ᱟᱥᱚᱠ ᱪᱟᱣᱲᱟ
ᱟᱥᱚᱠ ᱪᱚᱣᱲᱟ ᱫᱚ ᱵᱤᱫᱤᱞ ᱧᱩᱛᱩᱢ ᱛᱮᱦᱚᱸ ᱵᱟᱰᱟᱭᱚᱜᱼᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱥᱤᱧᱚᱛ ᱨᱮᱱᱟᱜ ᱜᱩᱡᱽᱨᱟᱴ ᱯᱚᱱᱚᱛ ᱨᱮᱱ ᱢᱤᱫ ᱜᱩᱡᱽᱨᱟᱴᱤ ᱯᱟ.ᱨᱥᱤ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱟᱨ ᱠᱨᱤᱴᱤᱠ ᱠᱟᱱᱟᱭ ᱾ ᱒᱐᱑᱓ ᱥᱟᱞᱮ ᱨᱮ ᱟᱡᱟᱜ ᱯᱩᱛᱷᱤ ᱫᱟᱞᱠᱷᱤ ᱛᱷᱤ ᱥᱟᱵᱽ ᱪᱷᱩᱴᱟᱱ (᱒᱐᱑᱒) ᱫᱚ ᱥᱟᱦᱤᱛᱭᱚ ᱮᱠᱟᱰᱮᱢᱤ ᱦᱚᱛᱮᱛᱮ ᱭᱩᱵᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱥᱤᱨᱯᱷᱟᱹᱭ ᱧᱟᱢ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ ᱾ ᱱᱩᱭ ᱫᱚ ᱥᱤᱧᱚᱛᱤᱭᱟᱹ ᱟᱨ ᱯᱟᱠᱤᱥᱛᱟᱱᱤ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱠᱚᱣᱟᱜ ᱩᱨᱫᱩ ᱜᱚᱡᱚᱞ ᱠᱚᱭ ᱛᱚᱨᱡᱚᱢᱟ ᱟᱠᱟᱫᱟ ᱾[᱑] ᱱᱩᱭ ᱫᱚ ᱒᱐᱑᱒ ᱨᱮ ᱯᱟᱠᱤᱥᱛᱟᱱᱤ ᱚᱱᱚᱞᱤᱭᱟ. ᱩᱱᱤ ᱫᱚ ᱜᱩᱡᱽᱨᱟᱴ ᱥᱟᱦᱤᱛᱭᱚ ᱮᱠᱟᱰᱮᱢᱤ ᱠᱷᱚᱱ ᱒᱐᱑᱒ ᱨᱮ ᱡᱩᱣᱟᱹᱱ ᱥᱤᱨᱯᱷᱟᱹ ᱟᱨ ᱜᱩᱡᱽᱨᱟᱴ ᱥᱚᱨᱠᱟᱨ ᱯᱟᱦᱴᱟ ᱠᱷᱚᱱ ᱒᱐᱑᱓-᱑᱔ ᱨᱮ ᱫᱟᱥᱤ ᱡᱤᱵᱚᱱ ᱥᱤᱨᱯᱷᱟᱹ ᱦᱚᱸᱭ ᱧᱟᱢ ᱟᱠᱟᱫ-ᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱟᱞ ᱤᱱᱰᱤᱭᱟ ᱨᱮᱰᱤᱭᱳ ᱟᱨ ᱫᱩᱨᱫᱚᱨᱥᱚᱱ ᱨᱮ ᱟᱭᱢᱟ ᱴᱤᱵᱷᱤ ᱟᱨ ᱨᱮᱰᱤᱭᱳ ᱯᱨᱚᱜᱨᱟᱢ ᱨᱮᱭ ᱠᱟ.ᱢᱤ ᱟᱠᱟᱫ-ᱟ ।[᱑]
| ᱟᱥᱚᱠ ᱪᱚᱣᱲᱟ | |
|---|---|
 ᱒᱐᱑᱒ ᱨᱮ ᱪᱟᱣᱲᱟ | |
| ᱡᱟᱱᱟᱢ | ᱒᱓ ᱚᱜᱚᱥᱴ ᱑᱙᱗᱘ ᱜᱩᱡᱽᱨᱟᱴ, ᱥᱤᱧᱚᱛ |
| ᱢᱟᱹᱱ ᱧᱩᱢ | ᱵᱮᱫᱤᱞ |
| ᱠᱟᱹᱢᱤ | ᱚᱱᱚᱞᱤᱭᱟᱹ, ᱚᱱᱚᱬᱦᱤᱭᱟᱹ, ᱠᱨᱤᱴᱤᱠ, ᱛᱚᱨᱡᱚᱢᱟᱣᱤᱭᱟᱹ ᱟᱨ ᱠᱷᱚᱸᱫᱽᱨᱚᱫᱤᱭᱟᱹ |
| ᱯᱟᱹᱨᱥᱤ | ᱜᱩᱡᱽᱨᱟᱴᱤ ᱯᱟᱹᱨᱥᱤ |
