᱮᱫ ᱞᱮᱠᱟ ᱮᱱᱮᱡ ᱞᱟᱹᱜᱤᱫ ᱟᱡ ᱠᱚ ᱠᱨᱮᱰᱤᱴ ᱟᱹᱫ ᱛᱟᱦᱮᱸ ᱱᱟ ᱠᱚ ,ᱡᱚᱠᱷᱚᱱ ᱩᱱᱤ ᱮᱱᱮᱡ ᱞᱟᱹᱜᱤᱫ ᱱᱟᱛᱷᱟ ᱤᱱᱥᱴᱤᱴᱩᱴ ᱚᱯᱷ ᱠᱚᱛᱷᱚᱠ ᱟᱨ ᱠᱳᱨᱤᱭᱚᱜᱨᱟᱯᱷᱚᱨ ᱟᱥᱲᱟ ᱵᱮᱱᱟᱣ ᱞᱮᱫᱟᱹᱭ ᱾ ᱱᱚᱣᱟ ᱟᱥᱲᱟ ᱫᱚ᱑᱙᱘᱗ ᱥᱟᱞᱮ ᱨᱮ ᱵᱟᱝᱞᱳᱨ ᱨᱮᱱᱟᱜ ᱢᱟᱞᱮᱥᱣᱚᱨᱚᱢ ᱨᱮ ᱢᱮᱱᱟᱜ ᱟᱠᱟᱫᱟ ᱾[᱑][᱒] ᱟᱡᱟᱜ ᱮᱱᱮᱡ ᱠᱳᱢᱯᱟᱱᱤ "ᱱᱟᱴᱭᱚ ᱟᱨ ᱥᱴᱮᱢ ᱮᱱᱮᱡ ᱠᱟᱢᱯᱱᱤ" ᱮ ᱛᱷᱟᱯᱚᱱ ᱞᱮᱫᱟᱭ ᱾ NIKC ᱟᱜ ᱢᱤᱫ ᱥᱚᱢᱟᱜᱚᱢ ᱟᱨ ᱵᱟᱝᱞᱳᱨ ᱨᱮ ᱢᱮᱱᱟᱜ ᱠᱟᱜ ᱥᱴᱮᱢ ᱰᱟ.ᱱᱥ ᱠᱚᱢᱯᱱᱤ ᱫᱚ ᱟᱡᱤᱡ ᱦᱚᱯᱚᱱ ᱮᱨᱟ ᱢᱚᱫᱷᱩ ᱱᱚᱴᱨᱟᱡ ᱮ ᱛᱷᱟᱯᱚᱱ ᱟᱠᱟᱫᱟᱭ ᱾ [᱓][᱔] ᱡᱚᱭᱯᱩᱨ ᱜᱷᱟᱨᱟ ᱨᱤᱱᱤᱡ ᱜᱩᱨᱩ ᱥᱳᱦᱟᱱᱞᱟᱞ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱟᱡᱟᱜ ᱟᱬᱜᱟᱛ ᱴᱨᱮᱱᱤᱧ ᱦᱟᱛᱟᱣ ᱛᱟᱭᱚᱢ ᱚᱱᱟ ᱴᱷᱟᱶ ᱨᱤᱱᱤᱡ ᱜᱩᱨᱩ ᱥᱩᱱᱫᱚᱨ ᱯᱨᱚᱥᱟᱫ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱴᱨᱮᱱᱤᱧ ᱦᱟᱛᱟᱣ ᱞᱮᱫᱟᱭ ᱾ ᱞᱳᱠᱱᱳ ᱜᱷᱟᱨᱟᱱᱟ ᱨᱮ ᱫᱤᱞᱞᱤ ᱱᱟᱥᱱᱟᱞ ᱤᱱᱥᱴᱤᱴᱩᱴ ᱳᱯᱷ ᱠᱚᱛᱷᱚᱠ (Delhi National Institute of Kothok) ᱨᱮ ᱜᱩᱨᱩ ᱥᱚᱢᱵᱷᱩ ᱢᱚᱦᱟᱨᱟᱡ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱴᱨᱮᱱᱤᱧ ᱦᱟᱛᱟᱣ ᱞᱟ.ᱜᱤᱫ ᱪᱟᱞᱟᱣ ᱠᱮᱱᱟᱭ ᱾