| ᱥᱮᱪᱮᱫ |
|
| ᱥᱮᱪᱮᱫ ᱟᱥᱲᱟ |
|
| ᱚᱠᱛᱚ | Post-modern ᱜᱩᱡᱽᱨᱟᱴᱤ ᱥᱟᱶᱦᱮᱫ |
| ᱚᱱᱚᱞ ᱛᱷᱚᱠ s | ᱜᱟᱡᱟᱞ, ᱥᱮᱨᱮᱧ, ᱧᱮᱱᱮᱞᱚᱞ ᱚᱞ |
| ᱥᱟᱛᱟᱢ | Love, Committed poetry, Humorous poetry, Social realism |
| ᱥᱟᱶᱦᱮᱫ ᱮᱱᱮᱢ |
|
| ᱥᱤᱨᱯᱷᱟᱹ |
|
| 1995- present | |
| ᱡᱤᱭᱚᱱ ᱥᱚᱦᱮᱫ | ᱢᱚᱫᱷᱩ ᱪᱟᱣᱲᱟ (᱒᱐᱐᱔-ᱱᱤᱛ) |
| ᱥᱩᱦᱤ |  |
ᱠᱮᱨᱤᱭᱚᱨ
ᱥᱟᱯᱲᱟᱣᱪᱚᱣᱲᱟ ᱫᱚ ᱑᱙᱙᱕ ᱥᱟᱞᱮᱨᱮ ᱥᱚᱨᱚᱥᱣᱚᱛᱤ ᱥᱴᱮᱰᱤ ᱥᱮᱱᱴᱚᱨ ᱨᱮ ᱯᱟᱨᱥᱚᱱᱟᱞ ᱴᱩᱴᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱟᱡᱟᱜ ᱠᱮᱨᱤᱭᱚᱨ ᱮ ᱮᱛᱚᱦᱚᱵ ᱞᱮᱫ-ᱟ ᱾ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱩᱱᱤ ᱫᱚ ᱠᱟᱵᱤᱞᱚᱠ (᱒᱐᱐᱓-᱐᱔), ᱠᱩᱢᱟᱨ (᱒᱐᱐᱔-᱐᱖) ᱟᱨ ᱩᱫᱫᱮᱥ (᱒᱐᱐᱗-᱐᱘) ᱢᱮᱜᱟᱡᱤᱱ ᱨᱮ ᱥᱟᱶᱛᱮ ᱥᱟᱯᱲᱟᱣᱤᱡ ᱞᱮᱠᱟᱛᱮᱭ ᱠᱟᱹᱢᱤ ᱞᱮᱫ-ᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱜᱩᱡᱽᱨᱟᱴ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱨᱮᱱᱟᱜ ᱠᱚᱢᱭᱩᱱᱤᱠᱮᱥᱚᱱ ᱟᱨ ᱡᱚᱨᱱᱟᱞᱤᱥᱴᱤ ᱰᱤᱯᱟᱨᱴᱢᱮᱱᱴ, ᱥᱚᱨᱫᱟᱨ ᱯᱟᱴᱮᱞ ᱤᱱᱥᱴᱤᱪᱩᱥᱚᱱ ᱚᱯᱷ ᱯᱟᱵᱞᱤᱠ ᱮᱰᱢᱤᱱᱤᱥᱴᱨᱮᱥᱚᱱ (SPIPA) ᱟᱨ ᱚᱦᱢᱚᱫᱟᱵᱟᱫᱽ ᱨᱮᱱᱟᱜ ᱮᱴᱟᱜ ᱥᱮᱪᱮᱫ ᱤᱱᱥᱴᱤᱪᱩᱥᱚᱱ ᱨᱮ ᱜᱮᱥᱴ ᱞᱮᱠᱴᱚᱨ ᱞᱮᱠᱟᱛᱮᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ ᱒᱐᱐᱘ ᱥᱟᱞᱮ ᱨᱮ, ᱩᱱᱤ ᱫᱚ ᱜᱩᱡᱽᱨᱟᱴ ᱟᱭᱩᱨᱵᱮᱫᱟ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱨᱮ ᱢᱤᱫ ᱤᱱᱯᱷᱚᱨᱢᱮᱥᱚᱱ ᱚᱯᱷᱤᱥᱚᱨ ᱞᱮᱠᱟᱛᱮᱭ ᱥᱮᱞᱮᱫ ᱞᱮᱱᱟ ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱩᱱᱤ ᱫᱚ ᱟᱥᱤᱥᱴᱟᱱᱴ ᱨᱮᱡᱤᱥᱴᱨᱟᱨ ᱞᱮᱠᱟᱛᱮᱭ ᱠᱟᱹᱢᱤ ᱠᱮᱫ-ᱟ ᱾ ᱱᱤᱛᱚᱜ ᱩᱱᱤ ᱫᱚ ᱜᱩᱡᱽᱨᱟᱴ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱡᱮᱜᱮᱛ ᱵᱤᱨᱫᱟᱹᱜᱟᱲ ᱚᱦᱢᱚᱫᱟᱵᱟᱫᱽ ᱨᱮ ᱟᱥᱤᱥᱴᱮᱱᱴ ᱨᱮᱡᱤᱥᱴᱨᱟᱨ ᱞᱮᱠᱟᱛᱮ ᱠᱟᱹᱢᱤ ᱠᱟᱱᱟᱭ ᱾[᱒]
ᱠᱟᱹᱢᱤ
ᱥᱟᱯᱲᱟᱣ
ᱪᱚᱣᱫᱟ ᱫᱚ ᱒᱐᱐᱓ ᱨᱮ ᱟᱡᱟᱜ ᱯᱩᱭᱞᱩ ᱜᱚᱡᱚᱞ ᱯᱟᱜᱽᱞᱟ ᱛᱟᱞᱟᱵᱽ (Pagla Talaavm) ᱯᱟᱨᱥᱟᱞ ᱞᱮᱫᱟᱭ, ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱒᱐᱑᱒ ᱨᱮ ᱯᱟᱜᱽᱨᱟᱵᱽ ᱛᱟᱞᱟᱵᱽ (Pagrav Talaavma) ᱯᱟᱨᱥᱟᱞ ᱞᱮᱫᱟᱭ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱪᱤᱱᱩ ᱢᱳᱫᱤ, ᱨᱟᱡᱮᱥ ᱵᱷᱭᱟᱥ 'ᱢᱤᱥᱠᱤᱱ' ᱟᱨ ᱨᱟᱢᱮᱥ ᱯᱟᱨᱮᱠᱷ ᱠᱚᱣᱟᱜ ᱥᱟᱨᱦᱟᱣ ᱧᱟᱢ ᱞᱮᱫᱼᱟ ᱾
᱒᱐᱑᱒ ᱨᱮ, ᱩᱱᱤ ᱫᱚ Dalkhi Thi Saav Chhutan, ᱡᱟᱦᱟᱸ ᱫᱚ ᱯᱚᱥᱴᱢᱚᱰᱟᱨᱱ ᱜᱩᱡᱽᱨᱟᱴᱤ ᱯᱳᱭᱮᱥᱚᱱ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱟᱠᱟᱢ ᱠᱟᱱᱟ, ᱚᱱᱟᱭ ᱯᱟᱨᱥᱟᱞ ᱞᱮᱫᱼᱟ ᱾ ᱚᱱᱟ ᱥᱮᱨᱢᱟ ᱨᱮᱜᱮ, ᱩᱱᱤ ᱯᱤᱴᱷᱤᱭᱳ ᱟᱥᱠᱳ (Pityo Ashko) ᱦᱚᱸᱭ ᱯᱟᱨᱥᱟᱞ ᱞᱮᱫ-ᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱩᱱᱤ ᱟᱡᱟᱜ ᱠᱚᱞᱮᱡᱽ ᱚᱠᱛᱚ ᱨᱮ ᱚᱞ ᱟᱠᱟᱱ ᱦᱤᱢᱚᱨᱚᱥ ᱯᱩᱛᱷᱤ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱥᱟᱠᱟᱢ ᱠᱟᱱᱟ ᱾ ᱯᱤᱛᱭᱚ ᱟᱥᱠᱳ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱞᱤᱨᱤᱠ ᱯᱳᱣᱮᱢ, ᱡᱟᱦᱟᱸ ᱨᱮᱱᱟᱜ ᱧᱩᱛᱩᱢ ᱫᱚ ᱢᱤᱞᱮᱱᱤᱭᱚᱢ ᱨᱟᱫᱷᱟ ᱱᱩ ᱜᱤᱛ, ᱥᱩᱨᱮᱥ ᱫᱟᱞᱟᱞ ᱟᱜ ᱠᱟᱵᱤᱛᱟ (ᱥᱮᱯᱴᱮᱢᱵᱚᱨ ᱑᱙᱙᱙) ᱨᱮ ᱯᱟᱨᱥᱟᱞ ᱞᱮᱱᱟ ᱾