ᱢᱟᱭᱟ ᱨᱟᱣ
ᱢᱟᱭᱟ ᱨᱟᱣ ᱫᱤᱞᱞᱤ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱢᱤᱫᱩᱱ ᱨᱮ,᱒᱐᱑᱖
ᱡᱟᱱᱟᱢ ᱧᱩᱛᱩᱢ ᱡᱟᱱᱟᱢ ᱢᱟᱹᱦᱤᱛ  ᱟᱨ  ᱡᱟᱱᱟᱢ ᱴᱷᱟᱶ᱒ ᱢᱮ ᱑᱙᱒᱘(1928-05-02)
ᱢᱟᱞᱮᱥᱣᱚᱨᱚᱢ, ᱵᱟᱝᱞᱳᱨ
ᱜᱩᱨ᱐᱑ ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱒᱐᱑᱔ (᱘᱖ ᱵᱚᱭᱚᱥ)
ᱵᱟᱝᱞᱳᱨ
ᱠᱟᱹᱢᱤᱠᱚᱛᱷᱚᱠ ᱜᱩᱨᱩ , ᱮᱱᱮᱡᱤᱭᱟ, ᱠᱳᱨᱤᱭᱳᱜᱨᱟᱯᱷᱳᱨ

ᱱᱟᱴᱭᱚ ᱤᱱᱥᱴᱤᱴᱩᱴ ᱳᱯᱷ ᱠᱚᱛᱷᱚᱠ ᱟᱨ

ᱠᱳᱨᱤᱭᱳᱜᱨᱟᱯᱷᱳᱨ ᱨᱤᱱᱤᱡ Founder (NIKC, ᱑᱙᱘᱗)
ᱠᱟᱹᱢᱤ ᱚᱠᱛᱚ᱑᱙᱔᱕– ᱒᱐᱑᱔
Current groupᱱᱟᱴᱭᱚ ᱟᱨ ᱥᱴᱮᱢ ᱮᱱᱮᱡ ᱠᱟᱢᱯᱱᱤ
Dancesᱠᱚᱛᱷᱚᱠ
᱑᱙᱘᱙ ᱥᱟᱞᱮ ᱨᱮ ᱥᱮᱨᱮᱧ ᱮᱱᱮᱡ ᱟᱨ ᱰᱨᱟᱢᱟ ᱞᱟ.ᱜᱤᱫ ᱡᱟ.ᱛᱤᱭᱟᱨᱤᱱ ᱮᱠᱟᱰᱮᱢᱤ ᱢᱟ.ᱱ ᱥᱚᱸᱜᱤᱛ ᱱᱟᱴᱚᱠ ᱮᱠᱟᱰᱮᱢᱤ ᱯᱟᱥᱴᱟ ᱠᱷᱚᱱ ᱥᱚᱸᱜᱤᱛ ᱱᱟᱴᱚᱠ ᱮᱠᱟᱰᱮᱢᱤ ᱥᱤᱨᱯᱟ ᱮᱢ ᱟᱛᱮ ᱠᱚ ᱢᱟ.ᱱ ᱠᱚ ᱮᱢᱟ ᱫᱮᱭᱟ ᱾ ᱒᱐᱑᱑ ᱥᱟᱞᱮ ᱨᱮ ᱮᱠᱟᱰᱮᱢᱤ ᱯᱟᱥᱴᱟ ᱠᱷᱚᱱ ᱨᱚᱵᱤᱱᱫᱨᱚᱱᱟᱛᱷ ᱴᱷᱟᱠᱩᱨ ᱟᱜ ᱑᱕᱐ ᱡᱟᱱᱟᱢ ᱥᱟᱭ ᱥᱮᱨᱢᱟ ᱯᱩᱨᱟᱣ ᱢᱟᱱᱟᱣ ᱚᱠᱛᱚ ᱨᱮ ᱚᱸᱰᱮ ᱥᱮᱴᱮᱨ ᱛᱟᱦᱮᱸ ᱟᱠᱟ ᱑᱐᱐ ᱠᱚᱞᱟᱠᱟᱨ ᱠᱚ ᱢᱩᱫᱽ ᱠᱷᱚᱱ ᱥᱚᱸᱜᱤᱛ ᱱᱟᱴᱚᱠ ᱮᱠᱟᱰᱮᱢᱤ ᱴᱟᱜᱳᱨ ᱨᱚᱛᱱᱚ ᱥᱤᱨᱯᱟ ᱮᱢ ᱠᱟᱛᱮ ᱢᱟ.ᱱ ᱟᱫᱮᱭᱟ ᱠᱚ ᱾ [᱕][᱖]