ᱛᱩ ᱠᱟᱦᱩ ᱠᱮ ᱛᱟᱢᱮ (᱒᱐᱑᱒) ᱫᱚ ᱪᱚᱣᱫᱟ ᱟᱜ ᱞᱤᱨᱤᱠ ᱯᱩᱛᱷᱤ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱥᱟᱠᱟᱢ ᱠᱟᱱᱟ ᱾ ᱩᱱᱤ ᱫᱚ ᱢᱳᱴᱤᱣᱮᱥᱱᱟᱞ ᱯᱚᱛᱚᱵ, ᱥᱟᱶᱛᱟ ᱥᱩᱵᱤᱫᱷᱟ ᱟᱨ ᱰᱚᱠᱩᱢᱮᱱᱴᱟᱨᱤ ᱠᱚᱨᱮ ᱦᱚᱸᱭ ᱚᱞ ᱟᱠᱟᱫᱟ ᱾ ᱱᱤᱛᱚᱜ ᱩᱱᱤ ᱫᱚ ᱜᱩᱡᱽᱨᱟᱴᱤ ᱯᱷᱤᱞᱢ ᱯᱟᱜᱚᱫᱷᱤ (Paghadi) ᱨᱮ ᱥᱮᱨᱮᱧ ᱮ ᱚᱞ ᱟᱠᱟᱫᱟ ᱾
᱒᱕ ᱜᱚᱴᱟᱝ ᱠᱨᱤᱛᱤᱠ ᱮᱥᱮ ᱟᱨ ᱗ ᱜᱚᱴᱟᱝ ᱯᱚᱛᱚᱵ ᱨᱮᱱᱟᱜ ᱨᱤᱵᱷᱤᱴᱤ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱥᱚᱵᱽᱰᱚᱭ (᱒᱐᱑᱒) ᱫᱚ ᱜᱩᱡᱽᱨᱟᱴᱤ ᱚᱱᱚᱞᱤᱭᱟᱹ ᱟᱨ ᱜᱩᱡᱽᱨᱟᱴᱤ ᱥᱟᱦᱤᱛᱭᱚ ᱯᱚᱨᱤᱥᱚᱫᱽ ᱨᱤᱱᱤᱡ ᱯᱩᱭᱞᱩ ᱯᱟᱨᱥᱮᱛ ᱫᱷᱤᱨᱩ ᱯᱟᱨᱤᱠ ᱦᱚᱛᱮᱛᱮ ᱟᱹᱰᱤ ᱥᱟᱨᱦᱟᱣ ᱧᱟᱢ ᱞᱮᱱᱟ ᱾
ᱩᱱᱤ ᱫᱚ ᱠᱚᱱᱥᱟᱭᱤᱥ ᱰᱤᱠᱥᱱᱟᱨᱤ ᱚᱯᱷ ᱯᱨᱟᱠᱴᱤᱠᱚᱞ ᱵᱷᱮᱵᱽ (᱒᱐᱑᱒) ᱮ ᱥᱟᱯᱲᱟᱣ ᱞᱮᱫ-ᱟ ᱾ ᱩᱱᱤ ᱫᱚ This Ancient Lyre (᱒᱐᱐᱕) Malayalam poet O. N. V. ᱮ. ᱠᱮ. ᱥᱤ. ᱠᱩᱨᱩᱯ ᱟᱜ ᱯᱩᱛᱷᱤ ᱥᱟᱠᱟᱢ J. ᱴᱚᱢᱟᱥ, ᱜᱩᱡᱽᱨᱟᱴᱤ ᱞᱮᱠᱟᱛᱮ ᱟ ᱯᱨᱚᱪᱤᱱ ᱵᱚᱰᱭᱟ (᱒᱐᱒᱐) ᱾
ᱥᱟᱹᱠᱷᱭᱟᱹᱛ
ᱥᱟᱯᱲᱟᱣ- ↑ ᱑.᱐ ᱑.᱑ Shukla, Kirit (2013). Gujarati Sahityakar Kosh. Gandhinagar: Gujarat Sahitya Akadami. p. 88. ISBN 9789383317028.
- ↑ ગુજરાત આયુ. યુનિવર્સિટીના આસી. રજિસ્ટ્રાર અને પ્રસિદ્ધ કવિ ડો. અશોક ચાવડા 'બેદિલ'નો વિદાય સમારંભ યોજાયો. Archived from the original on 1 June 2018. Retrieved 1 June 2018.