ᱟᱬᱜᱟᱛ ᱡᱤᱭᱚᱱ ᱥᱟᱯᱲᱟᱣ

ᱩᱱᱤ ᱫᱚ ᱵᱟᱝᱞᱳᱨ ᱨᱮᱱᱟᱜ ᱢᱚᱠᱮᱥᱣᱚᱨᱚᱢ ᱨᱮ ᱠᱚᱝᱠᱳᱱᱤ ᱥᱟᱨᱚᱥᱣᱚᱛᱚ ᱵᱟᱵᱬᱮ ᱜᱷᱟᱸᱨᱚᱡᱽ ᱨᱮ ᱡᱟᱱᱟᱢ ᱟᱠᱟᱱᱟᱭ ᱾ ᱟᱡᱤᱡ ᱯᱮᱭᱟ ᱵᱚᱭᱦᱟ ᱠᱚᱲᱟ ᱟᱨ ᱯᱮᱭᱟ ᱵᱚᱭᱦᱟ ᱠᱩᱲᱤ ᱢᱮᱱᱟᱜ ᱠᱚᱣᱟ ᱾ ᱠᱚᱢ ᱩᱢᱮᱨ ᱨᱮᱩᱱᱤ ᱥᱤᱧᱚᱛᱤᱭᱟ ᱥᱟᱥᱛᱨᱤᱭᱚ ᱥᱮᱨᱮᱧ ᱮ ᱪᱮᱫ ᱞᱮᱫᱟ.ᱭ, ᱨᱟᱢᱟ ᱨᱟᱣ ᱴᱷᱮᱱ ᱠᱷᱚᱱ ᱵᱷᱳᱠᱟᱞ ᱟᱨ ᱤᱱᱥᱴᱨᱩᱢᱮᱱᱴᱟᱞ ᱫᱤᱞᱞᱩᱵᱟ ᱥᱮᱨᱮᱧ ᱮ ᱪᱮᱫ ᱞᱮᱫᱟᱭ,ᱩᱱᱤ ᱵᱟᱵᱬᱮ ᱚᱲᱟᱜ ᱠᱷᱚᱱ ᱡᱟᱱᱟᱢ ᱞᱮᱱᱟᱭ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱠᱩᱲᱤ ᱜᱤᱫᱽᱨᱟ ᱮᱱᱮᱡ ᱵᱟᱠᱚ ᱪᱮᱫ ᱟᱠᱟᱫᱟ ᱾ ᱑᱒ ᱵᱚᱪᱷᱚᱨ ᱩᱢᱮᱨ ᱨᱮ ᱟᱡ ᱵᱟᱵᱟ ᱥᱟᱞᱟᱜ ᱵᱟᱝᱞᱳᱨ ᱨᱮᱱᱟᱜ BRV ᱴᱚᱠᱤᱡ ᱨᱮ ᱮᱱᱮᱡᱤᱭᱟ ᱩᱫᱟ‌.ᱭ ᱥᱚᱸᱠᱚᱨ ᱨᱮᱱᱟᱜ ᱮᱱᱮᱡ ᱜᱟᱫᱮᱞ ᱠᱤᱱ ᱧᱮᱞ ᱞᱮᱫᱟ ᱾ ᱚᱱᱟ ᱧᱮᱞ ᱯᱚᱨᱮ ᱟᱡᱤᱡ ᱵᱟᱵᱟ ᱪᱟᱶᱦᱟᱸᱭ ᱛᱟᱦᱮᱸᱫ ᱠᱤ ᱟᱡᱤᱡ ᱠᱩᱲᱤ ᱮᱱᱮᱡ ᱦᱚᱸᱭ ᱪᱮᱫᱚᱜᱱᱢᱟᱭ ᱾ [᱗][᱘]

ᱥᱟᱹᱠᱷᱭᱟᱹᱛ ᱥᱟᱯᱲᱟᱣ

  1. Shoba Narayan (26 July 2014). "How Kathak breached the north-south divide". Mint. Retrieved 26 July 2014.
  2. Nataraj, Madhu (27 January 2012). "Taking it a step higher, again". The Hindu. Retrieved 26 July 2014.
  3. "About Kampni". stemdancekampni.in. Archived from the original on 1 July 2014. Retrieved 26 July 2014.
  4. "Where contemporary keeps step with classical". The Hindu. 28 June 2013. Retrieved 26 July 2014.
  5. "Sangeet Natak Akademi Ratna and Akademi Puraskar". Sangeet Natak Akademi. 2011. Archived from the original on 7 July 2014. Retrieved 2 August 2014. .. a one-time honour of Tagore Samman to be awarded to 100 persons of the age of 75 years and above who have made significant contribution in the field of performing arts.
  6. "List of recipients of Tagore Akademi Puraskar" (PDF). Press Information Bureau, Government of India. Retrieved 2 August 2014.
  7. "Profiles: Kathak Guru Dr. Maya Rao turns 86 today!". narthaki. Retrieved 27 July 2014.
  8. GS Kumar (25 August 2014). "Maya Rao took forbidden dance to a new level". The Times of India. Retrieved 1 September 2014.